A&R Worldwide Newsletter Vol. 930

MUSEXPO UNVEILS ITS 27TH GLOBAL EDITION IN BURBANK, CALIFORNIA FROM MARCH 21 – 24, 2027, UNITING THE WORLDWIDE MUSIC BUSINESS IN “THE MEDIA CAPITAL OF THE WORLD”

 

 

 

 

 

MUSEXPO, the globally respected music business gathering known as “The United Nations of Music” (www.musexpo.net), will return for its 27th global edition from March 21 – 24, 2027, in Burbank, California. Now entering its third decade, the event remains a vital platform for creative and commercial exchange across the global music, media, and technology landscapes.

Following the success of its 2026 edition, the 2027 gathering promises to deepen the event’s legacy of impact through curated networking, immersive discussions, and high-level showcases. “This upcoming edition will aim to raise the bar even higher with a central focus on global A&R as we celebrate 25 years of A&R Worldwide’s influence and impact,” said Sat Bisla, President & Founder, A&R Worldwide / MUSEXPO, who also marked over 40 years of contributions to the global music business this year.

MUSEXPO will also return with its esteemed “International Music Industry Awards” (which originally launched back in 2012) in association with A&R Worldwide and will recognize the contributions of some of the most influential executives and creatives across key sectors of the global music business in association with Visit Burbank and City of Burbank “The Media Capital of The World” during the private VIP Gala Dinner presentations.

In addition, the annual Seymour Stein “Global A&R Award,” “International Music Person of the Year” and “Lifetime Achievement Award” honorees will be announced in the coming weeks. MUSEXPO will also feature its popular Global Sync Summit, and A&R Summit, as a part of its overall 2027 event program, as well as revealing a special focus on the U.K. market, world-class sync and music supervision panels and keynotes, first of its kind global A&R and publishing panels, a focus on artist development within international music distribution companies, management and the live business spotlights and keynotes, digital/tech/AI focused conversations, the evolution of Eastern Europe’s music market with a spotlight on Poland, interactive videogaming and music culture, and so much more. MUSEXPO will also feature showcasing artists from around the world to present their talent to key executives, and creatives from all sectors of the worldwide music business.

MUSEXPO will take place at the inspiring Castaway Burbank venue for the ultimate networking, creative, and business experience. Castaway is one of Southern California’s most provocative and exciting special events properties and upscale restaurants. It features breathtaking views and a renewed positive energy and vibe, ready to deliver a world-class experience to 2027’s attendees.

Burbank, “The Media Capital of The World” is home to some of the world’s most recognized music and media companies including film/TV studios, record labels, publishing companies, radio stations, music supervisors, sync companies, and more including The Walt Disney Company, Marvel Comics Studios, Disney Music Group, Freemantle Media, ABC Television, Hollywood Records, ESPN, Lucasfilm, Warner Bros. Studios, DC Comics, Freeform TV, peermusic, iHeartRadio, Nickelodeon Animation Studios, The Burbank Studios, Blizzard Entertainment, Cartoon Network, Insomniac Games, Legendary Films, The CW Television Network, NBCUniversal, Universal Pictures, Universal Studios, KPWR “Power 106” Los Angeles, Position Music, and A&R Worldwide’s headquarters to name just a few. The city of Burbank is once again set to welcome 2027 delegates to this long-time epicenter of music creativity and innovation as the event unites artists, industry, and fans alike.

MUSEXPO 2027 will also provide multiple intimate networking experiences that its flagship event is world-renowned for, while also delving more deeply into the most important aspect of our global music business – the songs and the artists.

Bisla stated, “After celebrating over a quarter century of MUSEXPO events this year, our team and I are honored to bring an even more exciting 27th global edition of MUSEXPO to the worldwide music industry next year. Watching the immeasurable impact that MUSEXPO has had on so many artists, executives, and companies during the past twenty-six editions is extremely humbling. Furthermore, we are ecstatic to celebrate A&R Worldwide’s 25th milestone celebration at MUSEXPO, as one of the most trusted, impactful, and connected independent organizations that has helped countless artists, executives, and companies flourish with access to vital relationships, commercial deals, and priceless opportunities. We are grateful for the participation and support of everyone who has been a part of this amazing conference, showcase event, and special music community, and we intend to make MUSEXPO 2027 our best one ever!” 

Over the past 26 global editions and multi-continental events, some of the world’s most influential music, media and technology executives have participated at MUSEXPO, including: Alexandra Patsavas, Music Creative + Production / Original Series Netflix; Amy Dunning – Vice President, Music, Netflix; Andrew Kronfeld – Executive Vice President, Universal Music Group; Avery Lipman, Co-Founder & Chief Executive, Republic Records; Bob Bowen, Worldwide Head of Music for Amazon MGM Studios; Chad Hurley – Co-Founder, YouTube; Chris Barton – Co-Founder, Shazam; Craig Kallman – Chief Music Officer, Warner Music Group; Daniel Glass, President & Founder, Glassnote Entertainment Group; Diane Warren – Grammy & Emmy Award-Winning & Oscar nominated global hit songwriter; Emma Banks – Co-Head, Global Touring, CAA; Folkert Koopmans – Founder & CEO, FKP Scorpio; Harvey Goldsmith – Founder, Harvey Goldsmith Presents; Jacqueline Saturn – President, Virgin Music Group North America & EVP, Global Artist Relations Jason Flom – CEO, Lava Records & Lava Music Publishing; Jeff Smith – Head of Music, BBC Radio 2 & 6 Music (U.K.); Jimmy Kimmel (Jimmy Kimmel Live!); Jody Gerson – Chairman & CEO, Universal Music Publishing Group; Kevin Weatherly, Sr. Vice President Programming, “World Famous KROQ” Los Angeles; Kirk M. Sommer, Sr. Partner & Global Head of Contemporary Music, WME; Korda Marshall – Founder & President, Infectious Records (Mushroom Music Group); Mamie Coleman, Executive VP & Head of FOX Entertainment Music; Mandar Thakur – CEO, Times Music (India); Martin Dodd – manager of the world’s No.1 songwriter Max Martin; Michael Chugg – President & Founder, Chugg Entertainment (Australasia); Michael Rapino – Chairman & CEO, Live Nation; Mike Knobloch – President, Film Music & Publishing, Universal Pictures; Monte Lipman, Co-Founder & Chief Executive, Republic Records; Neil Warnock – Global Head of Music, United Talent Agency; Nigel Lythgoe – Executive Producer, American Idol and So You Think You Can Dance; Panos Panay – President, The Grammys; Peter Edge – Chairman & CEO, RCA Records Group; Richard Russell – Founder, XL Recordings (U.K.); Sarah Stennett – CEO, FAE Grp; Savan Kotecha– Songwriter/Producer (The Weeknd, One Direction, Justin Bieber, Katy Perry); the late Seymour Stein – Co-Founder, Sire Records; Sir Lucian Grainge – Chairman & CEO, Universal Music Group; Steve Schnur, Worldwide Executive & President Music, EA Games; Tom Anderson – Co-Founder, MySpace; Troy Carter – Founder & CEO, Q&A Media Holdings; will.i.am; and Zane Lowe – Apple Music ; and countless others.

