APPLE MUSIC’S ZANE LOWE TO INTERVIEW DANIEL GLASS,
FOUNDER OF GLASSNOTE ENTERTAINMENT GROUP, IN AN A&R WORLDWIDE CONVERSATION AND ALEXANDRA NICKSON, SR. VP TV MUSIC, DREAMWORKS ANIMATION TO RECEIVE THE “GLOBAL MEDIA EXECUTIVE AWARD”
AT MUSEXPO 2027
Apple Music’s Global Creative Director Zane Lowe will sit down with legendary A&R executive and independent music entrepreneur Daniel Glass, Founder & CEO of Glassnote Entertainment Group, for a special A&R Worldwide 25th anniversary conversation during the 27th global edition of MUSEXPO, (March 21 – 24, 2027) taking place at Castaway in Burbank, California.
The intimate conversation will explore the art and science of artist development in the modern music business, the enduring importance of A&R instincts in an era increasingly shaped by data and technology, and the rapidly evolving global music marketplace. Lowe and Glass will also discuss the philosophy and entrepreneurial culture behind Glassnote’s emergence as one of the world’s leading independent international music companies.
For more than five decades, Daniel Glass has worked at the intersection of artist discovery, development, and global music entrepreneurship. His career began behind the decks at New York’s legendary Regine’s discotheque before moving through SAM Records, Chrysalis, and SBK Records, ultimately becoming President & CEO of EMI Records Group North America and founding President of Universal Records.
In 2007, Glass launched Glassnote Music with a distinct artist-first philosophy. Today, Glassnote encompasses Glassnote Records and Connection Music Publishing, with operations spanning New York, Los Angeles, Toronto, Austin, and London.
The label’s roster includes Grammy Award-winning artists Mumford & Sons and Phoenix, and Grammy and Latin Grammy Award-winning Silvana Estrada, alongside Jade Bird, Two Door Cinema Club, Tors, bby, Talia Rae, The Teskey Brothers, and Patrick Martin. Glassnote has also been home to influential artists including The Temper Trap(introduced to Daniel Glass by A&R Worldwide in 2008), AURORA, CHVRCHES, and Childish Gambino.
Glass’ career has included artist stories involving Billy Idol, Wilson Phillips, Sinéad O’Connor, Blur, Jesus Jones, Erykah Badu, The Pretenders, Huey Lewis & the News, and Pat Benatar. His approach has consistently emphasized the human side of A&R: recognizing compelling artists early, developing their creative identities, and building sustainable careers rather than simply chasing the next moment.
Joining him will be Lowe, one of the most influential voices in contemporary music discovery and artist storytelling. As Apple Music’s Global Creative Director and lead anchor of Apple Music 1, Lowe has built a reputation for deeply personal and revealing conversations with some of the world’s most important artists.
A Grammy-nominated musician, DJ, and producer himself, Lowe brings a unique understanding of the creative process and engages artists from the perspective of both broadcaster and fellow creator. His Apple Music interviews have included Kendrick Lamar, Taylor Swift, Billie Eilish, Lady Gaga, Paul McCartney, Bruce Springsteen, Adele, Ed Sheeran, Eminem, Tyler, The Creator, Burna Boy, and Dave Grohl, among many others.
The Daniel Glass conversation will be one of several high-level A&R interviews, executive conversations and panels presented by A&R Worldwide as part of its 25th anniversary celebrations in 2027 at MUSEXPO.
Founded by Sat Bisla in 2002 and launched in 2003, A&R Worldwide has spent 25 years connecting emerging talent with the global music business, championing trusted relationships, authentic discovery, and long-term artist development. Bisla’s influence has extended to supporting the early careers of artists including Coldplay, Muse, Keane, Adele, Katy Perry, Jessie J, Sia, Faithless, Dido, LMFAO, The Temper Trap, Lily Allen, Corinne Bailey Rae, Lorde, Gavin James, Picture This, Frank Turner, Tove Lo, Teddybears, Forest Blakk, Ting Tings, Gotye, Missy Higgins, Wolfmother, Sheppard, and many others.
Reflecting on A&R Worldwide’s quarter-century journey, Bisla says the company was founded not simply as a business platform, but as a community built around “great music, trust and authentic relationships, and impactful opportunities.”
That philosophy will be reflected in the Lowe – Glass conversation, bringing together two highly respected music executives whose careers have centered on recognizing creative potential, understanding culture, and helping extraordinary artists connect with audiences around the world.
Alexandra Nickson, Senior Vice President, Television Music, DreamWorks Animation, has been named the recipient of the prestigious “Global Media Executive of the Year Award” at the annual “International Music Industry Awards,” which take place after the conclusion of MUSEXPO, and are organized by A&R Worldwide.
The “Global Media Executive of the Year Award” honors executives whose creative leadership, innovation, and influence have helped redefine the role of music across film, television, animation, and global media.
Nickson is an Emmy-winning music executive and educator whose more than two decades of experience spans music strategy, composer relationships, licensing, and creative direction across television and preschool features.
Her work has contributed to several celebrated music-driven productions. Nickson earned an Emmy Award for her work on Kung Fu Panda: The Dragon Knight and received an Emmy nomination for Orion and the Dark, reflecting her work bringing together composers, songwriters, artists, producers, and creative teams to enhance the emotional and cultural impact of visual storytelling.
Throughout her career, Nickson has held senior music executive positions at MGM Pictures, Amblin Entertainment, The Walt Disney Company, and Freeform, giving her experience across feature film, television, studio, and network environments.
The honor recognizes Nickson’s ability to navigate the rapidly evolving entertainment landscape while maintaining a focus on music’s power to shape character, emotion, narrative, and audience connection.
“I have spent the past 13 years at DreamWorks Animation building music for film and television streaming content that I hope resonates with people of all ages. I’ve always believed there is no such thing as ‘kids music,’ there is simply great music: music that moves you, stays with you, and becomes part of the emotional memory of a story,” said Alexandra Nickson, Sr. Vice President, Music, DreamWorks Animation. “My passion is bringing new voices to the table, creating opportunities for artists, songwriters, composers, and producers from all backgrounds to be heard, and connecting those voices with stories where their music can make a real impact. I am deeply honored to be recognized as Global Music Executive of the Year, and grateful to the collaborators, teams and artists who continue to inspire me every day.”
MUSEXPO 2027 will also bring together an international community of music executives, artists, composers, songwriters, producers, music supervisors, publishers, labels, managers, technology leaders, and media professionals for four days of conversations, networking, performances, education, and global business opportunities.
