WARNER MUSIC GROUP ANNOUNCES DEALS WITH STABILITY AI,
UDIO AI, AND REVEALS FISCAL FOURTH QUARTER RESULTS
Warner Music Group (WMG) has formed a new partnership with Stability AI in a move the companies say will help “advance the use of responsible AI in music creation.” Announced on November 19th, the collaboration brings together WMG’s long-standing commitment to ethical, forward-thinking innovation with Stability AI’s expertise in commercially safe generative audio. The initiative will center on building professional-grade tools that allow artists, songwriters, and producers to explore, compose, and create using ethically trained AI models.
According to WMG, the partnership aims to “unlock new forms of creative expression while safeguarding creators’ rights and generating fresh revenue opportunities.” Both companies will collaborate closely with artists to understand how they use emerging technologies, guiding the development of next-generation tools that enhance creativity without sacrificing quality or artistic control. This marks the second major-label partnership for Stability AI in the past two months.
In addition, WMG and Udio have struck a major agreement that settles their copyright infringement dispute and outlines a structured path for Udio’s fully licensed AI-powered music creation platform, scheduled to debut in 2026. Under the partnership, Udio will build a new music creation, listening, and discovery ecosystem using generative AI models trained only on authorized, licensed material.
Covering both WMG’s recorded music and publishing divisions, the deal introduces fresh revenue opportunities for artists and songwriters while protecting their work. Udio’s revamped subscription platform will offer tools for creating remixes, covers, and entirely new songs using the voices and compositions of participating creators, ensuring they receive proper credit and compensation. Prior to launch, Udio will also implement strengthened safeguards and expanded protections for rights holders. The agreement marks a major shift in Udio’s strategy, moving the company toward a model developed together with artists and songwriters. During the transition, Udio will maintain access to its existing closed system before fully migrating to the licensed platform in 2026.
WMG also closed its fiscal year with a powerful fourth-quarter surge, reporting a 15% revenue jump (13% in constant currency) driven by double-digit gains across Recorded Music and Music Publishing. Digital revenue climbed 8%, with subscription streaming up nearly 10% despite adjustments from a terminated distribution agreement. Net income more than doubled year-over-year to $109 million (USD), while adjusted OIBDA rose 15% to $405 million, underscoring the strength of WMG’s global release slate and continued streaming momentum. Publishing delivered one of the quarter’s standout performances, posting a 14% revenue rise fueled by growth in performance, sync, and mechanical income.
For the full year, Warner posted more modest results, where revenue increased 4.4% and adjusted OIBDA rose less than 1%, while net income declined to $370 million, reflecting one-time charges and restructuring costs. Robert Kyncl, CEO, WMG said that the company’s roster “has never been hotter,” highlighting expanding opportunities in AI licensing and new digital markets. Armin Zerza, CFO, WMG highlighted that cost-reduction initiatives are on track to deliver meaningful margin expansion in 2026. Despite a year-end increase in net debt to $3.8 billion, Warner’s strong Q4 finish, combined with its strategic focus on technology partnerships, artist services, and international growth, positions the company for a more aggressive fiscal 2026.
RED BULL RECORDS RUNS OUT OF ENERGY – LABEL TO CLOSE ITS DOORS
A&R Worldwide has learned that Red Bull Records will be closing its doors by the end of the year, ceasing 18 years of operation, according to multiple sources. Launched as one of the early examples of a music-driven brand extension, the label built a reputation for supporting a diverse roster of artists, including AWOLNATION, Beartooth, Albert Hammond Jr., Blxst, The Aces, and Twin Atlantic.
From the start, Red Bull Records partnered with Sony Music for distribution, first through RED and later The Orchard. In recent years, the label continued to sign new talent, including rouri404, London singer-songwriter James Vickery, rock band House of Protection, and Canadian artist Chris LaRocca. Under the leadership of Managing Director, Greg Hammer, Red Bull Records made several strategic hires in A&R, creative, and marketing in mid-2023, representing roughly 20% of the label’s team.
The closure of the label follows the winding down of Red Bull’s other music initiatives. The Red Bull Music Academy, which ran for 21 years and produced festivals, club nights, and educational workshops, closed in 2019. Red Bull Radio, the company’s online station, also ceased operations that same year. In addition, both Red Bull Songs Publishing and Red Bull Soundselect will also be shuttering their doors.
