GREGG NADEL PROMOTED TO PRESIDENT OF A&R AT WARNER RECORDS GROUP
Gregg Nadel has been promoted to President of A&R at Warner Records Group, a newly created global leadership role. Based in Los Angeles, he will report directly to Warner Records Group CEO & Co-Chairman Aaron Bay-Schuck.
A 28-year Warner Music Group veteran, Nadel previously served as Co-Chair & Co-President of Warner Music Nashville (now Warner Records Nashville). His appointment comes amid the recent unification of Warner Records’ U.S. and U.K. divisions under the Warner Records Group structure.
In his new capacity, Nadel will oversee the group’s global A&R strategy and foster collaboration across Warner Records U.S., Warner Records U.K., and Warner Records Nashville, leveraging his experience in A&R, marketing, and artist development. Despite the closer alignment, each label will retain its own creative identity and operational independence.
Nadel will collaborate with Joe Kentish (President, Warner Records U.K.), Karen Kwak (Head of A&R, Warner Records U.S.), and Cris Lacy (Chair & President, Warner Records Nashville).
Before his time in Nashville, Nadel served as President of Elektra Entertainment for seven years and previously held leadership roles at Atlantic Records, where he began his career in 1997. Over the years, he has played a key role in the rise of artists including Ed Sheeran, and has been recognized multiple times on Billboard‘s Power 100 list.
Aaron Bay-Schuck and Tom Corson, said, “As we continue to build out Warner Records Group as a tight-knit, seamless global ecosystem, having Gregg join us at the group level will be a huge asset. He’s a rare, all-around music man, with experience in everything from signing chart-topping artists to making records to developing superstars to leading creative teams. His invaluable relationships, calm judgment, and gift for bringing out the best in world-class talent will make a real difference as we focus our combined efforts on forging long-term careers with our U.S., U.K., and Nashville teams.”
Gregg Nadel began his career in the music business at Atlantic Records after college in 1997, where he started in an A&R role and worked with legendary music executives Jason Flom and Craig Kallman.
GRAMMY & GOLDEN GLOBE-NOMINATED SONGWRITER,
PRODUCER & ACTIVIST JUSTIN TRANTER TO RECEIVE THE
“GLOBAL SONGWRITER AWARD” AT MUSEXPO 2026
A&R Worldwide and MUSEXPO – “The United Nations of Music” are proud to announce that Justin Tranter, one of the most influential, socially conscious, and globally impactful creative forces in modern music, will be honored with the “Global Songwriter Award” at the conclusion of the 26th global edition of MUSEXPO, taking place March 22–25, 2026 in Burbank, California, the media and entertainment capital of the world.
Justin is one of the most influential and in-demand creative forces in contemporary music, whose songwriting, production, and activism have left an indelible mark on global culture. With over 75 million singles sold, more than 100 billion streams on Spotify and YouTube, three Diamond-certified songs, and a remarkable tally of accolades including multiple Grammy and Golden Globe nominations, 16 BMI Pop Awards, two consecutive BMI “Songwriter of the Year” titles, and the 2023 SONA Warrior Award, Tranter’s work has topped the charts while shaping and defining sounds of the past decade and beyond.
In 2025, Tranter won “International Song of the Year” at the BRIT Awards for Chappell Roan‘s worldwide smash “Good Luck, Babe!,” which also earned a “Song of the Year” nomination at the 67th Annual Grammy Awards, which followed Tranter’s “Songwriter of the Year” nomination the previous year.
Tranter’s unparalleled creative fingerprint can be felt across music, film, TV, and theater which have defined modern pop and rock, including Justin Bieber‘s Diamond-certified “Sorry,” Imagine Dragons & JID‘s chart-topping “Enemy,” Selena Gomez‘s “Good for You,” DNCE‘s “Cake By The Ocean,” Måneskin‘s “Honey! (Are U Coming?),” and written regularly with some of the biggest names in music such as Ariana Grande, Dua Lipa, Lady Gaga, Miley Cyrus, Cardi B, Sam Smith, Kid Cudi, Janelle Monáe, Demi Lovato, Katy Perry, Reneé Rapp, Saweetie, Cynthia Erivo, The Chicks, Kim Petras, KATSEYE, and more. Tranter is also the executive producer on the forthcoming A Very Jonas Christmas Movie, which features seven new Jonas Brothers songs.
Their journey is also guided by the community they’ve built and grown with Facet House, an inclusive home for publishing and artistry run by Tranter, who has devoted themselves to numerous equal pay initiatives for songwriters. As a former board member of GLAAD and the ACLU of Southern California, Tranter is also an outspoken supporter of human rights with a storied record of fighting for change, inclusiveness, and diversity.
“Justin Tranter represents the very essence of what MUSEXPO stands for – a visionary with global creativity, authenticity, and purpose,” said Sat Bisla, Founder & President of A&R Worldwide and MUSEXPO. “His songwriting, activism, and leadership have elevated music beyond entertainment, and into a positive force for unity, visibility, and change.” The MUSEXPO “Global Songwriter Award” honors exceptional songwriters whose creative vision, and global influence transcend borders. Tranter joins an elite roster of previous honorees that includes Diane Warren, a Grammy, Emmy, and Golden Globe Award-winning and Academy Award-nominated songwriter whose timeless catalog has defined pop and film music across four decades, and Savan Kotecha, a Grammy-nominated hitmaker whose songs for Ariana Grande, The Weeknd, Justin Bieber, Ed Sheeran, and One Direction have dominated charts worldwide.
To register to attend MUSEXPO, sign up HERE.
For artist showcase submissions, apply HERE.
For details on sponsorships, partnerships, panelists, or additional information, contact info@anrworldwide.com.
CRIS LACY NAMED CHAIR & PRESIDENT AT WARNER RECORDS NASHVILLE
As part of Warner Records Group‘s ongoing expansion, Cris Lacy has been appointed Chair & President of the newly renamed Warner Records Nashville, previously known as Warner Music Nashville. In her new role, Lacy will report directly to Warner Records Group CEO & Co-Chairman Aaron Bay-Schuck and COO & Co-Chairman Tom Corson.
Lacy’s promotion reflects Warner’s continued effort to create a more integrated, global framework that bridges genres and markets. The formation of Warner Records Nashville will bring the label’s country music operations into closer alignment with the broader Warner Records Group team.