MUSEXPO has long recognized individuals whose creative leadership has elevated the art and business of music supervision across film, television, streaming, and interactive entertainment. Previous honorees from the music supervision and entertainment community have included Dave Jordan, Founder & CEO, Format Entertainment; Amy Dunning, Vice President, Music, Netflix; Mike Knobloch, President of Music & Publishing, NBCUniversal; Alexandra Patsavas, Director of Music Creative/Production, Original Series, Netflix; Steve Schnur, Worldwide Executive & President of Music, Electronic Arts; Mamie Coleman, Executive Vice President & Head of FOX Entertainment Music, and others.
To register to attend the event before the early bird registration expires on September 30, or for more information regarding discount hotel bookings, artist showcase submissions, and the event program for MUSEXPO 2027, please visit www.musexpo.net.
For all sponsorship requests please contact info@anrworldwide.com.
RELIANT MUSIC PARTNERS WITH WARNER MUSIC GROUP’S ADA BENELUX
Reliant Music has teamed up with ADA Benelux, Warner Music Group’s independent distribution and label services division, in a partnership aimed at expanding the company’s international reach. Announced September 8, the deal brings together Reliant’s A&R and artist development expertise with ADA’s global distribution and label services infrastructure.
The partnership will support projects from the initial stages of creative development through international release and growth, according to Reliant. The Vancouver, Canada-based company describes its business as “song-first,” combining A&R, song management, and independent dance music operations with a focus on connecting North American pop songwriting with European dance music.
Reliant works selectively with artists, producers, and songwriters, developing records and facilitating collaborations based on the creative needs of each project. The company is led in North America by John Dexter and Adrian Lock, with Mischa Daniëls serving as VP of A&R for Europe.
Its team has been involved in projects including Carly Rae Jepsen’s “Call Me Maybe” and Loud Luxury’s “Body,” as well as work connected to artists such as Armin van Buuren, Timmy Trumpet, KSHMR, R3HAB, Nicky Romero, W&W, Fedde Le Grand and NERVO.
“At ADA Benelux, we’re proud of our collaboration with Reliant Music,” said Pim Lauwerier, Head of ADA Benelux. “They are a fantastic team of skilled professionals with a genuine passion for music, who excel at developing a demo into a hit record, all while keeping a sharp eye for detail. We are confident this partnership has even bigger achievements ahead of us, and we cannot wait to celebrate new successes together.”
Reliant said the new relationship with ADA represents the next stage of its international expansion.
A&R Worldwide worked closely with Reliant’s John Dexter for several years to help with elevating the company’s global business networks and partnerships, and furthering international creative and licensing opportunities.
SUNO INKS GLOBAL LICENSING DEAL WITH BELIEVE
Believe has reached a partnership with AI music platform Suno, reversing course just months after the music company began blocking the distribution of tracks created using Suno’s then-unlicensed models.
Announced September 8, the global agreement covers participating repertoire from Believe and TuneCore, Believe’s self-service platform for independent artists. Under the deal, participating artists and labels can opt in for new licensed music products that Suno is developing with music-industry partners. Music from those participants will also be incorporated into Suno’s new generation of AI models.
The partnership marks a change from Believe’s April 30 policy, when the company began automatically blocking tracks generated through unlicensed AI platforms, including Suno. The new agreement applies specifically to Suno’s upcoming industry partner model and does not cover music created using its current models, which Suno plans to retire once the new system launches.
Artists who participate will receive compensation for their music, while their rights will be protected under the agreement. They will also receive Suno’s training protections and benefit from newly introduced transparency measures and download limits.
Suno introduced those download restrictions in August, limiting Pro subscribers to 20 song downloads per month and Premier subscribers to 60. Users of Suno Studio are not subject to the cap. The limits took effect on September 3.
The partnership signals a shift toward a licensed model for AI-generated music, with Believe and TuneCore artists gaining a route to distribute tracks created through Suno’s new industry-partner system.
MUSIC & ENTERTAINMENT EXECUTIVES FORM FORGE MUSIC GROUP
Matt Geffen, Ben Schecter, Charlie Perl, and Tim Jordan have launched Forge Music Group, a new “next generation” music company spanning management, recorded music, publishing, and film.
The company operates across three divisions: Forge Management, Forge Records, and Forge Publishing, bringing together services designed to support artists, songwriters, producers, and other music-industry creatives across multiple areas of their careers.
Forge Management’s roster includes artists, songwriters, producers, and studio professionals, with clients spanning established and emerging talent. The management division represents Japanese artist Yuki Chiba in partnership with Warner Music Japan, as well as singer-songwriters Nat & Alex Wolff and CARLA, who co-wrote Tame Impala and JENNIE’s “Dracula.” Its producer and songwriter roster includes Joe Reeves, whose credits include Stella Lefty’s “Boston” and Morgan Wallen’s “What I Want;” JULiA LEWiS, who worked on Bad Bunny’s “DTMF;” Grammy-winning mix engineer Teezio; and Grammy-winning producers Southside and Wheezy, whose credits include Drake’s “Ran to Atlanta,” among others.
Forge Records has launched with releases from artist bixby and singer-songwriter Carol Ades, marking the beginning of the label’s recorded-music operations. Forge Publishing has also announced its first signings, including U.K. artist Ebubé, singer-songwriter Avery Lynch and Grammy-winning producer Peter Lee Johnson. The publishing arm will add another layer to Forge’s artist-focused model, providing songwriting and publishing support alongside the company’s management and recorded-music operations.
Beyond its music divisions, Forge is expanding into film through music supervision. In partnership with Heavy Duty Projects, the company is providing music supervision for Fleur, the upcoming feature from director Ellie Foumbi, starring Halle Berry. Additional film projects are expected to be announced as Forge continues to expand its work across music and screen.
Before launching Forge, Geffen, Schecter and Perl helped build independent music company Coup D’État, whose catalog has generated more than ten billion streams worldwide. Geffen has also advised organizations and companies including The Recording Academy, YEEZY, EarthPercent and APG, bringing experience across music, technology, artist development, and the broader entertainment industry to Forge’s new venture.
[PIAS] RELAUNCHES THE ICONIC FRENCH SOURCE LABEL
[PIAS] is bringing back its influential Source label, with its U.K. and French teams joining forces to oversee A&R and creative direction.
First launched around the turn of the millennium, Source built a formidable reputation through artists including Air, Phoenix, Kings of Convenience, Turin Brakes and Simian. The label’s new incarnation will take a distinctly international approach, combining the local expertise and industry networks of [PIAS] U.K. and [PIAS] France with the company’s global infrastructure to help artists reach audiences across multiple markets.