Back in May of this year, A&R Worldwide had revealed that Kenny “Tick” Salcido, Sr. VP/ Head of A&R at Red Bull Records, had left the company and launched a new venture called Renaissance Entertainment Company (REC), which officially began operations in June of this year. With over two decades of industry experience, Salcido has been involved in the careers of artists such as Wiz Khalifa, Terrace Martin, Blxst, Beartooth, The Aces, and more recently with acts like House of Protection, James Vickery, and Morgan.
A&R Worldwide had also been an A&R advisor to Red Bull Records and assisted with the signing of a number of artists including New Beat Fund (they were formerly known as Capra when they were signed to Disney Music Group), as well as tipping Red Bull Records off to many other artists who went on to have global success with other companies. In addition, A&R Worldwide had partnered with Red Bull Records back in March of this year for the first of its kind Global Sync Camp with writers and producers from around the world.
The decision to shutter the label reflects a broader refocusing of Red Bull’s involvement in music. While the company will no longer operate Red Bull Records, its impact on artist development and the early model of a brand-driven label will remain a part of its legacy.
DYNAMITE SONGS COMPLETES THREE CATALOG ACQUISITIONS COVERING NEARLY 150 TRACKS
Dynamite Songs has finalized three catalog acquisitions totaling nearly 150 tracks from singer-songwriter Eric Turner, producer John McGee (known as $K), writer-producer Mark Tieku (TIEKS), and writer-artist Dan Harkna.
These deals add rights and royalty streams for notable songs such as Tinie Tempah‘s “Written in the Stars,” Avicii‘s “Broken Arrows,” and Trey Songz‘s “Neighbors Know My Name” to Dynamite’s growing roster. Led by CEO Alan Wallis, the company focuses on acquiring compact catalogs that include “culturally significant” works.
Eric Turner, the American singer-songwriter who co-wrote and performed on “Written in the Stars,” saw the track reach No.1 in the U.K. in 2010 and No.12 on the Billboard Hot 100, earning multi-platinum status in the U.S., U.K., Norway, Australia, and New Zealand. Turner also collaborated with Avicii on “Dancing in My Head” and “Broken Arrows,” and co-wrote for Lawson on “Learn to Love Again” and “Juliet.” Dynamite has acquired Turner’s publishing and songwriting rights, along with associated worldwide royalties, for these and other selected titles.
John McGee, professionally known as $K, co-wrote and co-produced “Neighbors Know My Name” from Trey Songz’s Grammy-nominated album Ready. The album reached No.4 on the Billboard R&B/Hip-Hop chart and earned gold certification in the United States. His body of work also includes additional Trey Songz cuts and singles for Jacquees. Dynamite’s acquisition covers McGee’s publishing and songwriting rights, as well as global publishing and performance royalties.
The third acquisition centers on “Sunshine,” created by producer Mark Tieku (TIEKS) and vocalist Dan Harkna. The dance track surged in popularity after its placement in a Fiat 500 advertising campaign, topping Shazam‘s TV Ad Chart and landing in the U.K. Top 40 Dance Chart. BBC Radio 1 further boosted its momentum by adding it to the A-list, spinning it 12 times over a single weekend.
MUSHROOM MUSIC ANNOUNCES SUB-PUBLISHING PARTNERSHIP WITH PEERMUSIC
Mushroom Music has unveiled a new sub-publishing alliance with peermusic, which will now oversee representation of the Mushroom Music Publishing catalog throughout the United States, Canada, and Latin America (excluding Brazil).
This collaboration signals a new phase for Mushroom Music in the Americas, creating formidable pathways between the company’s Australian and New Zealand writers and peermusic’s long-established reputation for uplifting independent music. Through this agreement, peermusic will work with Mushroom Music’s catalog, which includes works from Kylie Minogue, Tobiahs, Amy Shark, Budjerah, Emily Wurramara, Bliss n Eso, Mia Wray, Hunters & Collectors, The Angels, Gordi, Middle Kids, Dan Sultan, Skyhooks, Yothu Yindi, and Archie Roach.