A highly respected executive, Lacy has spent two decades at Warner Music Nashville, rising through the A&R department before being appointed co-head of the division three years ago.
The rebranding follows Warner Music Nashville’s integration into the Warner Records structure in September 2024. To mark the transition, Warner Records Nashville has unveiled a new logo, designed in harmony with the updated Warner Records visual identity introduced in 2019.
Aaron Bay-Schuck and Tom Corson commented, “This rebrand marks an exciting new era for our flagship Nashville label — one that builds on everything that already makes it so special, guided by Cris’s extraordinary leadership. Her passion, vision, and unwavering respect for artistry define the label’s spirit and have earned the trust of the Nashville community. Together, we’re collaborating closer, and expanding the reach and opportunities for artists in a genre where the future feels limitless. This is an exciting next step as we continue to forge a global ecosystem that amplifies our competitive edge and impact for our artists.”
The company’s Nashville roster includes artists jointly inked by Warner Records and Warner Nashville, such as Gavin Adcock, Adrien Nunez, Slater Nalley, The Bends, The Castellows, and The Creekers. The combined roster now includes notable artists such as Zach Bryan, Cody Johnson, Ashley McBryde, Kenny Chesney, Dan + Shay, Bailey Zimmerman, Dasha, Cole Swindell, Gabby Barrett, Hudson Westbrook, Ingrid Andress, Randy Travis, Warren Zeiders, and many others.
THOMAS COESFELD TO BECOME CEO & CHAIRMAN AT BMG’S PARENT COMPANY BERTELSMANN
Thomas Coesfeld has been chosen by Bertelsmann‘s Supervisory Board to become the company’s next Chairman & CEO. He and his brother are grandsons of Reinhard Mohn (1921–2009), the visionary who transformed Bertelsmann from a small German printing firm into a global media powerhouse.
Bertelsmann, which remains entirely family-owned, encompasses several major businesses including music company BMG, television and broadcasting group RTL, book publisher Penguin Random House, and the services provider Arvato Group.
The company has not yet commented on how Coesfeld’s upcoming promotion might affect BMG or its leadership structure. There is still ample time before the transition, as 35-year-old Thomas Coesfeld will officially take over from current Chairman & CEO Thomas Rabe on January 1, 2027, following the expiration of Rabe’s contract on December 31, 2026.
Coesfeld became CEO of BMG on July 1, 2023, succeeding Hartwig Masuch, after previously serving as the company’s Chief Financial Officer from April 2021 and as Deputy CFO from October 2020.
Thomas Rabe, Chairman & CEO of Bertelsmann, said, “I am incredibly pleased with the Supervisory Board’s decision and congratulate Thomas Coesfeld on behalf of the entire Executive Board. We have worked closely and with great trust for many years, and I will do everything possible to ensure a smooth transition. Bertelsmann’s leadership will be in excellent hands with him and his team.”
Thomas Coesfeld, added, “I would like to thank the Supervisory Board, and in particular its Chairman, Christoph Mohn for the trust they have placed in me. I am very much looking forward to assuming responsibility for leading Bertelsmann. It is a challenge I will take on with the full support of the Executive Board, top management, and all employees.”
JEREMY VUERNICK JOINS ATLANTIC MUSIC GROUP IN LONDON-BASED EXECUTIVE VP ROLE
Jeremy Vuernick has been appointed Executive Vice President of Atlantic Music Group (AMG), becoming part of the company’s global leadership team.
In his new role, Vuernick will report jointly to Elliot Grainge, CEO, AMG, and Atlantic Records U.K. Co-Presidents Ed Howard and Briony Turner. Based in London, he will collaborate closely with both the U.K. and U.S. divisions to identify and develop artists with international reach and impact.
Vuernick most recently founded Queens Road Music in 2024, a Los Angeles-based independent label created in partnership with Atlantic.
Before launching Queens Road Music, Vuernick spent more than ten years at Capitol Music Group (CMG), where he rose to President of A&R. During his tenure, he managed a roster of labels and aided in developing successful artists across multiple genres.
He began his Capitol career in 2013 at the group’s Astralwerks imprint, later holding senior leadership roles at both Astralwerks and Capitol Records before being promoted to Executive Vice President of A&R at CMG in 2019. Prior to joining Capitol, Vuernick held senior positions at New York’s Ultra Music, where he oversaw A&R, marketing, and sales operations.
Elliot Grainge, CEO, AMG said, “I have worked with Jeremy for a number of years and I’m excited to officially welcome him into the AMG family. He comes to us with outstanding experience, instincts, and passion for artists, so he’ll be an ace addition to our newly aligned teams. Under the expert leadership of Ed and Briony, Atlantic U.K. has been a formidable source of chart-topping, game-changing artistry. With Jeremy now based in London, we are continuing to build our bridge across the ocean, ramping up our collective A&R and cultural firepower.”
Each week, A&R Worldwide shares a snapshot of creatives and executives that we have collaborated or worked with in various music markets around the world, albeit in recent or previous times!
Jonathan Dickins has become one of the world’s top artist managers whose company September Management has shepherded the career of superstar artist Adele since she was 15 years old and also represents the likes of Rick Rubin, Corbin, Glass Animals, Little Simz, Rex Orange County, Paul Epworth, and many others. Jonathan and A&R Worldwide Founder Sat Bisla first met back in 2001, thanks to an introduction from Jonathan’s dad Barry Dickins (co-Founder, ITB) who has also been a longtime friend and mentor to Bisla.
Jonathan Dickins’ first notable management client in the early 2000s was Tom Vek who was signed to Island Records, U.K., and his first No.1 U.K. charting A&R discovery was the American singer/songwriter Gary Jules. Jules’ album featuring the Tears For Fears cover song “Mad World,” and his manager (Kevin Held) were introduced to Barry Dickins by Sat Bisla who was an A&R consultant to ITB at the time. In turn, Barry introduced Gary Jules’ music to his son Jonathan who was an A&R scout, who brought Jules to the attention of British music executive Paul Conroy. The signing led to Gary Jules having the coveted No.1 U.K. Christmas single in 2003.