MUSEXPO will also continue to welcome the crème de la crème of global showcasing talent to its stage that has previously welcomed then unsigned, or unknown artists such as Katy Perry, LMFAO, Jessie J, Caity Baiser, Teddybears, Frank Turner, Robyn, Lime Cordiale, The Temper Trap, Forest Blakk, Dave Lofts, Sheppard, Audur, Jack Savoretti, Thomas Azier, Missy Higgins, Laleh, Erik Hassle, Gavin James, Birds of Tokyo, Avalanche City, Gin Wigmore, Prateek Kuhad, Ida Maria, Dave Lofts, Dead Letter Circus, Vella, and many others prior to their global success.

MUSEXPO was born out of the inspirational networking dinners launched by A&R Worldwide Founder Sat Bisla (also the founder of A&R Network – the global A&R division of Clear Channel Entertainment (now Live Nation) and The New Music Network; the predecessor to iHeartMedia) and Dave Holmes (who managed Coldplay‘s global career for over 22 years). The gatherings started back in 1999 to bring the global music, media, and technology communities together in a meaningful manner.

Early Bird Registration for MUSEXPO is now open at www.musexpo.net.

For More Details Contact: info@anrworldwide.com.

 

 

 

 

 

 

 

 

 

 

 

 

Warner Chappell Music (WCM) has appointed Julian Franzoni as General Manager for Argentina and Uruguay, where he will lead regional operations and report to Gustavo Menéndez, President, U.S. Latin & Latin America, Warner Chappell Music. In this expanded leadership role, Franzoni will be responsible for accelerating growth across both markets while developing new global opportunities for the company’s expanding roster of songwriters and creators.

Franzoni has been with WCM since 2016, where he has progressed through the A&R division from consultant to director, establishing himself as a central figure in shaping the contemporary Latin American music landscape. During his tenure, he has aided in signing and developing some of Argentina’s most influential artists, including Duki, Trueno, Silvestre y La Naranja, CA7RIEL & Paco Amoroso, Nico Cotton, and Tatool, alongside emerging Uruguayan talent such as The La Planta, Davus, and Tadu Vázquez.

With more than 30 years of experience in the music industry, Franzoni began his career at just 19 years old as a stage manager for Latin acts including Palito Ortega, Andrés Calamaro, and Federico Gil Solá of Divididos. He later spent 25 years managing Clanort, the private publishing company owned by Palito Ortega, before joining Warner Chappell Music. Throughout his career, he has led a range of initiatives, including the establishment of WCM’s operations in Uruguay and the development of its first recording studio in the region.

Gustavo Menéndez said, “Julian has been a driving force for our roster and creative community since he first joined Warner Chappell. He has established himself as a dynamic A&R leader with an extraordinary ability to connect with songwriters on a deep level, an innate instinct for the cultural pulse, and a sharp vision for where the market is heading. There’s immense value in placing such a creative, forward-thinking leader at the helm of our operations in Argentina and Uruguay, and I am confident he will steer our team through this exciting next chapter.”

Franzoni holds a degree in Advertising and Communications from the Fundación de Altos Estudios en Ciencias Comerciales in Buenos Aires and has also studied music and harmony at the Sebastián Piana School (SADAIC).

 

 

 

 

 

Chris Wright, best known as the Co-Founder of Chrysalis Records and a former Chairman of the BPI, has re-entered the music industry with the creation of a new company, Right Tracks. The venture marks Wright’s latest chapter in artist and songwriter development, drawing on decades of experience in the business.

The current Right Tracks roster features a mix of emerging and established talent. Among its signings is indie-rock band Black Lounge, which is represented by the company across both label and publishing services. Singer-songwriters Flora Fiora and Finn Forster have also joined the roster, with Flora Fiora signed for both label and publishing, while Finn Forster is represented on the publishing side. In addition, the company works with songwriter and composer Stuart Brayson, whose publishing interests are managed by Right Tracks. Brayson has written 28 musicals that have been staged in theatre markets including London’s West End and New York’s Broadway, as well as numerous international productions. His credits include the musical From Here To Eternity.

To support the company’s operations and growth, Wright has assembled a specialist team of four industry professionals. Joseph Spiteri serves as A&R Director, overseeing artist development and repertoire. Roberta Moore leads sync activity as Sync Manager, while Naomi Wallace manages rights administration in her role as Rights Manager. Finance Manager Ellen Sorlan oversees financial operations.

Right Tracks has been established with a flexible, artist-focused approach, tailoring its level of support to the specific requirements of each client. Rather than applying a one-size-fits-all model, the company adjusts its resources and services according to the stage, ambitions, and needs of individual artists and songwriters. Beyond traditional label and publishing functions, Right Tracks also provides comprehensive support in areas such as rights management, registrations, royalty administration, sync licensing opportunities, and long-term catalogue strategy. The company extends these services not only to active songwriters but also to estates seeking professional management and development of their musical assets.

“I am tremendously enthused and excited to be back in the record business after a reasonably lengthy hiatus of over 10 years,” said Chris Wright. “The record business has been a huge part of my life for well over 50 years now, and I have missed being part of it enormously. I’m aware that the matrix of how one operates have changed significantly from my heyday and that replicating the kind of success we had with artists like Debbie Harry of Blondie, David Bowie, Ultravox, Huey Lewis, and Spandau Ballet to name just a few will not come easy,” added Wright. 