As two of the world’s leading independent publishers, Mushroom Music and peermusic are united by a commitment to championing creativity, authenticity, and meaningful relationships while offering the global capability and personalized approach that define their businesses.
“We both share a deep independent spirit and a passion for supporting songwriters with integrity, care, and creativity,” said Linda Bosidis, Co-CEO, Mushroom Music. “Mushroom Music has always been fiercely committed to protecting and elevating our songwriters, so we’re thrilled to partner with a like-minded, family-owned company that understands the value of genuine, direct relationships and the importance of investing in songwriters and their music.”
Mary Megan Peer, CEO of peermusic added, ” Linda and her team have built an incredible independent roster, and we’re thrilled to be representing the talented writers and artists of Mushroom Music in the Americas. This deal allows us to collaborate with partners we respect by leveraging our local creative, synch, and administrative teams for the benefit of Mushroom Music’s roster. We plan to increase opportunities and earnings for their music creators.”
Under this new arrangement, peermusic will manage copyright registration, royalty administration, sync, and creative development for Mushroom’s contemporary and heritage catalogue, expanding Mushroom’s international footprint and unlocking new opportunities for its songwriters.
PRIMARY WAVE MUSIC PARTNERS WITH DAVE BRUBECK FAMILY
Primary Wave Music has announced a partnership with the Derry Music Company, encompassing the catalog, publishing rights, and recordings of Dave Brubeck.
As part of this collaboration, Primary Wave will also participate in licensing Brubeck’s name, image, and likeness, and will extend the full support of its marketing and publishing teams. Together, they will develop branding initiatives, digital strategies, sync opportunities, and film and television projects that honor and elevate Brubeck’s legacy.
Celebrated by the Library of Congress as a “living legend,” Brubeck crafted and recorded some of the most enduring works in jazz across a career spanning more than six decades. His compositions include classics such as “In Your Own Sweet Way,” “It’s a Raggy Waltz,” the Grammy-nominated “Unsquare Dance,” “Autumn,” and “Blue Rondo à la Turk,” as well as the Paul Desmond–penned “Take Five,” which became a cultural phenomenon. First released in 1959 by the Dave Brubeck Quartet as part of the Time Out album campaign, “Take Five” gained massive traction by 1961 and became the best-selling jazz single in history. Its success helped Time Out become the first jazz LP to reach one million sales. Hailed as a “masterpiece” by The New York Times, the album peaked at number two on the Billboard 200, has sold over two million copies, and was inducted into the Grammy Hall of Fame in 2009. Today, “Take Five” is widely regarded as the most recognizable jazz tune in the world. Brubeck continued composing and performing until his passing in 2012 at age 92.
Though he often avoided the limelight, the accolades inevitably found him. His honors include the 2009 Kennedy Center Honors, the National Medal of Arts, the BBC Jazz Lifetime Achievement Award, the Library of Congress Living Legend Award, a star on the Hollywood Walk of Fame, induction into the DownBeat Hall of Fame, and wins in the DownBeat Readers Poll for Best Group in both 1964 and, remarkably, 2010. Over his lifetime, he received eight Grammy nominations and, in 1954, became only the second jazz musician ever to appear on the cover of Time magazine.
His recordings have appeared across film and television shows such as Baby Driver, Wedding Crashers, Silver Linings Playbook, Sing, The Simpsons, Breaking Bad, The Sopranos, and The Studio. Brubeck was also prominently featured in Ken Burns‘ acclaimed series Jazz. Additional films celebrating his life and work include Hedrick Smith‘s Rediscovering Dave Brubeck and Clint Eastwood‘s
Each week, A&R Worldwide shares a snapshot of creatives and executives that we have collaborated or worked with in various music markets around the world, albeit in recent or previous times!
Lucy Dickins stands as one of the most powerful and respected figures in the global music industry, steering the careers of some of the world’s most influential contemporary artists as the Global Head of Contemporary Music & Touring at WME. She’s a visionary dealmaker with an instinctive ear for talent, she represents a roster that includes global icons such as Adele, Billie Eilish, Mumford & Sons, Little Simz, Jamie T, and Hot Chip, among others.