Bisla was also the first DJ in the world (outside of the U.K.) to play Adele’s music on his influential globally syndicated radio program Passport Approved and did Adele’s first ever radio interview worldwide (ex-U.K.) with Steve Schnur. Bisla also worked with Jonathan Dickins in shopping Adele to U.S. record label heads and A&R executives – all of whom passed initially; however, a year and a half later Jonathan signed Adele with Columbia Records in the U.S.
Steve Schnur is one of the world’s most respected and influential executives in music and video gaming. His illustrious career has seen him work in influential and high-profile positions at MTV (during its peak), Elektra Records, Chrysalis Records, Capitol Records, as well as Arista Records. Steve is currently the Worldwide Executive & President of Music, Electronic Arts (EA) – the largest videogame producer in the world. Steve originally joined EA in 2001.
Steve Schnur and Bisla originally met in 2003 with the launch of A&R Worldwide, whereas Bisla and A&R Worldwide became music consultants to Steve and his music team at EA for over a decade. Bisla and A&R Worldwide’s team tipped off Steve and his team at EA Games to songs from artists such as Lily Allen, Klaxons, Robyn, Teddybears, LMFAO, All Mankind, Kasabian, Future Funk Squad, Nine Black Alps, Selasee, SoShy, The Chevin, and many others, whom landed sync placements in EA’s video games.
Steve Schnur also became a co-host with Bisla on his radio show Passport Approved on the late and legendary Indie 103.1FM Los Angeles for several years, where they would interview emerging global artists, A&R executives, music supervisors, and influencers from around the world. The two also did Adele’s very first radio interview in the world (ex-U.K.). Steve Schnur also created the concept for a TV show called Opening Act. When Steve presented the script to Bisla, he introduced Steve to a well-known TV producer whom he was friends with, which landed Steve’s idea on E! Network, which broadcast the show nationally across the U.S. “Opening Act” starred Lady Gaga, Rod Stewart, Nicki Minaj, Gym Class Heroes, LMFAO, and Jason Aldean.
BENNY MORRELL
Rising Melbourne, Australian artist Benny Morrell continues his unstoppable ascent with “All For You,” the standout single from his newly released album All That’s Left via G.Y.R.O. Effortlessly blending pop immediacy with soulful emotion, the track showcases Benny’s knack for heartfelt storytelling wrapped in sleek, world-class production. Produced by Harry Charles (King Princess, Tate McRae), “All for You” has already landed on many major editorial playlists. Including Spotify‘s hits different and New Music Friday AU & NZ, plus Apple Music‘s New Music Daily, Heartbreak Pop, and In My Room. With over 100 million Spotify streams and 30 million YouTube views, Benny has already achieved viral success, from his breakout hit “Better Off Alone” to collaborations with global acts across Brazil, Thailand, and China, and also co-wrote Nate Smith‘s “Gave It All” from the album California Gold. Fresh off his Australian success, Benny is currently with Netflix‘s Midnight Til Morning on their U.S. and Canada tour, which wraps on the 16th, before returning home for an Australian headline run later this year. Listen to “All For You” HERE, and Nathan Tito for additional information and available opportunities worldwide with Benny Morrell.
SHOBSY
Irish pop artist Shobsy delivers a breathtaking reimagining of Bronski Beat‘s queer anthem “Smalltown Boy,” the emotional centerpiece of his debut EP Own The Night, out now via SO Recordings. A powerful blend of vulnerability and strength, Shobsy’s rendition transforms the iconic track into something deeply intimate and cinematic, a tribute to the song’s legacy and a reflection of his own journey toward self-acceptance. With a voice critics have hailed as “extraordinary” (PopMatters) and “George Michael-level” (Irish Daily Mail), Shobsy has quickly emerged as one of Ireland’s most exciting new artists. His EP Own The Night captures his evolution both personally and musically, a collection born of heartbreak, healing, and self-discovery. The video for “Smalltown Boy” mirrors this honesty through its striking simplicity, evoking the timeless poignancy of Sinéad O’Connor‘s “Nothing Compares 2 U.” Following standout performances in Los Angeles, London, and sold-out Dublin shows, Shobsy continues to expand his reach across Europe. He’ll join Dutch trio My Baby on tour this winter, with dates confirmed in Berlin (November 18th), Alkmaar (12/4), Apeldoorn (12/5), Hengelo (12/6), Arnhem (12/7), Haarlem (12/10), and Dordrecht (12/11). With widespread radio and press support (2FM, Hot Press, EARMILK, Passport Approved, PopMatters) and a sound that bridges The Weeknd, Harry Styles, and George Michael, Shobsy stands poised to bring his soulful, genre-blurring pop to global audiences. Enjoy the visual for “Smalltown Boy” HERE, and contact David Reid for all inquiries regarding licensing, live, sync, and brand opportunities with Shobsy.
“PASSPORT APPROVED” PLAYLIST FOR Sunday, November 16th, 2025: The weekly import show is heard on more than 40 radio stations on six continents weekly including: Flux FM Berlin (Germany); NINETYSIX Radio (Indonesia); Radio Doble Nueve, Lima (Peru); Radio C Luxembourg; KWSS “93.9FM” Phoenix, AZ; KRML “102.1FM” Carmel, CA; KFRR “New Rock 104.1FM” Fresno, CA; Radio 1, Mumbai (India); WCNR Charlottesville, VA; KIWR “The River” Council Bluffs, IA; RTÉ 2XM Ireland (national radio); 96.2 ZFM The Netherlands; WAPS/WKTL “91.3 The Summit” Akron–Canton-Youngstown, OH; PUK–FM Johannesburg (South Africa); Rock 96.5FM Zambia; 897 FM Bratislava, Slovakia; WITH “90.1FM” Ithaca, NY; UCFM 87.8FM Australian Capital Territory, Australia; WSHR Long Island, NY, WRUR 88.5FM Rochester, NY; WCRU–FM Hamilton, NY; KZND Anchorage, AK; KQCJ Quad Cities, IL; Allgauhit–FM Bavaria Germany; Indie X FM Los Angeles, QCIndie Saskatchewan, Canada; WJSE Cape May/Atlantic City, NJ and on The Independent FM (iHeartRadio) in the United States, as well as many others internationally.
Listen to this two hour show by clicking HERE:
GOOD NEIGHBOURS – “People Need People” (Polydor Records, U.K.)