Source’s first wave of signings includes Ifulki, Disgusting Sisters, Epal and Hina. The label says it is aiming for an eclectic roster covering alternative pop, electronic, rock and music influenced by a wide range of cultures and genres.
Kenny Gates, Co-Founder & Executive Chairman of [PIAS], said, “Source has a fantastic history, but this is not about trying to recreate the past. It is about taking the spirit that made the label special – discovering distinctive artists, trusting their vision, and giving them the time and support to develop – and applying that to a new generation.”
The four artists will release new music through Source as the label begins its next chapter under joint U.K. and French leadership. [PIAS] also continues to represent parts of Source’s original catalog, creating a direct connection between the label’s legacy and its renewed direction.
Each week, A&R Worldwide shares a snapshot of creatives and executives that we have collaborated or worked with in various music markets around the world, albeit in recent or previous times!
Atul Churamani, Managing Director of Turnkey Music; Ramprasad Sundar, Head of Music Partnerships, Artist & Label Relations, YouTube, India & South Asia; Sat Bisla, President & Founder, A&R Worldwide / MUSEXPO; and Reynold D’Silva, Founder & CEO, Silva Screen Group, represent four longstanding relationships within the international music business whose connections to one another have been built over years of shared experiences, collaborations, conversations, and a mutual trust and passion for the growth of music across India and the global marketplace.
Their collective relationship with the Indian music market spans multiple generations of the industry, reflecting the evolution of India from an important regional music territory into one of the world’s most dynamic and influential music markets. Each has, in different capacities, contributed to the development of opportunities connecting Indian artists, music companies, technology platforms and creative communities with the wider international music ecosystem.
Bisla’s relationship with India has been longstanding, having maintained extensive creative and business relationships across the country and its global diaspora throughout his early career and A&R Worldwide’s history, while Churamani has been a prominent advocate for the development and professionalization of India’s contemporary music business and music publishing ecosystems. D’Silva’s international perspective has likewise helped create bridges between Indian and global music communities and he has helped launch several successful companies within India across publishing, sync, brands, and beyond. Meanwhile, Sundar has played a key role in the continuing transformation of India’s digital music, sync, media, and artist ecosystem through his current work with YouTube, and previous key roles at Netflix and Amazon MGM Studios across India and surrounding territories.
Their gathering in Mumbai during All About Music was another reflection of those enduring relationships – four longtime friends, colleagues and music-business advocates reconnecting in a market they have each helped champion for decades, while continuing the conversations and collaborations that have kept India increasingly connected to the global music industry.
CHLOE QISHA
Chloe Qisha continues her rise as one of the U.K.’s most exciting new pop voices with “Baby Girl,” an infectious future-pop gem that blends vibrant melodies with funk and disco influences to create a sound that feels both nostalgic and completely fresh. Produced with Oscar Görres (Taylor Swift, Troye Sivan) and Caroline Ailin (Dua Lipa, Zara Larsson), the track turns the blurred line between admiration and attraction into a playful, self-aware anthem about comparison, confidence, and celebrating the women around you. It is another standout moment from an artist who has quickly developed a distinctive pop identity all her own. “Baby Girl” arrives ahead of Chloe’s highly anticipated mixtape Fantasize, due October 30th via Columbia U.K./RCA USA, and follows her acclaimed EPs Chloe Qisha and Modern Romance. Named to the BBC Sound Of 2026 list and nominated for the Ivor Novello Rising Star Award, Chloe has built serious momentum with performances alongside Coldplay at Wembley Stadium, Sabrina Carpenter’s BST Hyde Park, All Points East, Primavera and Leeds Festival, before taking her growing fanbase on a sold-out U.K./EU tour and a string of sold-out North American shows. With major press support from Rolling Stone U.K., NME, British Vogue, The Face, ELLE U.K. and more, Chloe Qisha is quickly proving she has the songs, personality, and ambition to become a major global pop force. Listen to “Baby Girl” HERE, and contact Nicole Garcia for additional information and available opportunities on behalf of Chloe Qisha.
MUSTBEJOHN
London, England-based artist mustbejohn makes a strong case for himself with “Love If You Need It,” a sharp, instantly engaging new single that offers another glimpse into his highly anticipated debut album, Words To Live By, out September 18th. Built around mustbejohn’s knack for memorable hooks, observational songwriting, and a distinctly modern indie sound, the track captures the candid, everyday storytelling that has connected with his growing audience. Across a run of EPs throughout 2024 and 2025, mustbejohn quietly amassed millions of streams while drawing inspiration from friendships, nights out, growing pains, and self-discovery. Now, Words To Live By brings those ideas together across 12 tracks, blending the storytelling of The Streets, the genre-blurring creativity of Gorillaz and the wit of Arctic Monkeys entirely into his own. With BBC Radio 1 support from Jack Saunders, Clara Amfo, Danny Howard and Sian Eleri, a Ditto Rising Star Award win, global radio support from Passport Approved, sold-out headline shows including London’s Jazz Cafe, and festival appearances at Dot To Dot, NASS and NOS Alive, mustbejohn is entering this next chapter with serious momentum. Words To Live By feels less like a debut and more like the arrival of an artist who has already figured out exactly what he wants to say. Experience the visual for “Love If You Need It” HERE, and contact Ethan Beer for further details and any available opportunities with mustbejohn.
“PASSPORT APPROVED” PLAYLIST FOR Sunday, September 12th, 2026: The weekly new music radio show is heard on over 50 radio stations worldwide on six continents weekly including the U.S., Germany, U.K., Canada, Peru, India, Australia, Uganda, Zambia, South Africa, Egypt, Bolivia, Indonesia, Philippines, Holland, Dominican Republic, and many other territories. More information can be found HERE.
GIANT ROOKS – “Want It Back” (Vertigo Berlin, Germany)
OVERPASS – “Fall in Love” (Communion Records, U.K.)
DOTAN – “Let You Go” (Universal Music, Holland)
TEMPLES – “Vendetta” (V2, Netherlands)
KARIN ANN – “Born to Be” (3AM Records, Slovakia)
MEEK – “Beautiful Freeks” (BMG, U.K.)
RAGING LINES – “Yamaha 237” (Unsigned, Norway)
SHEPPARD – “Sayonara” (Chugg Music, Australia)
STAND ATLANTIC – “Velcro” (Virgin Music, Australia)
WALKING ON RIVERS – “Waste the Night” (Motor Entertainment, Germany)
SIENNA SPIRO – “Great Expectation” (Capitol Records, U.K.)