Lucy is renowned for her strategic foresight, artist-first philosophy, and ability to navigate the evolving intersection of music, culture, and technology, Dickins has been instrumental in shaping transformative careers and elevating WME’s global presence. Her leadership, passion, and unwavering commitment to creative excellence make her a defining force in today’s entertainment landscape.
A&R Worldwide Founder & President, Sat Bisla first met Lucy back in 2001 through her father Barry Dickins, who has been a longtime mentor to Sat, and an icon himself in the live business as the co-Founder of ITB.
Lucy and Sat have enjoyed a passion for sharing and discovering emerging global talent. Lucy was the one who introduced Sat to the U.K. post-punk band Vatican DC, whom Sat then introduced to the music team at EA Games who licensed their song “Antisocial” for FIFA Manager 06. In 2005, Lucy had discovered an incredible new unsigned artist from London, England whom she had tipped off to Sat to feature in the A&R Worldwide newsletter that same year – that artist was Adele. Lucy continues to have an incredible knack for discovering new talent!
VELLA
Rising pop-soul artist Vella makes a powerful statement with her new single “Somebody Else,” lifted from her Sonet/Universal Music Sweden debut album All My Love. With her smoky, soulful voice and confessional lyricism, Vella delivers an anthem of self-worth and heartbreak. “Somebody Else” captures the moment of realization when love turns one-sided, when you’ve done everything to make it work, only to be asked to play second best. “It’s about putting your foot down when someone wants you to be their piece on the side,” shares Vella. “You try to mend the relationship because you care, but at some point, you realize they don’t feel the same.” Recorded between Los Angeles and Sweden, the single embodies the album’s balance of raw emotion and glossy pop craft. Produced by an elite creative team including Achraf “AJ Junior” Janussi (RedOne, Jennifer Lopez), Mattias Bylund (The Weeknd, Taylor Swift), and vocal coach Eric Vetro (Ariana Grande, Shawn Mendes), “Somebody Else” showcases Vella’s stunning vocal range, from gritty power to ethereal falsetto, while reaffirming her as one of 2025’s breakout voices. Rooted in resilience and honesty, All My Love reflects Vella’s evolution from viral TikTok sensation to global artist, blending the emotional grit of soul with the melodic precision of Scandinavian pop. Discover “Somebody Else” HERE and contact Ray De La Garza for all available opportunities pertaining to Vella.
ZOCO
International rock project ZOCO, the creative vision of Geneva, Switzerland-born multi-instrumentalist, singer, and songwriter Marco Zocco, makes a striking debut with “Restless” (Z3 Records), a powerful introduction to his bold, cinematic sound. Produced by Gunnar Nelson (Nelson) with executive production by Kerry Brown (Smashing Pumpkins), the track features an all-star lineup including Carmine Rojas (David Bowie, Rod Stewart) on bass, Slim Jim Phantom (Stray Cats) on brush drums, and London Hudson (Return to Dust, Suspect208) on drums. Driven by Zocco’s commanding baritone and guitar prowess, “Restless” is a stirring anthem about breaking free from routine and rediscovering spontaneity. “It’s about pressing pause on autopilot and making space for freedom and adventure,” shares Marco, who co-wrote the song with his brothers Paolo and Matteo Zocco and longtime Stanford University friend Jack LeVant, an acclaimed American swimmer. Recorded across Los Angeles, Milan, and Nashville, the single embodies ZOCO’s international DNA. It was co-produced by Zocco alongside engineer Jake Pace and Carmine Rojas, mixed by Stephen DeAcutis (Gladys Knight, Cyndi Lauper), and mastered by Howie Weinberg (Nirvana, Beastie Boys). A compelling first glimpse of ZOCO’s debut EP LUMANISTA (Part 1), due in January 2026, “Restless” channels the energy of rock’s golden era through a modern lens, blending alternative edge, soaring guitars, and sweeping emotion. Discover the brilliance of ZOCO with the video for “Restless” HERE, and contact Phil Nieves, as ZOCO is available for sync and live opportunities.