THE TULLAMARINES – “Gimme Luv” (Broken 8 Records, Australia)
TAMPLE – “Visions” (Yotanka Records, France)
CAMBER – “What Would You Do?” (Fierce Panda Records, U.K.)
SHOBSY – “Smalltown Boy” (SO Recordings, Ireland)
BENNY MORELL – “Where Did The Time Go” (Kumo Records, Australia)
DEAF HAVANA – “Carousel” (SO Recordings, U.K.)
GORDON’S GRANDSON – “Sunlight” (Anti-Dismal, Australia)
NEWDAD – “Misery” (Atlantic Records, U.K.)
ADAM REESE – “Loser” (Unsigned, U.S.)
RED RUM CLUB – “American Nights & English Mornings” (Modern Sky, U.K.)
ALICE MERTON – “Ignorance Is Bliss” (Paper Plane Records, Canada)
CIRCA WAVES – “Old Balloons” ([PIAS], U.K.)
KARIN ANN – “All My Money” (3AM Records, Slovakia)
NONĒ SUNSHINE – “Nobody, Nobody” (Unsigned, U.S.)
RHETT REPKO – “Home Is Where Her Heart Is” (Unsigned, U.S.)
SKAAR – “Missing Out” (RMV Grammofon/Universal, Norway)
KIDS RETURN – “Time To Time” (Hamburger Records, France)
MIA WRAY– “Ghost In My Machine” (Mushroom Music, Australia)
ST. LUNDI – “Mercury” (Good Taste, U.K.)
THE ROYSTON CLUB – “Glued To The Bed” (Modern Sky, U.K.)
VELLA – “Settle Down” (Universal Music, Sweden)
ALEX SPENCER – “Where Do We Go From Here?” (Modern Sky, U.K.)
ANNA OF THE NORTH – “Waiting For Love” ([PIAS], Norway)
GLASS CITIES – “Issues” (Unsigned, U.S.)
YONAKA – “Problems” (Distiller Records, U.K.)
INHALER – “X-Ray” (Polydor, U.K.)
HARD LIFE – “Y3llow Bike” (Island Records, U.K.)
FLORENCE ROAD – “Break The Girl” (Warner Records, U.K.)
GRANDSON – “Self-Immolation” (XX Records, U.S.)
CAT SERRANO – “Sculpture” (Unsigned, U.S.)
THE AMAZONS – “Night After Night” (Fiction Records, U.K.)
LENNY – “Told Ya” (Unsigned, Czech Republic)
WARNER MUSIC’S A&R POWERHOUSE KABIRU BELLO EXITS AFTER AN EIGHT-YEAR RUN: After a distinguished eight-year tenure, Warner Music‘s Stockholm-based A&R executive Kabiru Bello is departing from his role as Head of A&R, EMEA. The news, confirmed by Bello in a company-wide memo, marks the end of a pivotal chapter in Warner’s expansion across Europe, the Middle East, and Africa. Bello, who joined Warner Music Sweden in 2017, initially made his mark by founding Asylum Records Nordics in 2018. Under his leadership, the label became a regional force, signing breakout Scandinavian artists such as 1.Cuz, Aden & Jireel, Cherrie, Ricky Rich, and others. In 2022, he took on a broader mandate: he was promoted to Vice President of Global A&R for Warner Recorded Music while continuing to oversee Asylum Nordics. His most recent role as Head of A&R for EMEA, saw him shepherding cross-border talent development and bridging local sensibilities with global ambition. In his internal farewell, Bello expressed deep gratitude: “It’s truly been a journey from Sweden to the world. The support, energy, and trust I’ve received have meant more than words can express.” He also highlighted how his curiosity about culture and community drove his work connecting artists, songwriters, and producers across diverse markets and fostering a genuinely global A&R ecosystem. Simon Robson, Warner Music’s President of EMEA Recorded Music, praised Bello’s knack for forging “organic connections” between artists of diverse backgrounds. Robson called him “an A&R powerhouse” whose impact has set a new standard for cross-cultural collaboration. Before joining Warner, Bello was a musician and entrepreneur: he founded 20/20 Records, a Stockholm-based company combining a label, publisher, and management arm.
DAN + SHAY SIGN MANAGEMENT DEAL WITH THE CORE ENTERTAINMENT: Dan + Shay, the three-time Grammy-winning, multi-Platinum country-pop duo, have officially joined The Core Entertainment for management. They will be represented by the company’s Co-Founders & CEOs, Simon Tikhman and Kevin “Chief” Zaruk. Dan + Shay have become one of modern country music’s defining acts. Their catalog of hits including “Tequila,” “Speechless,” “10,000 Hours” (feat. Justin Bieber), “Glad You Exist,” and “Save Me the Trouble,” has earned billions of streams and countless awards. Recently, the pair released the holiday single “Long Live Christmas” (via Warner Music Nashville) and graced fans with a cover of Taylor Swift‘s “Back to December.” By partnering with The Core Entertainment, Dan + Shay join a management collective that integrates artist management, a record label, and brand ventures under one roof. Founded in 2020, The Core represents a multi-genre roster that includes Bailey Zimmerman, Nickelback, Nate Smith, Josh Ross, and others.
POSITION MUSIC SIGNS ALLY NICHOLAS TO GLOBAL LABEL DEAL: Position Music Founder & CEO Tyler Bacon has announced the signing of Ally Nicholas to a global label deal. The Chicago, IL-born singer, songwriter, and artist has already generated over 20 million streams and sold-out headline shows in both New York and Los Angeles. After relocating from New York to Los Angeles and honing her artistry alongside longtime collaborator Diego Ferrera, Nicholas has carved out a distinctive identity rooted in grunge, indie, shoegaze, and metal influences. Turning to songwriting as a refuge during her adolescence, she channeled her personal struggles into music that speaks directly to feelings of isolation and resilience. Before signing to Position Music, Nicholas refined her sound at Engine Room Audio in Manhattan and has earned praise from outlets like Kerrang!, Ones To Watch, and Euphoria Magazine. Having toured with Amira Elfeky, Jutes, and Bilmuri, she’s now driven by her mission to give voice to those who feel unseen and to reimagine what modern rock can sound like. Chris Tecca, A&R, Position Music, stated, “The best artists know who they are and know how they want to present themselves to the world, and Ally exemplifies that to the fullest! Her clarity of vision coupled with her raw talent are why I could not be prouder to work with her. Her forthcoming EP is fantastic, and I can’t wait for what’s to come in 2026 and beyond.”