He continued, “We are, however, really excited about the new talent we have discovered, and we are totally committed to doing everything possible to develop them into the superstars of tomorrow. It will be an honor and a privilege to be associated with the success of this nature should it happen. And hopefully it will!”

 

Kirk M. Sommer, Sr. Partner & Global Head of Contemporary Music at WME, has established himself as one of the most influential and respected executives in the global music business. Widely admired by artists, colleagues, and industry peers for his collaborative leadership style and unwavering commitment to artist development, Sommer has spent nearly a quarter century shaping the careers of some of the most celebrated musicians of the modern era while helping build WME’s music division into a dominant force in live entertainment.

Beginning his career as a mailroom trainee at William Morris in 2000, Sommer’s rise at the organization reflects a rare combination of vision, perseverance, and dedication to both artists and colleagues. Today, he oversees a diverse roster of multi-Platinum, Grammy Award-winning, and globally renowned talent, including Adele, Billie Eilish, Andrea Bocelli, The Killers, Sam Smith, Hozier, Arctic Monkeys, Nine Inch Nails, Weezer, Neil Diamond, Steve Aoki, Camila Cabello, the late Amy Winehouse, and countless others. Throughout his career, Sommer has played an instrumental role in transforming emerging artists into global headliners, guiding many from intimate club performances to sold-out arena and stadium tours.

Under Sommer’s leadership, WME’s contemporary music division has become synonymous with artist-first representation, innovation, and long-term career building. His multidisciplinary approach extends beyond touring, encompassing strategic brand partnerships, media opportunities, and global expansion initiatives that have helped artists cultivate enduring international careers. Equally respected as a mentor, Sommer has nurtured generations of agents, fostering a culture of excellence and collaboration that continues to influence the broader talent representation industry.

Sommer’s impact has been recognized through numerous industry accolades, including Pollstar’s prestigious “Agent of the Year” honor in 2025. He has appeared on Billboard’s Power List for eight consecutive years, and has been featured in Variety’s 500 Most Influential Business Leaders, Pollstar’s Impact 50, Billboard’s “30 Under 30” and “40 Under 40,” and was notably described by PAPER Magazine as “the most influential booking agent in the world.” In 2024, he was inducted into the New York University Hall of Fame, recognizing both his professional achievements and lasting contributions to the entertainment industry.

Beyond his remarkable client roster and industry recognition, Sommer’s legacy is defined by his steadfast commitment to artist advocacy, mentorship, and the evolution of live music worldwide. Through his leadership, strategic foresight, and dedication to nurturing talent, he has helped shape the contemporary music landscape and remains one of the most trusted and influential figures in global entertainment.

This year, Kirk was named the coveted “International Music Person of the Year” at the highly respected global music business and showcase event MUSEXPO, dubbed by many as the “United Nations of Music.” 

Earlier this spring he sat down with his longtime friend Sat Bisla, President & Founder, A&R Worldwide / MUSEXPO for a rare, insightful, and inspiring conversation about his humble beginnings to becoming one of the most influential, respected, and impactful booking agents in the world.

Read the interview with Kirk M. Sommer HERE.

 

 

 

 

Cassia dishes out “lemon gelato,” a warm, bittersweet title track that signals an exciting new chapter for the Macclesfield, England trio ahead of their forthcoming album of the same name, due on August 28th. Built around looping guitars, shimmering synths, and steady percussion, the single blends Cassia’s signature sun-soaked indie sound with more introspective songwriting, balancing nostalgic warmth with emotional uncertainty. Written in Berlin, Germany following their everyone, outside tour, “lemon gelato” explores the push-and-pull of trying to move on from a relationship while still feeling tied to the past. It’s dreamy, reflective, and effortlessly transportive, capturing the emotional depth that runs throughout the upcoming album while holding onto the escapist energy that has become central to the band’s sound. From busking on the streets of Cornwall to selling out headline shows across the U.K. and Europe, Cassia have steadily carved out a unique space in modern indie music. Drawing from African rhythms, indie rock, and shimmering alt-pop influences, the trio have earned widespread support from BBC Radio 1, Radio X, Passport Approved, Rolling Stone U.K., Clash, and more, while building a devoted global fanbase through tracks like “Right There,” “Drifting,” and “100 Times Over.” With a major U.K. and European tour ahead, including stops at London’s O2 Forum Kentish Town and Manchester’s O2 Ritz, “lemon gelato” feels like the sound of a band growing confidently into their next era while staying true to the warmth and wanderlust that first made people fall in love with them. Sample “lemon gelato” HERE and contact Tabeah for available opportunities worldwide with Cassia.

 

MODERN SKY LAUNCHES MDSK NAME IN THE UK: Modern Sky has officially introduced its Chinese youth culture brand MDSK to the U.K. market. Originally launched in China in 2016, MDSK has become a force in youth culture through its activities as a record label, management company, and music festival brand. Over the years, it has aided in driving the growth of hip-hop and R&B in China, while also contributing to the emergence and mainstream success of Asian pop music. The U.K. operation will launch under the name MDSK (0151), a new platform developed by Modern Sky U.K. with its own distinct identity and creative vision. While drawing inspiration from the legacy of its Chinese counterpart, MDSK (0151) will focus on cultivating emerging genres, supporting underground music communities, and creating opportunities for collaboration among artists and creatives. The initiative is designed to serve as a space for innovation, experimentation, and long-term artistic development. Leading the new venture is Leena Lewis, who joins Modern Sky U.K. to head MDSK (0151). Lewis brings more than two decades of music industry experience, having built a reputation as an artist manager and collaborated with several artists, executives, and organizations, including Anjuna Beats, Jho Oakley, Chase & Status, and Above & Beyond. Along with her industry expertise, Lewis brings a roster of artists that includes Kurupt FM and Hugo Chegwin, Jianbo, Mat Zo, Rude Kid, and CopDat. Several of those artists, including Jianbo, CopDat, Hugo Chegwin, and Kurupt FM, have also signed recording agreements with MDSK (0151), becoming part of the label’s inaugural roster. Since establishing its U.K. operations in 2017, Modern Sky U.K. has developed a strong presence across the British music landscape through its label, management, publishing, and artist development activities. Alongside subsidiary Run on Records, Modern Sky U.K. continues to support artists with distinctive creative identities while helping them expand their reach domestically and internationally. Recent achievements for the company include U.K. No. 1 albums from The Lottery Winners, The Lathums, and Mick Head, as well as multiple U.K. Top 10 album chart successes from artists including Jamie Webster and Red Rum Club.