“PASSPORT APPROVED” PLAYLIST FOR Sunday, November 23rd, 2025: The weekly import show is heard on more than 40 radio stations on six continents weekly including: Flux FM Berlin (Germany); NINETYSIX Radio (Indonesia); Radio Doble Nueve, Lima (Peru); Radio C Luxembourg; KWSS “93.9FM” Phoenix, AZ; KRML “102.1FM” Carmel, CA; KFRR “New Rock 104.1FM” Fresno, CA; Radio 1, Mumbai (India); WCNR Charlottesville, VA; KIWR “The River” Council Bluffs, IA; RTÉ 2XM Ireland (national radio); 96.2 ZFM The Netherlands; WAPS/WKTL “91.3 The Summit” Akron–Canton-Youngstown, OH; PUK–FM Johannesburg (South Africa); Rock 96.5FM Zambia; 897 FM Bratislava, Slovakia; WITH “90.1FM” Ithaca, NY; UCFM 87.8FM Australian Capital Territory, Australia; WSHR Long Island, NY, WRUR 88.5FM Rochester, NY; WCRU–FM Hamilton, NY; KZND Anchorage, AK; KQCJ Quad Cities, IL; Allgauhit–FM Bavaria Germany; Indie X FM Los Angeles, QCIndie Saskatchewan, Canada; WJSE Cape May/Atlantic City, NJ and on The Independent FM (iHeartRadio) in the United States, as well as many others internationally.
Listen to this two hour show by clicking HERE:
GOOD NEIGHBOURS – “People Need People” (Polydor Records, U.K.)
THE TULLAMARINES – “Gimme Luv” (Broken 8 Records, Australia)
SHOBSY – “Smalltown Boy” (SO Recordings, U.K.)
CIRCA WAVES – “Cherry Bomb” ([PIAS], U.K.)
GORDON’S GRANDSON – “Sunlight” (Anti-Dismal, Australia)
FLORENCE ROAD – “Break The Girl” (Warner Records, U.K.)
ALICE MERTON – “Ignorance Is Bliss” (Paper Plane Records, Canada)
ROYEL OTIS – “Car” (Ourness/Capitol, Australia)
DEAF HAVANA – “Carousel” (SO Recordings, U.K.)
VELLA – “Settle Down” (Universal Music, Sweden)
NEWDAD – “Misery” (Atlantic Records, U.K.)
KIDS RETURN – “Time To Time” (Hamburger Records, France)
RED RUM CLUB – “Wild” (Modern Sky, U.K.)
HORROR DISCO – “Asteroid Fields of Regret” (Neon Genesis Records, Denmark)
NONĒ SUNSHINE – “Nobody, Nobody” (Unsigned, U.S.)
RHETT REPKO – “Home Is Where Her Heart Is” (Unsigned, U.S.)
SKAAR – “Missing Out” (RMV Grammofon/Universal, Norway)
THE ROYSTON CLUB – “Glued To The Bed” (Modern Sky, U.K.)
MIA WRAY & GABRIELLE ALPIN – “Ghost In My Machine” (Mushroom Music, Australia)
ST. LUNDI – “Mercury” (Good Taste, U.K.)
INHALER – “X-Ray” (Polydor, U.K.)
NECKBREAKERS – “Don’t Leave Me Hangin'” (Unsigned, U.K.)
ANNA OF THE NORTH – “Waiting For Love” ([PIAS], Norway)
ADAM REESE – “Loser” (Unsigned, U.S.)
GLASS CITIES – “Issues” (Unsigned, U.S.)
ALEX SPENCER – “Where Do We Go From Here?” (Modern Sky, U.K.)
HARD LIFE – “Y3llow Bike” (Island Records, U.K.)
GRANDSON – “Self-Immolation” (XX Records, U.S.)
KARIN ANN – “I Was Never Yours” (3AM Records, Slovakia)
THE MOLOTOVS – “Today’s Gonna Be Our Day” (Marshall Records, U.K.)
LENNY – “Told Ya” (Unsigned, Czech Republic)
THE AMAZONS – “Night After Night” (Fiction Records, U.K.)
CAT SERRANO – “Sculpture” (Unsigned, U.S.)