NOTHING BUT THIEVES – “Evolution” (RCA, U.K.)
JERUB – “Forever Right Now” (Elevate Music, U.K.)
SPACEY JANE – “I Never See Her” (AWAL, Australia)
D’MASIV – “On Our Own” (Unsigned, Indonesia)
THE ROOKS – “Nothing to Lose” (First Run Records, Scotland)
GOOD NEIGHBOURS – “Superstar” (Polydor, U.K.)
SUPER-HI – “Anywhere with You” (Blended Music, U.K.)
THE CHEAKS – “Situation Lost Control” (Unsigned, Australia)
TOVE LO – “I’m Your Girl Right” (Pretty Swede Records, Sweden)
MUSTBEJOHN – “Get the Time Back” (Unsigned, U.K.)
MATTHEW MOLE – “In My Head” (Universal Music, South Africa)
TONIX – “Stupid Things I’ve Done” (General Admission Entertainment, Australia)
YEARS BETWEEN – “Dogfight” (1999 Recordings, U.K.)
LEONIDEN – “I Still Feel” (Vertigo Berlin, Germany)
ROYEL OTIS – “Sweet Hallelujah” (Ourness, Australia)
ST. LUNDI – “Alaska” (Propeller Recordings, U.K.)
GIRL SCOUT – “Crumbs” (AWAL, Sweden)
CASSIA – “Praise” (Love Sundays/Universal Music, U.K.)
THE FALLS – “The Other Side” (Rev Pro, U.K.)
SHOBSY – “Royalty” (SO Recordings, Ireland)
D3LTA – “Mad About It” (Unsigned, Greece)
BUDDUG – “Oxygen” (Côsh Records, Wales)
JESSICA THOMAS NAMED HEAD OF A&R FOR 100 MANAGEMENT/100 PUBLISHING: Jessica Thomas has joined 100 Management/100 Publishing as the company’s new Head of A&R, reporting directly to Founder Luke Mitzman. Founded in 2015, 100 Management/100 Publishing represents a roster spanning artists, songwriters and producers. Its current management clients include producer Cirkut and Jessica Agombar, while its publishing roster features Bava, J Moon, Jack Schrepferman, Kristin Carpenter, Liam Benayon, Micah Jasper and Aidan Hogg. In her new position, Thomas will oversee A&R across both the management and publishing divisions, with responsibilities ranging from signing and developing talent to shaping and executing creative strategies for the company’s roster. “Jess has very deep relationships in the artist, songwriter, and producer community and is extremely well liked and respected by her peers in the industry,” Luke Mitzman. “She really understands how to get the best out of creatives through her passion, care, and formidable work ethic.” She will be based at 100’s Los Angeles offices. Thomas will also bring her longtime management clients, songwriters Jbach and Trey Campbell, to the company. Prior to joining 100, Thomas worked as an A&R consultant for Adam Lambert and served as Director of A&R, Ads & Brand Partnerships at Milk & Honey Silo.
UNIVERSAL MUSIC & WARNER CHAPPELL PARTNER ON LAUNCH OF SONIDO DISTRITO SUR: Universal Music Group and Warner Chappell Music have teamed up to launch Sonido Distrito Sur (SDS), a new Ecuadorian music company aimed at developing local talent and expanding the reach of Ecuadorian artists internationally. The joint venture brings together UMG’s recorded music operations and Warner Music Group’s publishing business. Ecuadorian singer-songwriter Juan Fernando Velasco and music executive Ricardo Ordóñez will lead the company. Velasco, who also serves as President of Ecuador’s authors’ and composers’ society SAYCE, was previously the country’s Minister of Culture and Heritage. He held the position from 2019 until September 2020, when he stepped down to pursue Ecuador’s presidency. He later ran in the February 2021 election as a candidate for the Construye movement. SDS will focus on a broad range of activities across the music business, including investment, production, distribution, marketing, promotion, and A&R, as well as international partnerships and new commercial opportunities for Ecuadorian artists. The company also plans to expand into live music, with its launch materials outlining plans for a future international partnership focused on developing its booking operations. At the center of SDS’s strategy is what the company calls “Artist Elevation,” a proprietary approach designed to support artists across multiple areas of their careers. The model encompasses repertoire, image, positioning, collaborations, digital and platform presence, and live performance.
CULTURE WARS SIGN WITH THE·TEAM FOR WORLDWIDE BOOKING REPRESENTATION: Breakout alt-rock band Culture Wars have signed with THE·TEAM for worldwide booking representation, with EVP Marty Diamond, VP Andrew Buck, Sr. VP Adele Slater and VP Ryan Penty leading the account. The partnership comes as the Texas-bred band continues to expand its international touring profile. Culture Wars will begin the third leg of their 2026 World Tour on September 15in Toronto, supporting their debut album Don’t Speak, released via AWAL. The band’s rise has accelerated through touring alongside acts including LANY, Keane, Wallows, Maroon 5 and Amy Shark. Following those runs, Culture Wars have established themselves as a headline act, selling out their first U.S. headline tour before taking their 2026 campaign across North America, the U.K., Europe and Australia, with multiple sellouts and venue upgrades along the way. Their momentum has also translated to streaming and radio, with breakout track “Typical Ways” generating tens of millions of streams and “It Hurts” becoming their first Top 20 Alternative Radio hit. Released in April, Don’t Speak features 12 tracks showcasing the band’s guitar-led alternative sound and arena-ready ambitions. THE·TEAM’s global operation represents major touring artists across genres and provides services spanning booking, tour marketing, ticketing, festivals, artist services, and international strategy. “We have been so impressed by the creativity and tenacity of the band to navigate the touring landscape and look forward to building a formidable career with them,” stated Marty Diamond.