 

BMG ACQUIRES PUBLISHING RIGHTS OF SNAP! CO-FOUNDER LUCA ANZILOTTI: BMG has expanded its ownership stake in the Eurodance repertoire of Snap! through the acquisition of the publishing interests of German producer and songwriter Luca Anzilotti. Anzilotti co-founded Snap! in 1989 alongside Michael Münzing, helping to shape one of the most successful dance music acts of the early 1990s. The duo’s debut album, World Power, released in 1990, became a commercial success throughout Europe, reaching the top of the charts in multiple territories and earning numerous Gold and Platinum certifications. Among the group’s achievements was the 1992 hit “Rhythm Is a Dancer.” The single dominated charts across several countries, including the United Kingdom, Germany, France, the Netherlands, Austria, Italy, and Belgium. In the U.S., the track climbed to No. 5 on the Billboard Hot 100, while also securing Platinum certifications in both the U.K. and Germany. The acquisition of Anzilotti’s publishing interests further advances BMG’s long-term strategy of consolidating ownership of the Snap! catalog. The company first acquired the master recordings of the group’s entire catalog in 2016 and subsequently increased its stake in 2022 through the purchase of Michael Münzing’s songwriter shares. Jasper Niebuhr, Managing Director, GSA, BMG, said, “Snap!’s music is a global phenomenon, and BMG has been dedicated to preserving its cultural impact and maximizing its potential for over a decade. This latest acquisition of Luca’s publishing interests marks an important milestone for us, bringing us closer to a fully aligned vision for this exceptional catalog. With greater synergy, we can more effectively optimize both recorded and publishing revenues worldwide, including unlocking new sync opportunities. It’s about ensuring Snap!’s music continues to thrive and reach both existing fans and new audiences for years to come.” 

 

WARNER MUSIC ITALY ACQUIRES ASIAN FAKE CATALOG: Warner Music Italy has entered into an agreement to acquire the Asian Fake music catalog from House of Music S.r.l. (HOM), securing a body of work that has assisted in the evolution of Italy’s independent music landscape over the past decade. The transaction, regarded as one of the most notable catalog deals in the Italian market in recent years, encompasses ten years of influential releases that have helped define a new generation of contemporary Italian music. With the acquisition, Warner Music Italy aims to safeguard and further develop the legacy of a catalog that has had a lasting cultural impact on the country’s music scene. By combining its international reach with its local market expertise, Warner Music intends to expand the catalog’s presence and unlock new opportunities for growth across global audiences and platforms. For House of Music, the sale represents a shift designed to support its next phase of development. By transferring stewardship of its catalog to Warner Music Italy, the group will be able to redirect resources, investment, and operational focus toward identifying and nurturing emerging artists and creative projects. Looking ahead, HOM plans to strengthen its role as a talent-development platform by continuing to build an ecosystem of culturally distinctive boutique labels. Through this approach, the company seeks to operate as a creative incubator for the wider music industry, supporting the discovery, development, and long-term growth of the next wave of innovative artists and music ventures. Pico Cibelli, CEO & Chairman of Warner Music Italy, stated, “We are incredibly proud to welcome the Asian Fake catalog to Warner Music Italy, marking a pivotal milestone in our ongoing acquisition strategy. This catalog represents a decade of boundary-pushing creativity that has left an indelible mark on independent culture. Our mission is to honor this remarkable heritage, amplifying its impact both within the Italian market and on the global stage by utilizing Warner Music’s full ecosystem.” 

 

SEEKER MUSIC ACQUIRES COCTEAU TWINS’ SIMON RAYMONDE’S PUBLISHING CATALOG: Seeker Music has acquired the music publishing catalog of musician, songwriter, and producer Simon Raymonde. The transaction encompasses Raymonde’s complete songwriting interests from his time with the Cocteau Twins. After joining Cocteau Twins in 1983, Raymonde became a key creative force within the group, contributing to its songwriting and sonic identity. His work on albums including Treasure, Blue Bell Knoll, and Heaven or Las Vegas helped establish the band’s distinctive blend of atmospheric textures, rich instrumentation, and ethereal pop melodies. Cocteau Twins’ influence can also be heard in modern recordings, including “The Knowing” by The Weeknd, which incorporates elements of the band’s track “Cherry-Colored Funk.” In addition to his contributions as a member of Cocteau Twins, Raymonde is the co-founder and driving force behind the independent label Bella Union, home to artists such as Beach House, Father John Misty, The Flaming Lips, Mercury Rev, and Xiu Xiu. Also, he served as Vice-Chairman of AIM and was honored with the Ivor Academy’s Visionary Award alongside his Cocteau Twins bandmates. His production and mixing credits also include work with Clearlake, The Czars, Billy Mackenzie, and Fionn Regan. The acquisition aligns closely with two central pillars of Seeker Music’s growth strategy: investing in enduring catalogs with the potential to connect with future generations of listeners and expanding the company’s presence across the U.K. and international music markets. Seeker’s leadership views Raymonde’s catalog as a prime example of culturally significant music that remains relevant and discoverable decades after its creation. 