GIORGIO D’AMBROSIO APPOINTED CEO OF AMUSE: Stockholm, Sweden-based music distributor Amuse has named Giorgio D’Ambrosio as its new Chief Executive Officer, while also welcoming Dan Rowe, Chief Operating Officer of Firebird Music, to its board of directors as the company accelerates its expansion across the U.S. and European markets. D’Ambrosio, who has been a member of Amuse’s board since 2020 and served as interim CEO for the past year, was officially appointed to the role in October by board chair Roger Ames. Amuse announced on November 11th that it has invested over $30 million (USD) in artist partnerships to date through advances and marketing funds. An early investor in the company, D’Ambrosio now leads Amuse as it transitions from an open distribution platform into what it calls “a full-service alternative to the traditional record label.” Currently, Amuse supports more than 400 independent artist partnerships worldwide and employs nearly 100 staff members across its offices in New York, London, and Stockholm. New board member Dan Rowe brings experience in scaling music businesses and building modern music infrastructures. At Firebird Music, he has played a key role in securing growth capital and expanding the company’s label and distribution operations. Prior to that, Rowe founded One Riot Music and led Sword Rowe, a boutique advisory firm specializing in artist development and data-driven strategy.
SONY MUSIC PUBLISHING INKS GLOBAL DEAL WITH FAITH-FOCUSED LABEL BY DESIGN: Sony Music Publishing (SMP) has entered into a global publishing agreement with By Design, a Nashville, TN-based music company dedicated to creating and developing faith-oriented content. Under the deal, Sony Music Publishing will oversee worldwide administration for By Design’s catalog and roster, while the partnership will also pursue joint-venture opportunities to sign and nurture emerging songwriters within the faith and Christian music genres. Founded in 2025 by Josh Bailey, Josh Thompson, Rod Riley, and Jeremy Holley, By Design has established itself as a multifaceted organization. The company recently appointed Josh Pauley as Vice President of Publishing and A&R, where he leads songwriter development efforts. By Design operates through a three-part structure: its record label develops and signs artists; Archetype Music, its music rights arm, acquires Christian music catalogs; and Blueprint, its nonprofit division, focuses on mentoring and supporting faith-based creators. The company’s roster currently features Frankie Ballard, Zoe Levert, Alex Jude, and barlow, with additional signings expected soon.
MILK & HONEY EXPANDS U.K. FOOTPRINT, ADDING BIGFOOT MUSIC MANAGEMENT & CLIENTS: Bigfoot Music Management, a U.K.-based talent management company, is officially joining Lucas Keller‘s Milk & Honey, marking an expansion for the global management powerhouse. As part of the integration, Bigfoot’s roster, which includes Adam Beyer, Joris Voorn, Juliet Fox, Sarah Story, Sam Wolfe, and Will Atkinson, will now operate under the Milk & Honey umbrella. The move highlights Milk & Honey’s growing investment in the techno and underground electronic scenes, signaling confidence in the genre’s continued rise. In conjunction with the deal, Jeremy Ford, longtime manager of Adam Beyer, has been appointed Sr. Vice President of Electronic at Milk & Honey worldwide. Based in London, Ford will continue to champion the global electronic community, building on his work with influential platforms like Drumcode and Spectrum. Lucas Keller commented, “As diverse as the Milk & Honey brand is in mainstream music genres, we are equally invested in underground music. We look after unique talents across all facets of the music business, and this deal with Bigfoot to join Milk & Honey represents a further investment into techno and electronic music which is a top priority for [our] company. We are extremely excited to have Jeremy and his team in our U.K. office and joining the global M&H outfit.”
CHARLIE LEXTON APPOINTED CEO OF MERLIN: Merlin has announced the appointment of Charlie Lexton as its next CEO, effective January 1st, 2026. He will succeed Jeremy Sirota, who will depart at the end of 2025 after nearly twenty years with the organization. Lexton has been part of Merlin since its founding, initially collaborating with the company’s first CEO, Charles Caldas. Serving as Chief Operating Officer since 2020, he has played a leading role in negotiating deals with DSPs and social media platforms to drive Merlin’s recent partnership with ElevenLabs. The organization credits him with helping deliver several transformative achievements for the independent music sector. Over his tenure, Lexton has overseen the LimeWire litigation settlement, the Parlophone Label Group divestment to independents, and the sale of Merlin’s Spotify equity, which returned more than $125 million to its members. Before joining Merlin, Lexton worked in business affairs at Universal Music Group and EMI, leading operations for EMEA outside the U.K. He began his career as a DJ, producer, and writer, later co-founding Dorado Records and co-owning City Rockers. Representing around 15% of the global recorded music market through members in over 70 countries, Merlin generated a record $1.64 billion (USD) in revenue for its members in 2024. Charlie Lexton commented, “I am delighted at the opportunity to lead this organization. My focus is on our members, the most significant groups of independent music companies in the world, and on the Merlin team, our incredibly diligent and resolute staff. I can do nothing without the support of our team. And without our members, there is no Merlin.”
SONY MUSIC CONTINENTAL EUROPE & AFRICA SIGNS PARTNERSHIP WITH AVALON MUSIC: Sony Music Continental Europe & Africa has entered into a long-term alliance with Dutch independent label Avalon Music. The partnership will encompass A&R, marketing, international promotion, and strategic investment, aiming to strengthen both companies’ artist development and global reach. By combining Avalon’s regional knowledge and talent-scouting expertise with Sony Music’s worldwide infrastructure and marketing power, the collaboration seeks to elevate artists from Europe, North Africa, and the Middle East to international prominence. Headquartered in the Netherlands, Avalon Music operates a network of A&R hubs across the Benelux region, France, Türkiye, and Morocco, fostering connections between Europe, North Africa, and the Middle East. The new partnership will further extend Avalon’s footprint in North Africa, helping discover and cultivate new voices through creative and commercial initiatives. Musically, Avalon is known for its fusion of Asian, North African, and European influences, creating a distinctive sound that blends Arabic, Moroccan, and European styles while crossing borders and genres. Avalon’s roster features Dystinct, whose debut album Bababa World has surpassed 400 million streams across major platforms, with its total catalog now exceeding one billion streams. Dystinct has sold out tours and collaborated with J Balvin, French Montana, Gims, Faouzia, Jul, and Morad. Other acts from Avalon include Dopebwoy, whose hit “Cartier” has racked up over 135 million Spotify streams, along with emerging artists Inez (Morocco), Dior (Netherlands), Emil Rosé (Türkiye), and Qlas (Netherlands).