WARNER MUSIC JAPAN NAMES EITARO SHIBASAKI AS CHIEF BUSINESS OFFICER:Warner Music Japan has appointed Eitaro Shibasaki as Chief Business Officer (CBO), effective October 1, reporting to President and CEO Takeshi Okada. In the newly appointed role, Shibasaki will oversee the company’s business development and commercial operations in Japan, focusing on strategic growth initiatives, key partner relationships, market share expansion, revenue growth, and new business opportunities. Shibasaki brings extensive experience in Japan’s music and digital entertainment sectors. He joined RecoChoku in 2008, where he held senior roles spanning marketing, licensing, and platform development. From 2015, he served as Executive Officer, Director of Marketing and Head of Platform Business, playing a key role in the company’s growth and co-founding the Eggs Project with NTT DOCOMO and Tower Records Japan to support independent artists. Following Eggs’ establishment as an independent company in 2019, Shibasaki became its President. At Warner Music Japan, he will work alongside Okada and Warner Music APAC Regional CFO Franck Pidou as the company enters its next phase of transformation and growth in the Japanese market. Eitaro Shibasaki said, “I am delighted to join Warner Music Japan as it continues its dynamic transformation under the leadership of President Takeshi Okada. By acting quickly on emerging trends and taking bold, novel risks, my goal is to expand opportunities for our artist roster, forge deeper commercial partnerships, and deliver fresh value to music fans across Japan.”
RESERVOIR SIGNS FRED BALL TO NEW PUBLISHING DEAL: Reservoir Media has entered into a new global publishing agreement with London, England-based songwriter, and producer Fred Ball, covering his future works. Ball has built an extensive catalog that has generated billions of streams worldwide. Over the course of his career, he has worked with some of the biggest names in music, including Beyoncé, Jay-Z, Eminem, Alicia Keys, Madonna, Mariah Carey, Madison Beer, Olivia Dean, Zara Larsson, and Raye. His work has earned five Grammy nominations, including recognition for Beyoncé and Jay-Z’s Grammy-winning album Everything Is Love. Ball is best known for co-writing and co-producing Rihanna’s “Love on The Brain,” the RIAA-certified Diamond hit that reached No. 5 on the Billboard Hot 100. The track has surpassed 2.2 billion streams on Spotify alone. His additional credits include “713,” “Friends” and “Heard About Us” from Everything Is Love; “Nice Guy” featuring Jessie Reyez from Eminem’s Kamikaze; “One Mo’ Gen” from Mariah Carey’s Caution; and “Dientes” by J Balvin, Usher and DJ Khaled, which topped the U.S. Latin Airplay chart. Ball previously held a publishing deal with Concord.
CHARTMETRIC LAUNCHES AI AGENT FLOW: Chartmetric has introduced Flow, a new AI agent built to make its data and analytics tools faster and easier for subscribers to use. Described by Founder & CEO Sung Cho as “not just another AI chatbot,” Flow is designed to help users make sense of complex audience data, providing insight into how, why, and where listeners are engaging with an artist. The tool can produce weekly reports for key releases, develop multi-stage marketing strategies, and track millions of songs across major streaming and digital platforms. Flow combines third-party AI models with Chartmetric’s proprietary datasets and technology, drawing on trillions of data points to deliver rapid analysis and recommendations. Flow Lite is included with Chartmetric’s Premium subscription, priced at $150 (USD) per month, while the full Flow experience is available through the $180-per-month Ultra tier. Flow can also be purchased separately for $60 per month. Premium subscribers receive 20 Flow AI credits each month, while Ultra and standalone subscribers receive 100. Additional credits can be purchased as needed. All Chartmetric dashboard plans include a seven-day trial, during which Flow usage is limited to 10 AI credits before the standard monthly allowance takes effect. Sung Cho commented, “Flow is a brand-new product purpose-built for music industry professionals, backed by the robust data pipeline Chartmetric has built over the past ten years. It thinks through the best strategies from the perspective of the music industry, cross-referencing your data against 14 million artists.”
WARNER CHAPPELL PARTNERS WITH FRENCH ELECTRONIC MUSIC COMPANY KIDDING ASIDE: Warner Chappell Music (WCM) has entered a partnership with Kidding Aside, the independent French electronic music company behind a growing roster of artists and creators. The Paris-based company works with acts including Acid Arab, Folamour, Nico Moreno, NTO, Romain Garcia, Trinix and Urumi. The partnership will connect Kidding Aside with WCM’s global network, opening new creative and international opportunities for songwriters and producers while helping bring French electronic music to audiences around the world. The deal will also support the development of a dedicated platform for dance music creators. Founded in 2015 by Matthieu Jay, Kidding Aside began as a home for artists, producers, and writers and has since developed into an influential force in France’s electronic music community. Its business now spans artist management, publishing, recorded music, and live events, alongside All Night Long, its joint-venture label with Believe. As part of the company’s publishing expansion, Kidding Aside has also appointed Nicolas Klersy as partner for Kidding Aside Publishing (KAP), its newly launched publishing division. Klersy will oversee publishing A&R strategy, helping guide the venture through its next phase of growth. Valentin Zucca, Senior A&R at Warner Chappell Music France, said, “Kidding Aside has long been a highly respected and important part of the French music landscape, playing a critical role in the development of the scene over the years. We are proud to partner with them on the development of their publishing arm, both locally and around the globe.”
SLIPKNOT LAUNCH NEW LABEL (SIC)EST RECORDS: Slipknot have unveiled their own record label imprint, (Sic)est Records, with the metal giants releasing their surprise new single “Arsenal” as the label’s debut alongside longtime partners Roadrunner/Atlantic. The track marks the band’s first new music in more than three years and quietly confirms their latest expansion into the label business. The move builds on Slipknot’s long-running approach to developing their wider brand, which already includes their Knotfest festival, whiskey venture, and other business interests, with 5B Artist Management providing longstanding guidance. Since breaking through with their 1999 self-titled debut, Slipknot have established themselves as one of metal’s biggest global acts. The band has earned five platinum albums in the UK and three U.K. No.1s, most recently with 2022’s The End, So Far. The launch of (Sic)est Records adds another layer to the band’s growing business operation, extending their influence beyond music releases and into ownership and label activity. “Everyone wants to say no to Slipknot,” 5B’s Cory Brennan explains. “Every TV booker, every gatekeeper wants to say no because they are scared, they do not get the masks and uniforms and some of the mythology scares them. Every day that I come into the office I know it’s going to be a fight with somebody because my view of what Slipknot is and the world’s view of what Slipknot isn’t always in line. I must push, every day is kicking doors through and getting people to believe.”