 

10K PROJECTS ANNOUNCES JOINT VENTURE WITH RUNWAY RECORDS: 10K Projects has entered into a joint venture with Runway Records, a newly established label founded and led by Ben Bijur, who recently joined Atlantic Music Group as Vice President of A&R. Designed as a launchpad for the next generation of hip-hop talent, Runway Records focuses on discovering artists at the earliest stages of their careers and accelerating their growth through digital-first strategies tailored to today’s internet-driven music landscape. Despite its recent launch, the label has already demonstrated momentum and an ability to identify emerging stars. The label’s first signing, Atlanta rapper Aziedoesntexist, has become one of its early success stories. Within just three months of releasing her debut single, “Everglades,” the artist has surpassed 800,000 daily streams, while the track climbed to No. 1 on Spotify’s Viral Chart. The song has also gained traction on TikTok, generating more than one million user-created videos and helping to expand Aziedoesntexist’s online audience and cultural visibility. Since its inception only a few months ago, Runway Records has accumulated more than 60 million streams across its roster and achieved three Top 10 placements on TikTok’s Top 50 chart. These early results highlight the label’s ability to spot promising talent and convert digital engagement into measurable audience growth at scale. Since joining Atlantic Music Group, Bijur has signed a number of rising hip-hop artists, including Diamond*, Ksuuvi, Sorisa, and Gorilla Glue & Lil Nakur. Prior to launching Runway Records and joining Atlantic, Bijur was the first employee at Signal Records, a joint venture with Columbia Records. During his tenure there, he signed or assisted in the careers of artists including Topoppgen, Nino Paid, Vonoff1700, Bloodhound Q50, and Lil Scoom, among others. Collectively, the artists he helped discover and develop during his time at Signal have generated more than 2.5 billion streams.

 

SORAIB EL JELALI NAMED AS NEW HEAD OF A&R FOR WARNER CHAPPELL MUSIC BENELUX: Soraib el Jelali has been appointed Head of A&R for Benelux at Warner Chappell Music (WCM), the global music publishing division of Warner Music Group. In this new position, he will lead the company’s talent discovery and artist development efforts across the region from WMG’s Amsterdam office, reporting directly to Niels Walboomers, President, Publishing, Benelux and Recorded Music, Central Europe, WMG. In his expanded mandate, el Jelali will focus on strengthening WCM’s domestic songwriter and producer roster while also fostering greater cross-border collaboration, opening new opportunities for Benelux-based talent to connect and create with international artists and collaborators around the world. He joined Warner Music Group in 2023 as Head of A&R at Atlantic Records Benelux, bringing with him a broad background across the music industry that includes A&R roles at Sony Music Publishing and TRIFECTA, among others. With an entrepreneurial foundation, he began his career in artist management, booking, and event organization before co-founding the independent label Khoya Records in 2018. During his time at Atlantic Records, el Jelali assisted in the rise of several artists, including Antoon, Kaya Imani, SMIB, Trobi, and Roxy Dekker. His work has contributed to the continued growth and international visibility of the Benelux urban music scene, helping shape a new generation of chart-performing talent in the region.

 

PRIMARY WAVE MUSIC PARTNERS WITH INTOCABLE: Primary Wave Music has entered a partnership with Grammy Award-winning Mexican music band Intocable. Under the agreement, Primary Wave will work with the band across its music catalog, as well as its name, image, and likeness rights. The partnership will provide Intocable with access to Primary Wave’s global publishing and marketing infrastructure, including digital strategy, licensing support, sync placement opportunities, and film and television production services. Since emerging in the early 1990s, Intocable has established itself as a defining force in Tejano and Norteño music. The band has sold more than four million albums, consistently filled arenas across the Americas, and built a catalog that has resonated with audiences for decades. Adding to its legacy, Intocable is set to receive a star on the Hollywood Walk of Fame and has earned 15 No. 1 albums on Billboard’s Regional Mexican Albums chart. Throughout their career, Intocable has collected two Grammy Awards, three Latin Grammy Awards, and two Billboard Regional Mexican Awards. Included in the agreement are many of the band’s most successful and enduring recordings from a catalog spanning more than 20 studio, live, and compilation albums. Among the tracks are hits such as “Fuerte No Soy,” “Me Gusta Mi Vida,” “Sueña,” “Te Amo (Para Siempre),” “Si Me Duele, Que Duela,” and “Un Poquito Tuyo” – songs that have helped define the group’s enduring appeal across generations of fans. Several of these recordings appeared on Intimamente and Classic, the two Grammy Award-winning albums that each received the honor for Best Regional Mexican/Norteño Album. Over the course of their career, Intocable has achieved 21 No. 1 singles and an extraordinary 47 Top 10 hits, placing the band among the most successful and enduring artists in the history of the Regional Mexican charts.

 

BELLES SIGNS WITH WME FOR WORLDWIDE REPRESENTATION: Belles has signed with WME for worldwide representation. Belles’ breakout year has been highlighted by the release of “Son of Jolene,” a collaboration with Dolly Parton, as well as growing support at country radio, an expanding national touring schedule throughout 2026, and her upcoming debut performance at the Grand Ole Opry on July 30. Inspired by Parton’s hit “Jolene,” Belles’ “Son of Jolene” imagines a contemporary continuation of the story. The success of “Son of Jolene” follows the release of Belles’ self-titled EP and builds on the growing momentum generated by her viral single “Crazy as Me.” The track accumulated more than 30 million social media views and surpassed two million streams on Spotify. Collectively, her music and content have now generated more than 100 million views and streams across digital platforms, as well as 1.5 million followers across social media channels. Throughout 2026, Belles will take her Songs & Stories Tour to audiences across the U.S. The tour includes appearances with Diamond Rio and Easton Corbin, select support dates for Gene Watson, performances during CMA Fest week, and a scheduled appearance at Country Calling Festival in Ocean City, Maryland, on October 2. Originally from Omaha, Nebraska, Belles relocated to Nashville in 2018 to pursue her music career. The WME signing further strengthens the professional team surrounding the artist. Belles is signed to a global recording agreement with East Music Row Records and has a publishing deal with Deluge Music. Belles is managed by Christina Dunkley at Red Light Management and now adds worldwide representation from WME to her growing list of career partnerships. 