SECRETLY DISTRIBUTION ANNOUNCES FORMATION OF APAC DIVISION: Secretly Distribution has unveiled plans to open a new office in the Asia-Pacific (APAC) region, marking the latest milestone in the company’s ongoing global expansion. The new hub will focus on supporting artists and labels throughout the region and will be led by Max Thomas, based in Sydney, Australia. Thomas steps into the role of Head of APAC after four years overseeing Secretly Group’s marketing and strategy across the region. During that time, he has led album campaigns for Mitski, Bon Iver, Bright Eyes, Faye Webster, Folk Bitch Trio, Khruangbin, Japanese Breakfast, Mustafa, Sharon Van Etten, Toro y Moi, Wednesday, and more across Australia, New Zealand, and Asia. Additionally, Secretly Distribution has promoted London-based Chris Cannon to VP of International Strategy. Over the past year, Cannon has driven a 30% increase in international revenue across both digital and physical formats. He also played a key role in expanding Secretly’s footprint in Latin America and in co-launching Cargo Independent Distribution, a partnership between Cargo Records, Secretly Distribution, and Beggars Group, aimed at preserving independent access to the UK physical music market. The initiative has already yielded a No.1 album and three Top 5 records in the first half of 2025 alone. Secretly Distribution is also preparing to appoint an innovative marketing and campaigns manager based in Southeast Asia. Together, the APAC team will manage key releases from across the Secretly Distribution roster, including projects from Australian labels such as Chapter Music and Spinning Top, and New Zealand’s Lil’ Chief Records and Flying Nun. The new office will also strengthen long-standing partnerships with APAC distributors and retailers, including Leaplay (Korea), Rocket (Australia), Rhythm Method (New Zealand), Southbound (New Zealand), and Ultra-Vybe (Japan).
TEG ACQUIRES TWENTY3 LIVE, LAUNCHES IN-HOUSE CREATIVE AGENCY OVATION AMP: Ticketek Entertainment Group (TEG) has announced the acquisition of Twenty3 Live, the entertainment marketing arm of Twenty3 Sport + Entertainment, and the launch of a new in-house creative agency called Ovation amp. The deal brings Twenty3 Live’s six-person team into TEG and formalizes a 17-year partnership between the two companies. The new agency, Ovation amp, is positioned as a full-service, data-driven creative hub combining expertise in media, digital strategy, storytelling, and campaign execution across TEG’s business. Larissa Best, TEG’s General Manager of Live Entertainment, will lead the new division, which includes marketing specialists from across the company and the former Twenty3 Live team, led by Edwina Tarrant. Based in Melbourne, the group has delivered major campaigns for global tours including Bon Jovi, Eminem, Guns N’ Roses, Queen, Phil Collins, Keith Urban, Delta Goodrem, Miley Cyrus, Andrea Bocelli, George Michael, Katy Perry, Bruno Mars, and AC/DC. The move enables TEG to unify its marketing operations under one umbrella, while Twenty3 Sport + Entertainment shifts its focus on strategic consulting, sponsorship management, event production, and brand activations. TEG confirmed that all current client campaigns and tour projects will continue seamlessly through the transition.
MIXEDBYALI LAUNCHES ‘ENGINEEARS DIRECT’ MUSIC DISTRIBUTION PLATFORM: EngineEars, the creator marketplace founded by multiple Grammy-winning engineer Derek “MixedByAli” Ali, has unveiled EngineEars Direct, a new distribution service allowing artists to release their music directly to major digital streaming platforms. The feature is powered by EMPIRE‘s white-label distribution platform, Supply Chain, expanding EngineEars into what Ali calls “phase two” of its evolution. When introducing the feature, Ali explained that EngineEars was designed to be “the music industry’s first true operating system for creators.” Since raising $7.5 million (USD) in seed funding in early 2024 from Drive Capital, 645 Ventures, Slauson & Co., and others, including investors like Kendrick Lamar, Roddy Ricch, Mustard, Ghazi, and Alex da Kid, the company has built a robust ecosystem for music professionals. Originally focused on connecting artists with engineers for booking, file sharing, payments, and project management, EngineEars has grown into a full-service creative platform. With EngineEars Direct, users can now upload unlimited releases, access real-time streaming analytics, manage fan relationships, and launch ad campaigns, all while keeping 100% of their royalties.
GODIGITAL MUSIC ACQUIRES DIY DISTRIBUTOR OCTIIVE: GoDigital Music has finalized its purchase of Octiive, a Swiss digital music distributor, marking the company’s expansion into Europe with a new regional headquarters in Zurich, Switzerland. The financial details of the transaction have not been revealed. Since its founding, Octiive has worked with more than 20,000 artists and over 3,000 record labels. Competing with platforms like DistroKid and TuneCore, Octiive focuses primarily on Europe’s electronic dance music scene but has also distributed tracks from Snoop Dogg, Master P, Chief Keef, and Chaka Khan. Following the acquisition, Octiive now operates under the GoDigital Music umbrella and serves as the foundation of its European base in Zurich. GoDigital Music is keeping Octiive’s existing leadership in place. CEO & Founder Mershad Javan will continue to head the Swiss operation while taking on the role of Head of Europe, reporting directly to GoDigital Music CEO Logan Mulvey. COO Tobias Witt will also remain in his position. The acquisition supports GoDigital’s broader goal of offering services tailored to artists at every stage of their careers. With Octiive, GoDigital can now provide in-house DIY distribution for emerging musicians, while its main platform continues to focus on established acts. Additionally, GoDigital’s financing arm, Sound Royalties, acquired in 2021 in a “high eight-figure” deal, will continue to operate independently, providing funding options for artists who wish to remain with their current distributors.