WARNER MUSIC CHINA SIGNS JELLORIO: Warner Music China recently announced the signing of JelloRio, the acclaimed singer-songwriter and rapper renowned for his distinctive melodic rap style. The strategic partnership encompasses new music creation, commercial opportunities, and broader artist development as both parties collaborate to push creative boundaries and unlock new growth opportunities. As one of the most creative and influential young voices in the Chinese music scene, JelloRio has established a formidable presence through a series of breakout hits, including “Falling (星球坠落),” and “Coffee (咖啡),” alongside a signature sound that bridges rap and melody. His signing with Warner Music China marks a significant new milestone in his career. New music from JelloRio is already in development, with official releases scheduled to roll out later this year. To celebrate the announcement, Warner Music China has partnered with international fashion magazine ARENA HOMME+ to unveil a teaser for JelloRio’s upcoming editorial spread. Blending new music with high-fashion visual storytelling, the collaboration establishes a premium, multi-dimensional aesthetic for this next phase of his career. Under the partnership, Warner Music China will provide comprehensive support spanning A&R, music production, and global marketing. By leveraging its expansive platform and cross-industry network, Warner Music aims to elevate JelloRio’s artistic profile, commercial reach, and cultural influence, bringing a new generation of forward-thinking Chinese artistry to an even broader audience.
TUNECORE NAMES NOÉMIE LAMBERT AS HEAD OF FRENCH OPERATION: TuneCore has appointed Noémie Lambert as its new head of TuneCore France, where she will lead the company’s operations across France and French-speaking markets. Owned by Believe, TuneCore provides independent artists with tools and services to self-release and develop their music. Lambert will report to Basile Beaugendre, TuneCore’s Regional Head for Europe, and will focus on growing the company’s presence through marketing initiatives, industry partnerships, and artist-focused strategies. In her new role, Lambert will also collaborate with Believe and TuneCore’s global marketing and communications teams to strengthen the brand in France and ensure international campaigns and initiatives effectively support local artists. Lambert brings more than 10 years of music-industry experience to the position. Most recently, she served as Sync Manager for Branded Content and Advertising at Audio Network, overseeing music supervision, licensing, and business development. She began her career at Spotify France as a Marketing and Partnerships Coordinator for EMEA before joining Universal Music France, where she worked on the development of its Spinnup distribution platform. Lambert later joined Groover, helping expand its artist services and distribution offering, Groover Obsessions.
NIKLAS BRANTBERG JOINS SPOTIFY AS MANAGING DIRECTOR FOR THE NORDICS: Niklas Brantberg has joined Spotify as Managing Director for the Nordics, beginning the role on September 7. He joins the streaming platform after more than 12 years within the Epidemic Sound group, most recently serving as CEO of Sweden-based Overtone Studios. In his new position, Brantberg will focus on strengthening Spotify’s relationships with artists, songwriters, creators, labels and publishers across Denmark, Finland, Iceland, Norway, and Sweden, while helping more Nordic talent connect with audiences around the world. Brantberg wrote of his desire with Spotify to “build stronger, more valuable partnerships with artists, authors, creators, labels and publishers across the Nordics, and help more Nordic talent reach a global audience.” He added that he wants Spotify “to be a constructive voice on the big, complex questions ahead such as AI and platform responsibility.” “Right now, though,” he added, “mostly I just want to listen and learn. If you are an artist, author, creator, label, or publisher and have thoughts on where Spotify and this industry should go – I would genuinely love to hear them. Feel free to reach out.”
FORMER LIVE NATION PROMOTER ROB WALLER JOINS DHP FAMILY: Former Live Nation executive Rob Waller has joined DHP Family, one of the U.K.’s leading independent promoters, which presents more than 1,000 shows each year. In his new role, Waller will continue working with his roster of established touring artists while also helping develop new events, live concepts, and programming as part of DHP’s senior team. Waller spent eight years at Live Nation before departing in 2025. During his tenure, he created, launched, and programmed several outdoor concert series across the UK, including the Margate Summer Series at Dreamland, the South Facing Festival Series at Crystal Palace Bowl and the Colchester Castle Summer Series. The latter sold approximately 70,000 tickets during its first year. Before joining Live Nation, Waller founded independent promoter Soundcrash Music, which grew to present more than 300 shows annually and collaborated with artists including Bonobo, MF DOOM, Jon Hopkins, and George Clinton. Live Nation acquired Soundcrash in 2018. Waller brings two decades of experience across live music, artist touring, and event production. He has also owned and operated venues in East London and co-founded and programmed international festivals including Soundwave Croatia and Paradise Island Festival in Thailand. His appointment adds further live-music expertise to DHP Family’s senior team as the promoter continues to expand its roster, events, and programming across the United Kingdom.
SECRETLY DISTRIBUTION ANNOUNCES DISTRIBUTION DEALS WITH BLUE FLOWERS, HOPESTREET RECORDINGS, UBIQUITY: Secretly Distribution has announced worldwide distribution partnerships with three independent labels from across the globe: U.K.-based Blue Flowers, Australia’s Hopestreet Recordings and California-founded Ubiquity. Founded in 2004 as a club night at The George IV pub in West London, Blue Flowers has since grown into a distinctive independent label focused on developing emerging and boundary-pushing artists. Its roster has included Nilüfer Yanya, Puma Blue, Westerman, Gotts Street Park, Rosie Lowe, and Yoshika Colwell. Melbourne-based Hopestreet Recordings was established as an artist-run operation and has built a catalog spanning soul, funk, highlife, salsa, and psychedelia. The label’s releases have featured artists including Immy Owusu, Owelu Dreamhouse, Wild Gloriosa, The Bombay Royale, The Meltdown, Emma Donovan & The Putbacks, and Ella Thompson, with much of its music created within Melbourne’s local scene. Ubiquity, meanwhile, was founded more than 35 years ago by Michael McFadin, who launched the company after investing his remaining savings into the Groove Merchant record store on San Francisco’s Haight Street. The business later moved to Southern California and developed into a multi-genre label group with several imprints. Its Luv n’ Haight imprint specializes in rare reissues, while CuBop focuses on Latin jazz. The flagship Ubiquity label has released more than 400 titles spanning hip-hop, funk, soul, and electronic music, with a focus on bringing overlooked and previously unheard music to wider audiences. Under the new partnerships, Secretly Distribution will provide worldwide physical and digital distribution for releases from all three labels, alongside digital and retail marketing services, and technological support.