 

SOUND ROYALTIES HIRES MELANIE CAMERON: Sound Royalties has expanded its U.K. operations with the appointment of Melanie Cameron as Regional Director of Business Development. Cameron joins the music and entertainment financing specialist after a nine-year tenure at PPL, where she held several senior positions spanning membership, licensing, and relationship management. In her new role, she will work closely with Michael Bizenov, Managing Partner, and Allison Portlock, EVP of Marketing. A key focus of Cameron’s role will be increasing awareness and adoption of Sound Royalties’ financing solutions among music and media professionals throughout the U.K. The company provides funding to eligible songwriters, artists, producers, composers, independent labels, distributors, publishers, and content creators, offering access to capital without requiring them to relinquish ownership of their rights. Sound Royalties’ funding model is designed to provide creators with financial flexibility through fixed-fee, fixed-term agreements. It does not require clients to sell their copyrights, provide collateral, sign personal guarantees, or achieve full recoupment before benefiting from funding. During her time at PPL, Cameron served as member relationship and development manager, where she was instrumental in driving growth across the organization’s market share and international revenue collections. She also led strategic account management initiatives for key clients and assisted in developing advanced programs and revenue optimization strategies aimed at maximizing returns for rights-holders and creators. Alongside her expertise in royalties and financial operations, Cameron most recently oversaw the development and implementation of PPL’s updated 2025 genre strategies, with a particular focus on Black music, dance, and classical repertoires.

 

CONCORD MUSIC PUBLISHING ANZ ACQUIRES SHARE IN JULIAN HAMILTON’S CATALOG: Concord Music Publishing ANZ has expanded its Australian catalog holdings through the acquisition of an interest in the songwriting catalog of Julian Hamilton. The deal also includes a new publishing agreement between Concord and Hamilton, covering all future compositions as well as works not included within the acquired catalog. The agreement takes effect immediately. The acquired catalog encompasses Hamilton’s contributions across four albums by Australian electronic duo The Presets, which he formed alongside Kim Moyes. Included in the transaction are interests in some of the duo’s most recognizable songs, including “My People,” “Talk Like That,” “This Boy’s in Love,” “Are You the One?,” “Girl and the Sea,” and “Martini.” Hamilton and Moyes emerged as key figures in Australia’s electronic music scene during the mid-2000s, establishing The Presets as one of the country’s most successful and enduring live electronic acts. Their breakthrough album Apocalypso achieved both commercial and critical acclaim, earning the ARIA Award for Album of the Year in 2008 and making history as the first electronic release to receive the prestigious honor. The album went on to achieve triple-platinum certification in Australia and featured hit singles including “My People” and “Talk Like That.” The success of Apocalypso was further recognized in 2009 when Hamilton and Moyes were named APRA Songwriters of the Year. Outside of The Presets, Hamilton has built a career as a songwriter and producer, collaborating with artists across multiple genres. His credits include work with Silverchair, Flight Facilities, Cut Copy, Flume, Bluejuice, Wolf & Cub, Evermore, KLP, and The Sleepy Jackson. His songwriting has also extended its influence beyond original recordings, with works from his catalog sampled by artists such as Steve Angello, 3%, and Bryson Tiller. Among his many achievements, Hamilton co-wrote Silverchair’s “Straight Lines” with Daniel Johns, a song that earned APRA Music Awards for both Song of the Year and Most Played Australian Work in 2008. In addition to his achievements in popular music, Hamilton is a classically trained musician with a substantial body of work as a composer for contemporary dance. Throughout his career, he has created numerous original compositions for leading Australian dance companies, including the Sydney Dance Company and Chunky Move.

 

HAVAS LAUNCHES VOLYUM LABEL WITH VIRGIN TO PAIR ARTISTS WITH BRANDS: Havas has announced the launch of a new record label, Volyum, created in partnership with Virgin Music Group. The label has been established to foster creative partnerships between emerging artists and global brands, developing opportunities where original music plays a central role in shaping brand storytelling while also opening new commercial pathways for independent artists beyond conventional sync and placement deals. According to the announcement, Volyum introduces a model in which music and branding operate in closer alignment, allowing artists to expand their reach while enabling brands to engage audiences through original, artist-led content. The initiative is designed to extend the value of music beyond traditional licensing frameworks. Volyum will be overseen by Art of Sound, Havas’ global sonic marketing division, and led by Emmy Award-winning musician-turned-marketing executive Damien Escobar, who will guide the label’s creative and strategic direction. Havas noted that Volyum will leverage the wider global resources of the group to connect participating artists with international brand partners, creating opportunities across multiple markets and industries. Virgin Music Group will support the venture by providing global distribution and promotional infrastructure, ensuring that collaborative releases between artists and brands receive broad international reach. The first projects under the Volyum banner are expected to launch in the autumn, in collaboration with a select group of brand partners, marking the beginning of the label’s rollout into the global marketplace.

 

YOUSSOU N’DOUR NAMED CISAC VICE-PRESIDENT: CISAC has announced the appointment of Youssou N’Dour as its new Vice-President. N’Dour assumed the role on June 4 during CISAC’s annual General Assembly in Paris, France which coincided with the organization’s centenary celebrations. Representing a network of more than five million creators worldwide, CISAC operates across over 100 countries through its 227 member societies. As technological change and artificial intelligence continue to transform the creative landscape, CISAC remains focused on promoting transparency, robust rights frameworks, and sustainable compensation models for creators. N’Dour brings to the position a career spanning more than 40 years, during which he has become one of Africa’s most influential cultural ambassadors. Widely credited with introducing Senegalese mbalax music to international audiences, he has blended traditional West African rhythms with elements of pop, jazz, and world music, creating a sound that has resonated across continents. A Grammy Award winner for his album Egypt, N’Dour has released more than 20 albums and collaborated with artists including Peter Gabriel, Sting, and Neneh Cherry. His performances have headlined venues and festivals throughout Africa, Europe, North America, and Asia. Beyond his artistic achievements, N’Dour has aided in developing the music industry ecosystem in West Africa. Through investments in recording studios, production facilities, and media enterprises based in Dakar, he has helped create infrastructure that supports professional growth for artists and rights holders. Throughout his career, he has championed the principle that creators should not only gain global recognition but also receive an equitable share of the economic value generated by their work. N’Dour succeeds outgoing CISAC Vice-Presidents Yvonne Chaka Chaka of South Africa and Mexican composer Arturo Márquez, whose mandates conclude following the General Assembly. In his new role, he will work alongside CISAC President Björn Ulvaeus, the songwriter and ABBA co-founder who continues to lead the organization’s international advocacy efforts on behalf of creators and rights holders worldwide.