SONY MUSIC PUBLISHING APPOINTS MICHAEL YOUNG AS CHIEF INFORMATION OFFICER: Sony Music Publishing has named Michael Young as its new Chief Information Officer. Operating out of Nashville, Young will report directly to Tom Kelly, the company’s Chief Financial Officer. According to the announcement, Young will oversee Sony Music Publishing’s technology strategy and lead its digital transformation efforts, focusing on driving growth, scalability, and efficiency for its global roster of songwriters and catalogs. He will also collaborate across departments to strengthen the company’s use of data and analytics. With more than 25 years of experience in IT leadership across media, finance, and technology, Young brings extensive expertise to the role. Before joining Sony Music Publishing, he was Chief Product and Technology Officer at Chatham Financial, where he directed global technology and product strategy. His previous leadership positions include roles at Reuters, Paycase Financial, and Afilias. Jon Platt, Chairman & CEO of Sony Music Publishing, commented, “We are committed to investing in technology that grows with our business and adapts to the evolving needs of songwriters. With Michael on board, we are well-positioned to bring greater value to Sony Music Publishing songwriters and catalogs today and in the future.”
MERCURY RECORDS NAMES JACKSON WEINGART AS VP, MARKETING & DIGITAL STRATEGY: Mercury Records‘ New York office has named Jackson Weingart VP of Marketing and Digital Strategy. In his new role, Weingart brings experience already demonstrated through leading the rollout of Tucker Wetmore‘s Gold-certified album What Not To, following Wetmore’s nomination for the 2025 CMA “New Male Artist of the Year.” He has also contributed to marketing efforts for Bryant Barnes, Foggieraw, Kake Minch, Marshmello, and others. The announcement was made by Mercury Records Chairman & CEO Tyler Arnold and President & COO Ben Adelson. Weingart previously served as General Manager of Simple Stupid Records (the Interscope–Capitol joint-venture) and earlier held marketing and digital positions at Alamo Records and 300 Entertainment, where he helped drive campaigns for artists such as Rod Wave and Lil Durk. Alex Coslov, Mercury Records Executive Vice President, commented, “Jackson Weingart has quickly developed an incredible track record for not only breaking artists but being on the cutting edge of developing new tactics, strategies, and ideas to navigate the intersections of music and tech to further his artists’ careers. His independent background and innovative spirit make him the perfect fit for Mercury Records.”
KOBALT SIGNS DEAL WITH NIGERIA’S INNER CIRCLE PUBLISHING: Kobalt has entered into a partnership with Inner Circle Publishing, a Nigerian music publishing company. Founded earlier this year by Caleb Oyolola and Promise Dennis, Inner Circle Publishing has built momentum, signing talents such as producer Choke Boi and artist Serotonin. Among its recent successes, Fido‘s “Joy Is Coming,” produced by Choke Boi, became the fastest track to reach 50 million streams in Nigeria in 2025, spending several weeks at No.1 on major digital streaming platforms. Meanwhile, Serotonin’s single “Venus,” a collaboration with Faceless, has amassed over 100 million streams worldwide. Inner Circle has also signed a long-term publishing deal with Dxtiny, whose 2025 hits “Uncle Pele” and “Babcock” have positioned him as one of Afrobeats’ most promising voices. Beyond publishing, the company also manages Fido, whose hit “Awolowo” (released through Heatwave Records) introduced him as a rising star in the genre. Its label division, Inner Circle Records, has also seen chart success via its distribution partnership with The Orchard, helping propel Mavo to fame with the hit “Escaladizzy,” later remixed by Shallipopi, Ayra Starr, and Zlatan. “We’re incredibly proud to partner with Inner Circle Publishing, a powerhouse driving the next wave of African music and talent,” said Kenny McGoff, Head of Creative U.K. & GSA, Kobalt Music. “Nigeria continues to be a wellspring of creativity and cultural influence, and this deal reflects our commitment to supporting diverse voices on a global stage. We’re excited to work closely with the Inner Circle team to help amplify their writers and bring their music to the world.”
LEHO NIGUL NAMED CHIEF TECHNOLOGY OFFICER FOR WARNER MUSIC GROUP: Warner Music Group (WMG) recently announced that Leho Nigul will step into the role of Chief Technology Officer, moving up from his position as Sr. VP, Engineering. Beginning December 1st, he will oversee the company’s overall technology vision, teams, and product development, reporting directly to CEO Robert Kyncl. The company also shared that Ariel Bardin, President of Technology, will be departing after three years. Bardin will remain through the end of 2025 to support major projects and ensure a seamless transition. Nigul, who joined WMG in 2023, has led engineering efforts across a broad range of areas including distribution, global licensing, royalty systems, fan engagement tools, and AI initiatives. Before arriving at WMG, he held senior roles at Instacart and spent more than 17 years at IBM, where he headed eCommerce and Digital Experiences SaaS Development, along with earlier leadership posts at several tech startups. Bardin’s tenure at WMG has seen significant modernization of the company’s technology infrastructure. Under his guidance, WMG introduced advanced tools for artists, songwriters, and staff, strengthened and streamlined its global supply chain, and rolled out numerous upgrades to its data architecture. Robert Kyncl, CEO, Warner Music Group, said, “Leho’s deep knowledge and wide-ranging experience as a leader, engineer, and innovator make him ideally suited to take our team into the future and leverage AI for the benefit of our artists, songwriters, and employees. Ariel leaves with our deepest gratitude for helping to transform our company systems, creating next-generation tools, and setting the foundation to rapidly scale WMG going forward, as well as recruiting a brilliant team, including Leho.”
BMI MAKES A STRING OF PROMOTIONS WITHIN CREATIVE TEAM: BMI has revealed a series of promotions across its Creative team. In Nashville, Nina Carter has been promoted to Executive Director, Partnerships & Events. She will continue to drive BMI’s performance-focused partnerships and oversee branded stages at festivals such as SXSW, Austin City Limits, Lollapalooza, and CMA Fest. Carter also remains in charge of key BMI events including Rooftop on the Row, BMI Acoustic Lounge, and the Key West Songwriters Festival. Also, Marché Butler (Atlanta, R&B/Hip-Hop), MaryAnn Keen (Nashville, Country), Katie Kilgallen (New York, Pop/Rock), Chris McCormick (New York, Classical), and David Streit (Los Angeles, Pop/Rock) have all been elevated to Senior Director, Creative. In Los Angeles, Alex Bostelman (Pop/Rock) advances to Director, Creative, while Claire Dodelin in Nashville steps into the role of Associate Director, Creative. In these expanded positions, BMI’s Creative leaders will continue scouting and signing emerging talent, organizing events, and offering career development support through education, writing opportunities, and industry mentorship. Recent signees include ATL Jacob, NLE Choppa, Big Boss Vette, Adam Sanders, Dijon, and Jessica Pratt. As Senior Director, Classical, Chris McCormick will maintain responsibility for orchestral royalty distribution and continue advising BMI composers and publishers on licensing and copyright topics. In her new Associate Director role, Dodelin will focus on bolstering the indie and rock community in Nashville through showcases, co-writing sessions, and other creative initiatives.