WARNER CHAPPELL MUSIC U.K. NAMES ANNIE CHRISTENSEN AS VP OF CATALOG: Warner Chappell Music U.K. (WCM U.K.) has named Annie Christensen as its Vice President, Catalog. She will report directly to WCM U.K. President Shani Gonzales. Christensen will oversee the company’s U.K. catalog acquisition and rights management strategy, with a focus on uncovering new opportunities and increasing the commercial and cultural impact of Warner Chappell’s extensive song catalog. According to the company, Christensen will be responsible for identifying premium music assets while developing relationships with established songwriters, estates, and rights-holders. She will also work closely with the A&R, creative, sync, and business affairs teams on strategic catalog initiatives. Christensen brings two decades of senior A&R experience to the position, including 20 years at Island Records, in which she joined initially through work experience and a marketing internship before progressing from A&R assistant to Head of A&R. During her tenure at Island, she worked with multi-Platinum artists including Busted, The Feeling, The Fratellis, Keane and McFly, while also signing and developing artists such as Ben Howard, FLO, Hozier, Mumford & Sons, and Sigrid. Since leaving Island in 2023, Christensen has worked as a freelance A&R consultant, advising leading labels within Universal Music Group as well as a range of management companies. Her recent projects include Self Esteem’s A Complicated Woman, Cian Ducrot’s Little Dreaming, Girli’s It’s Just My Opinion and Luna’s Fairy Pop. She is also currently collaborating with ABBA’s Bjorn Ulvaeus on a new project.
BEATBREAD APPOINTS ANDREEA GLEESON AS CEO: BeatBread has appointed Andreea Gleeson as its new CEO, bringing in the former TuneCore chief to lead the company’s next phase of commercial and international growth. Gleeson joined TuneCore in 2015 and became CEO in 2021, overseeing its expansion into 17 countries, modernizing the platform, and broadening its services beyond distribution into publishing administration and artist development, including the launch of TuneCore Accelerator. She succeeds Tracy Maddux, who stepped in as interim leader following the death of BeatBread Founder & CEO Peter Sinclair in August 2025. Maddux will continue supporting the transition, with both Maddux and Gleeson joining BeatBread’s board of directors. BeatBread provides independent artists, labels, and songwriters with access to funding while allowing them to retain ownership and creative control. Since launching in 2020, the company has delivered more than $100 million (USD) in advances across over 2,000 deals in 42 countries, representing music that has generated more than 111 billion lifetime streams. The company also raised $124 million in credit and equity financing last year from investors including Citi, Deciens Capital, Mucker Capital, Advantage Capital, and GMO, strengthening its ability to scale its global funding operations. At the heart of BeatBread’s business is its proprietary chordCashAI technology, which enables the company to evaluate, price, and structure funding for a wide range of creators and music businesses.
UMG AND ELEVENLABS TO LAUNCH AI-POWERED MUSIC PLATFORM: Universal Music Group and ElevenLabs have entered into a multi-year licensing agreement and expanded partnership aimed at developing new AI-powered music experiences. As part of the deal, the companies will launch a new platform designed to give fans interactive ways to engage with music, while also working together on AI audio tools for artists and songwriters. The agreement marks ElevenLabs’ first partnership with a major music company and combines music licensing with joint product development. Both companies said the collaboration is built around responsible AI innovation, respect for human creativity, and ensuring artists and songwriters can participate in the value generated by new technologies. The first project will be an AI-powered music creation platform using licensed recordings and participating artists’ contributions. Currently in development, it is expected to allow fans to experiment with remixes and mashups, reinterpret existing tracks, and create personalized vocal experiences. The partnership will also explore additional products and fan-focused experiences over the coming years. The new platform will operate separately from ElevenLabs’ existing music offerings, including its Music API and ElevenMusic creation app. “The most exciting possibilities for AI and music are those that put artists, songwriters, and fans at the center,” said Sir Lucian Grainge, Chairman & CEO, Universal Music Group. “UMG and ElevenLabs are aligned that responsible AI can inspire discovery, deepen engagement between artists and fans, and unlock new revenue opportunities for the creative community. ElevenLabs’ leadership in AI audio brings a new dimension to our growing ecosystem of partners committed to expanding what’s creatively and commercially possible for human artistry.”
HELIX RECORDS & PAYDAY PUBLISHING LAUNCH NEW EUROPEAN HUB IN LONDON: Helix Records and Payday Publishing have officially launched new European headquarters in central London, establishing a dedicated base for their expanding operations across the region. Housed in a six-story Georgian townhouse in Marylebone, the 6,000-square-foot facility was designed as an integrated creative space focused on supporting artists, songwriters, and producers. The building includes offices, recording studios, songwriting rooms, event, and performance areas, listening lounges, and dedicated spaces for photography, filming, and podcast production. Founded by CEO Patrick Moxey, Helix Records represents artists including Ar/Co, Jamie Jones, Shimza, and Marshall Jefferson. Payday Music Publishing controls more than 80,000 copyrights, with works recorded by artists including Post Malone, Future, Travis Scott, 21 Savage, Drake, Blackpink, Kygo, and David Guetta. Payday Records, founded in 1992, has deep roots in hip-hop and was an early home for artists including Jay-Z, Jeru the Damaja, Mos Def, and J Dilla. The London expansion follows a strong period for Payday Music Publishing, whose songwriters earned 12 Grammy nominations across nine categories at the latest awards, including a Best Reggae Album win for Fortune’s contribution to Keznamdi’s Blxxd & Fyah. Designed and project-managed by Bernadette Cruz and Alice Anselmetti, the new hub was developed in collaboration with Miloco Studios, with recording rooms equipped with audio systems from ATC, Augsperger, PMC and Genelec.
HARBOURVIEW EQUITY PARTNERS NAMES PATRICK MORIN AS MANAGING DIRECTOR OF BUSINESS DEVELOPMENT: HarbourView Equity Partners has appointed Patrick Morin as Managing Director of Business Development, where he will oversee capital formation and business development initiatives, with a focus on strengthening relationships with investors. The multi-strategy investment firm, which operates across music, sports, media and entertainment, reported approximately $3.88 billion (USD) in regulatory assets under management as of December 31, 2025. Morin joins the firm with more than 25 years of experience across the investment sector. Most recently, Morin served as Managing Director at Cambridge Associates, leading Client Solutions for Healthcare and Regional Endowments & Foundations. His previous experience includes investment banking, wealth management, and alternative investments at Citi, Merrill Lynch, and Morgan Stanley. Throughout his career, Morin has worked with high-net-worth individuals and family offices on alternative investments and has led sales, trading, growth, and investor relations initiatives at firms specializing in credit, merger arbitrage, and event-driven strategies. He holds the Chartered Alternative Investment Analyst designation and has previously maintained Series 7, 66, 65, and 3 securities licenses. Morin has also held a number of community and civic roles in Massachusetts, including investment committee positions and a seat on Stow’s Economic and Industrial Commission.