 

THIRD SIDE MUSIC EXTENDS WORLDWIDE DEAL WITH COLIN STETSON: Third Side Music (TSM) has renewed its partnership with award-winning composer, artist, songwriter, and arranger Colin Stetson, extending a 15-year creative relationship that has continued to grow alongside his expanding international profile. Under the exclusive worldwide administration agreement, TSM will maintain full representation of Stetson’s catalog while continuing to support and develop new opportunities across film, television, advertising, video games, and other media platforms. Stetson has composed music for more than 15 films and television projects, with recent highlights including the Netflix horror-thriller Something Very Bad Is Going to Happen, Apple Original Films’ upcoming spy thriller Mayday, and the IMAX documentary Stormbound, which premiered at SXSW in March and received the 2026 Special Jury Award. His broader film scoring portfolio includes titles such as Hereditary, Color Out of Space, The Menu, Texas Chainsaw Massacre, Hold Your Breath, and Martha, with The Menu earning him nominations from the World Soundtrack Awards, the Hollywood Music in Media Awards, and the International Film Music Critics Association. On television, Stetson’s work includes Hulu’s The First, Adult Swim’s Uzumaki, Disney+’s NASA docuseries Among the Stars, National Geographic’s Barkskins, and Deliver Us, among many others. He also contributed to the score of Rockstar Games’ Red Dead Redemption 2, collaborating with composer Woody Jackson on one of the game’s most critically acclaimed soundtracks. Beyond his screen work, Stetson is a six-time Juno Award nominee and two-time winner for Instrumental Album of the Year, earning honors in 2016 for Never Were the Way She Was (a collaboration with Sarah Neufeld) and again in 2024 for his solo album When We Were That What Wept for the Sea. Additionally, Stetson has collaborated with artists including Tom Waits, Arcade Fire, Bon Iver, Feist, The Chemical Brothers, LCD Soundsystem, The National, Laurie Anderson, TV on the Radio, Mogwai, and Animal Collective, among others.

 

UNIVERSAL MUSIC GROUP INVESTS IN THAI MUSIC COMPANY S1: Universal Music Group has announced a partnership with S1, a Thailand-based music distribution and publishing services company, further expanding its presence in one of Southeast Asia’s most important music markets. As part of the agreement, S1 and its network of content partners will gain access to Universal Music Group’s global infrastructure and resources, while UMG will also take a significant minority investment stake in the company. S1 was founded in 2001 by CEO Karlcharn Kongkatong alongside Co-Founder Apsornsopha Sariman and has played a central role in shaping Thailand’s digital music ecosystem for more than two decades. Over the years, the company has established a strong footprint across major Thai music and entertainment genres, supporting artists and rights holders throughout the region. In 2017, the group expanded its capabilities with the launch of D1, a division focused on music publishing, royalty administration, rights management, and intellectual property development. Together, S1 and D1 now operate as an integrated platform offering a wide range of services, including distribution, publishing, production, licensing, and artist services. The company also maintains advanced in-house infrastructure, such as Dolby Atmos-equipped studios, visual production teams, and technology-driven systems designed to support audience engagement and monetization. Thailand remains the largest recorded music market in Southeast Asia, accounting for 23.8% of regional recorded music revenues according to IFPI’s 2026 Global Music Report. Universal Music Group already maintains a strong position in the territory through local repertoire development and strategic partnerships with domestic labels, including previous collaborations involving S1, Virgin Music Group, and Universal Music Publishing Group. Following the new partnership, Karlcharn Kongkatong will continue to lead both S1 and D1 as CEO, working alongside the existing management team to guide the company’s next phase of growth while deepening its collaboration with Universal Music Group globally.

 

GODIGITAL MUSIC LAUNCHES NASHVILLE COUNTRY IMPRINT ORINDA: GoDigital Music has officially launched Orinda, its first dedicated country music imprint, marking an expansion into the country and Americana space. Based in Nashville, the label will be led by General Manager Cooper Lycan and arrives ahead of CMA Fest 2026. Orinda’s launch builds on GoDigital Music’s broader growth strategy and follows the continued success of Cinq Music Group, led by Barry Daffurn. As part of its debut, Orinda has signed artist Nic D as its first recording act. Known for blending country, hip-hop, alternative, and pop influences, Nic D brings an existing audience to the imprint, with nearly five million monthly Spotify listeners, according to GoDigital Music. His most popular releases, including “Too Easy,” “Still Hot,” and “Gasoline,” have each surpassed 80 million streams on Spotify. His first official release under Orinda, titled “Slow Down Fast,” is scheduled for release on June 26. In addition, Nic D is currently co-headlining the Iconic Tour alongside Connor Price, performing a series of U.S. tour dates this month. GoDigital Music and Cinq Music Group first began expanding into the country genre in 2024, including catalog acquisitions from Nashville songwriters such as Jimmy Robbins and Ryan Hurd. Robbins’ recent songwriting credits include Morgan Wallen’s “Dark Til Daylight and Drinking Til It Does” from the album I’m The Problem, and he also contributes to GoDigital Music’s publishing and distribution operations. “Launching Orinda and expanding into country is a deliberate step in GoDigital Music’s long-term vision to invest in culturally influential genres and independent artists shaping today’s music landscape,” said Logan Mulvey, CEO of GoDigital Music. “Country music has experienced meaningful changes in recent years, and we saw a natural opportunity to continue fueling that momentum. Orinda is designed to be a lasting home for artists who are redefining the genre, providing them the infrastructure, creative support, and global reach to scale their careers, while staying true to their storytelling and identity.”