DEE HALE PROMOTED TO SR. VP, FILM & TV ADMINISTRATION AT SONY MUSIC PUBLISHING: Sony Music Publishing (SMP) has elevated Dee Hale to the position of Sr. Vice President, Film & TV Administration, effective immediately. Based in Nashville, Hale will continue to report to Dale Esworthy, Executive VP of Worldwide Administration. In her expanded role, she will function as the primary administrative liaison for SMP’s studio clients while maintaining oversight of the company’s U.K. studio operations. Hale will also continue her leadership as Co-Chair of the Society and Publisher Forum A/V Committee, where she contributes to developing global standards and best practices in film and television rights administration. A veteran of more than 30 years at Sony Music Publishing, Hale joined the company in 1993 as Director of Film & Television Music Administration. Throughout her career, she has worked closely with major studios such as Sony Pictures, Tyler Perry Studios, A&E, Discovery, Twentieth Century Studios, and Apple, as well as some of the world’s most celebrated composers, including John Williams, Hans Zimmer, Danny Elfman, Ennio Morricone, Howard Shore, Jerry Goldsmith, James Horner, Elmer Bernstein, Rachel Portman, John Barry, and Brian Tyler. In addition, Hale has served for the past 14 years as Publisher Co-Chair of CISAC‘s Audio Visual Data Exchange Workgroups, contributing to advancements in data exchange and rights management across the global audiovisual industry.
TUNEIN ACQUIRED BY CANADIAN MEDIA FIRM STINGRAY: Stingray has acquired TuneIn, in a deal worth up to $175 million (USD). According to a press release issued on November 11th, the acquisition price is based on TuneIn’s projected 2025 sales of $110 million and adjusted EBITDA of $30 million, giving the company a valuation of roughly 5.8 times its projected EBITDA. Under the agreement, Stingray will pay $150 million at closing, with an additional $25 million potentially payable one year later. The purchase was financed through a $150 million term loan drawn from Stingray’s recently renewed $500 million credit facility, supported by a consortium of Canadian banks led by National Bank Financial Markets and Caisse Desjardins. Founded in 2002, TuneIn carved out its niche in the streaming market by offering internet radio, live news, talk shows, and sports broadcasts, rather than following the on-demand subscription model of Spotify or Apple Music. Over time, it introduced a premium subscription tier that includes ad-free listening, audiobooks, and exclusive channels. Today, TuneIn Premium costs $9.99 per month in the U.S., offering commercial-free access to outlets like CNN, Fox News Radio, and MSNBC, as well as over 100,000 audiobooks, radio stations, and podcasts. With more than 75 million monthly active users across 200+ platforms and devices, including 50 automotive systems in over 100 countries, TuneIn strengthens Stingray’s foothold in both connected car audio and digital advertising. Stingray, which operates 97 radio stations and a major retail audio ad network reaching 33,500+ locations across North America, expects the integration to enhance its ad and content distribution capabilities. Stingray anticipates $10 million in operational synergies within 12 to 18 months of the deal’s completion. Once finalized, the combined company is expected to generate over $400 million in annual revenue.
FEED.FM SECURES WARNER MUSIC CATALOG FOR LAUNCH OF LICENSED SONG CLIPS TOOL: Feed.fm has announced a partnership with Warner Music Group (WMG) as the launch collaborator for its new product, Feed Clips, a tool that allows digital platforms to seamlessly integrate short, fully licensed song clips from major label catalogs. The partnership combines Feed.fm’s music integration technology with WMG’s catalog, covering both Warner Chappell Music and Warner Recorded Music. Together, they aim to simplify the process for developers to embed licensed music snippets into apps and digital experiences. Through the Feed Clips API, artists, and songwriters from WMG will gain expanded opportunities to highlight their music across social and creative platforms, helping drive music discovery, fan engagement, and cultural visibility. According to the announcement, the collaboration “extends music discovery into new spaces where fans are creating content, unlocking scalable reach and deeper relevance across the digital ecosystem.” For rights-holders like WMG, Feed.fm’s solution opens new pathways for both monetization and exposure. Meanwhile, developers benefit from a ready-to-use system that includes curated music selections, comprehensive API integration, and automated usage reporting, enabling platforms to offer rich, music-enhanced experiences with minimal friction.
TOO LOST SIGNS DIRECT PARTNERSHIP WITH SOUTH KOREAN STREAMING SERVICE MELON: Too Lost, has announced a direct partnership with South Korean streaming platform Melon, a move the company says will give its artists and labels access to “one of Asia’s most influential music markets.” In a statement released on November 13th, Too Lost described the agreement as “a strategic milestone” in its ongoing international expansion. Founded in 2020 and headquartered in New York, Too Lost works with over 400,000 artists and labels, distributing more than seven million tracks to around 450 digital platforms worldwide, including Spotify, Apple Music, and TikTok. Melon, launched in 2004 by SK Telecom and operated since 2021 by Kakao Entertainment, is recognized as a driving force behind the global K-pop phenomenon. According to app analytics firm WiseApp, Melon is currently South Korea’s second-largest streaming service, reaching 6.01 million monthly active users, just behind YouTube Music‘s 7.14 million earlier this year. Through this new partnership, Too Lost aims to strengthen its presence in the Asian market and enhance the international reach of its independent artist community.
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IN THE SPOTLIGHT: Will Botwin, Alec Boateng, Elliot Groffman, Jenn Tolman-Hurst, Keith Naftaly, Amanda Berman, Devraj Sanyal, Adam Granite, Rob Light, Chris Price, Saurabh Abbi, Preston Rodie, and Steve Jensen.