INDEPENDENT ARTIST GROUP SIGNS DEADMAU5: Independent Artist Group (IAG) has signed Deadmau5 (Joel Zimmerman) for worldwide representation across all areas. The agency will work to expand deadmau5’s business and IP footprint across music, film, television, digital content, gaming, and technology, while developing new opportunities around Deadmau5’s growing portfolio of creative ventures. A pioneer in electronic music, Deadmau5 has spent more than 20 years extending his career beyond traditional recording and touring, becoming an early innovator in livestreaming, gaming, immersive experiences, and music technology. IAG’s plans include exploring film, TV, and digital opportunities tied to projects such as the return of deadmau5’s Coffee Run series, video game company Oberhasli Games, and Auto/Pilot, his live-performance software platform. The deal comes during an active period for the artist. In 2026, deadmau5 released “Science” featuring Stevie Appleton, his first vocal single since “My Heart Has Teeth,” which reached No. 1 on U.S. Dance Radio and charted on Billboard’s Dance/Mix Show Airplay and Canada’s CHR/Top 40. He has also marked 25 years of Deadmau5 with sold-out retro5pective shows at the Hollywood Bowl, Brooklyn Mirage, and Red Rocks, while continuing to develop music and live concepts under both deadmau5 and his techno alias TESTPILOT. His annual Day of the Dead performances at Red Rocks remain a major fixture on the electronic music calendar. deadmau5 continues to collaborate with longtime manager Dean Wilson of Circuit Group/Seven20, attorney Dina LaPolt, and Alexandra Greenberg of Falcon Publicity.
SAMANTHA JUNEMAN NAMED HEAD OF MUSIC AT MATTEL: Mattel has appointed Samantha Juneman as its new Head of Music, bringing the longtime music and entertainment executive to the toy and entertainment giant from Irving Azoff’s Iconic Artists Group. Juneman officially began the role on August 31 and reports to Natalia Premovic, Mattel’s Chief Consumer Products and Experiences Officer. In her new position, Juneman will oversee Mattel’s music strategy as the company looks to further integrate music into its franchises and broader commercial plans. Her remit will cover music-related content, products, marketing, and experiences. Juneman joins Mattel after serving as Sr. Vice President at Iconic Artists Group, where she was responsible for legacy artist management across a roster that included Wu-Tang Clan, Cher, and The Beach Boys. She has more than 15 years of experience across the music and entertainment industry. Prior to Iconic Artists Group, Juneman joined Warner Music Group’s ADA Worldwide in December 2021 as Head of Marketing & Services. She previously spent several years at Universal Music Group, joining the company in 2016 and serving as Vice President of Music Strategy & Tactics. During her time at UMG, Juneman worked across marketing, content, and commercial partnerships involving artists such as Taylor Swift, Justin Bieber, and Big Sean. Juneman’s appointment was one of three leadership hires announced by Premovic. Gerardo Leon has returned to Mattel as Head of Consumer Products for the US, Canada, Australia, and New Zealand, following five years at Netflix. He reports to Meredith Norrie, Mattel’s Head of Global Consumer Products. Rahul Lakhwani has joined the company as Head of Strategy and Operations for Consumer Products and Experiences. He previously worked at Fever Originals and reported to Premovic.
DR JO TWIST OBE ON AI, BRITISH MUSIC, AND THE ECOSYSTEM BEHIND GLOBAL SUCCESS: The latest episode of the Blinding Talent Music Industry Podcast features a wide-ranging conversation with Dr Jo Twist OBE, CEO of the BPI, recorded with Blinding Talent Founder Mark Adams. One of the key takeaways is Twist’s clear distinction between AI as disruption and AI as destruction. She argues that companies training generative AI models on creative work should be held to the same standards as any other resource they would never expect to access for free, drawing a powerful comparison to “land, power or water.” Twist also explores why major cultural moments such as the BRITs moving to Manchester and the Mercury Prize moving to Newcastle matter beyond the ceremonies themselves, helping to decentralize the U.K.’s music industry and create opportunities across different regions. The conversation also shines a light on the often-overlooked ecosystem behind every so-called “overnight success”, from grassroots venues and music education to funding and local infrastructure. Finally, Twist discusses the growing global impact of British artists including Sam Fender, RAYE, Olivia Dean and YUNGBLUD, and why they are finding international audiences while maintaining a powerful sense of cultural identity. It is a timely conversation on AI, creativity, regional growth, and the future of the British music industry, and one worth having on your radar.
AEG PRESENTS ANNOUNCES OPENING OF AEG PRESENTS GERMANY: AEG Presents has announced the launch of AEG Presents Germany, establishing a dedicated Berlin office and appointing Sina Hall as Senior Promoter. Hall will lead the new operation’s initial efforts to expand the country music market in Germany while also exploring broader strategic opportunities across the market. She will report to Adam Wilkes, President and CEO of AEG Presents Europe and Asia-Pacific. The move builds on AEG Presents’ growing presence in Germany through its partnership with MCT Agentur, the concert promotion company founded by Scumeck Sabottka. Since the partnership began in 2024, MCT has assisted in strengthening AEG Presents’ footprint in Germany and across Europe. Sabottka and the MCT team will continue as the company’s key German partner, overseeing concert promotion and pursuing additional opportunities in the market. Hall joins AEG Presents with 25 years of experience in the live entertainment industry. She began her career with Trinity Concerts in Berlin before holding senior roles at Dirk Becker Entertainment and Semmel Concerts. In 2018, Hall launched Sound of Nashville, an umbrella brand created to support touring country artists, grow the genre’s presence in Germany, and reshape its perception within the country’s media landscape. She later partnered with AEG Presents to help bring the Country to Country (C2C) Festival to Berlin. Hall also serves the international CMA Task Force and the CMA Board of Directors. Her contributions to the global growth of country music earned her the CMA’s Jo Walker Meador International Award in 2024. More recently, she was featured in Pollstar’s Women of Live 2026.
NEED TO MAKE CONTACT, SEND NEWS AND NEW MUSIC RELEASES?: If you have any A&R, publishing, technology, agent/promoter, international radio, management, new media or film/TV music supervisor news you’d like to share with A&R Worldwide, or need to respond to information published in the weekly newsletter please E–mail it to the attention of info@anrworldwide.com. Also, all demos and new music releases should be sent as STREAMING LINKS ONLY to info@anrworldwide.com
IN THE SPOTLIGHT: John Saunderson, Maik Pallasch, Rich Castillo, Rob Markus, Markus Schwarzer, Nadja Kuppel, Martin Kierszenbaum, Neil Warnock, Jerub, Karl Anderson, Robert Meijerink, Adam Granite, George Ergatoudis, and Benjamin Budde.