 

MPRS IS NOW BUYING PRODUCER CATALOGS – IN PARTNERSHIP WITH MILK & HONEY: Mprs, the rights management company specializing in producer and mixer royalties, is expanding its business into producer catalog acquisitions, marking a new phase in its growth strategy. Milk & Honey has joined as a strategic partner in the new acquisition initiative and will also provide advisory support on mergers and acquisitions opportunities across the broader market. Founded in 2021 following the spin-out of artist management and services company mtheory’s label division after Universal Music Group acquired that business, mprs, pronounced “Empress,” is headquartered in New York and led by CEO Jon McMillan, who co-founded mtheory in 2010 alongside JT Myers and Nat Pastor, the latter duo now leading Universal’s Virgin Music Group. Positioned as a company designed to “do for producer royalties what publishers do for songwriters,” mprs operates across royalty administration, auditing, and advance structures, and now extends its offering into catalog acquisitions. The company’s client base includes producers and mixers such as Julian Bunetta, Oak Felder, James Ford, and John Ryan, among others. Mprs clarified that its acquisition strategy is not structured as a standalone investment fund, but rather as an expansion of its existing platform, supported by increased private and institutional backing. This structure is intended to enable the company to pursue catalog deals at scale without the limitations of a fixed fund model

 

CONCORD INVESTS IN AND STRIKES PARTNERSHIP WITH LITO MUSIC: Concord Label Group has entered a strategic partnership with Lito Music, the company founded by influential Latin hip-hop and reggaeton artist Lito MC Cassidy, in a move designed to further strengthen Concord’s footprint in the global Latin music market. According to the agreement announced on June 4, Concord has also made a minority investment in Lito Music. Lito MC Cassidy first rose to prominence as one half of the pioneering duo Lito & Polaco, whose catalog includes releases such as Masacrando MC’s and Mundo Frío. Concord describes Lito as a foundational figure in the development of the Latin urban movement, with a career spanning more than three decades. Through the partnership, Concord will combine its international infrastructure and resources with Lito’s creative and cultural expertise to help build what the companies describe as a culturally driven, globally competitive label. The focus will be on long-term artist development, as well as creating sustainable value across the roster over time. “This venture is a strong example of how Concord approaches growth: by partnering with proven cultural leaders and giving them the support, resources, and global infrastructure to build something lasting,” said Tom Becci, Chief Executive Officer, Concord Label Group. “Lito brings credibility, creative instinct, and a deep connection to the culture, and together we’re building a label designed to develop new talent, support breakthrough releases, and expand Concord’s presence across Latin music in a meaningful way.”

 

MERLIN STRENGTHENS GLOBAL PARTNERSHIPS DIVISION WITH SENIOR PROMOTIONS: Merlin has announced senior promotions within its Partnerships division. Among the appointments is the promotion of Emma Robinson to Vice President, Partnerships, Shannon Bradley to Director, Commercial Partnerships; Alice Moss and Daniele Yandel to Director, Partnership Operations; and Simon Marcel to Manager, Partnership Operations. Since joining Merlin in 2018, Robinson has been instrumental in helping independent labels and distributors navigate the evolving digital music landscape. Additionally, she has aided in developing relationships across the digital ecosystem while ensuring member interests are reflected in Merlin’s deal-making, operational processes, and platform development initiatives. Robinson will continue managing global partner relationships while helping guide Merlin’s broader partnership strategy across streaming services, social media platforms, and AI-powered technologies. Based in New York, Bradley joined Merlin in 2021 as a manager, working across both the Member Relations and Commercial Partnerships teams. Her relationships within the digital partner community and industry knowledge led her to focus increasingly on partner-facing initiatives. Today, she serves as Merlin’s primary day-to-day contact for partnerships with Spotify, Meta, Twitch, Apple, and Peloton, working closely with these platforms to create opportunities that maximize value for Merlin’s member artists. Alice Moss, who is based in Berlin, Germany joined Merlin in 2024 and has overseen member integrations with new partners, including Udio, Singa, and Audiomack. She has also led member engagement and compliance efforts across Merlin’s social platform partnerships. Daniele Yandel, based in New York, has been part of the Merlin team since 2020. Recognized for her expertise in streamlining complex partner systems, she helps ensure members can maximize the benefits of Merlin’s partnerships with greater efficiency. Her experience spans the artist, label, and operational sides of the music business. Prior to Merlin, she co-founded Sister Polygon Records and performed in the band Priests. Meanwhile, Simon Marcel’s promotion reflects his growing impact on Merlin’s partnership operations and support infrastructure. Since joining the London office in 2023, Marcel has collaborated closely with members on rights management and platform-related challenges, drawing on more than six years of experience in YouTube CMS administration and digital rights management.

 

BMI PROMOTES FOUR EXECUTIVES ACROSS CREATIVE AND CORPORATE COMMUNICATIONS TEAMS: BMI has announced a series of executive promotions across its Creative and Corporate Communications teams. On the Creative side, John Ellwood has been promoted to Vice President, Creative, where he works closely with BMI’s senior leadership to help shape the organization’s strategic direction, with a focus on strengthening its presence across genres and platforms. With two decades at BMI, Ellwood brings experience spanning legal, strategy, and business affairs, and continues to support contract negotiations and catalog transactions. He will maintain his reporting line to VP, Strategy & Business Affairs, Creative Rafael Martinez. Deirdre Chadwick has been elevated to Assistant Vice President, Creative, Classical & Jazz, where she continues to lead BMI’s Classical division while expanding oversight of its jazz initiatives. Her responsibilities include managing royalty distributions for large-scale classical performances, advising composers and publishers on registrations, licensing, and payments, and overseeing programs such as the BMI Composer Awards and the BMI Jazz Composers Workshop. She also serves as President of the BMI Foundation and reports to VP, Worldwide Creative Barbara Cane. Within Corporate Communications, Jeff Gilligan has been promoted to Assistant Vice President, Creative Director, leading design and brand creative across BMI’s digital platforms, social channels, website, and physical marketing materials. His work spans campaigns and events including “Your Music Moves Our World,” BMI’s presence at festivals such as Lollapalooza, Austin City Limits, and SXSW, as well as signature events like Rooftop on the Row, the Ryman/BMI Block Party, and the BMI Acoustic Lounge series. He joined BMI in 2019 and reports to SVP and Chief Communications & Marketing Officer Liz Fischer. Jodie Thomas has been promoted to Assistant Vice President, Corporate & Media Relations, after serving as Executive Director since 2015. She leads media relations teams across New York and Los Angeles, overseeing communications strategy across genres including Pop, Hip-Hop, R&B, Broadway, Jazz, Latin, and Film, TV & Visual Media. She also supports BMI’s Licensing Communications and leads the company’s Speakers Bureau, coordinating executive participation in industry events. She also reports to Liz Fischer. 

 

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