AUSTIN DABOH OBE EXITS ATLANTIC RECORDS U.K.: Austin Daboh OBE has officially stepped down from his role as Executive Vice President at Atlantic Records U.K., concluding more than five years at the label and marking the end of a notable chapter in his career. Daboh shared on his social media “the time feels right to move into new ventures, carrying the relationships, lessons, and success my teams delivered,” reflecting on his tenure overseeing a roster of emerging and established talent. His departure coincides with a strategic restructuring at Warner Music U.K., which recently aligned Atlantic U.K. more closely with its U.S. counterpart, aiming to strengthen global artist growth through a transatlantic partnership. Daboh, a respected figure in Black music and youth culture, joined Atlantic in June 2020 after senior editorial roles at Apple Music and Spotify, bringing a unique perspective that influenced the label’s creative direction and artist development strategies. During his time at Atlantic U.K., he was known for leveraging his deep connections in radio, streaming, and culture to champion artists and shape the label’s identity in a rapidly evolving market. As Warner Music U.K. continues to navigate leadership changes, Daboh’s exit sparks speculation about the next generation of U.K.-based talent strategies, while his stated enthusiasm for new ventures suggests he may soon embark on entrepreneurial or creative initiatives that could have an equally significant impact on the music industry.
UTA SIGNS FKA TWIGS TO GLOBAL DEAL: United Talent Agency (UTA) has signed FKA Twigs for comprehensive, worldwide representation across all areas of her career. The U.K. artist has just unveiled Eusexua Afterglow, the follow-up to Eusexua, which reached No.3 on the U.K. charts earlier this year. Her latest album earned her a Grammy nomination for “Best Dance/Electronic Album,” adding to Eusexua‘s Mercury Prize nomination. Also, FKA Twigs is set to perform at Coachella in April 2026. Earlier this year, she made her solo dance debut with the Martha Graham Company during its 98th season gala in New York City. She also appeared opposite Bill Skarsgård in Rupert Sanders‘ adaptation of The Crow and will soon star alongside Nicolas Cage in the upcoming horror film The Carpenter’s Son. Twigs is also an ambassador for Sistah Space, a U.K. charity supporting Black survivors of domestic violence, and has played a key role in helping establish the organization’s first safe house for women of Black heritage.
TRANSGRESSIVE RECORDS APPOINTS ALEX CLARK AS SYNC & LICENSING MANAGER: Transgressive Records has named Alex Clark as its new sync and licensing manager, effective immediately. Clark steps into the role after serving at indie label Erased Tapes, bringing fresh expertise to the London and New York-based independent music company. He will lead and expand Transgressive’s global sync and licensing strategy, strengthening relationships with current partners while cultivating new opportunities worldwide. Celebrating its 20th anniversary last year, Transgressive continues to build on its legacy with a roster that includes acclaimed artists such as Arlo Parks, Foals, and Sophie, alongside recent signings like The New Eves, PAN, and Miso Extra. In a joint statement, the company’s Directors Toby L, Tim Dellow, and Lilas Bourboulon commented, “We are over the moon to have Alex join Transgressive. Sync has often driven so many creative, strategic, and commercial successes on behalf of our roster. Alex’s methodical and considered approach to sync as well as his enthusiasm for the roster, not to mention a wide and diverse ranging contact base, made him a dream candidate. We were honored by the caliber of submissions we received for the position, but Alex was the right fit, coming to the table with an extraordinary vision and plan for the role.”
SLIPKNOT SELL MAJORITY STAKE IN CATALOG TO HARBOURVIEW EQUITY PARTNERS: HarbourView Equity Partners has reached an agreement with global metal icons Slipknot to acquire a majority ownership stake in the band’s catalog. The acquisition covers some of Slipknot’s most celebrated tracks, including “Wait and Bleed,” “Duality,” “Psychosocial,” and the Grammy-winning “Before I Forget.” While financial terms were not disclosed, Billboard reported in August that the deal was nearing completion at an estimated value of around $120 million (USD). HarbourView noted that Slipknot, formed in 1995 in Des Moines, Iowa, quickly became one of modern metal’s most influential acts, beginning with their debut album. Their sophomore release, Iowa (2001), debuted at No.3 on the Billboard 200 and was followed by multiple chart-topping albums both in the U.S. and internationally. HarbourView calls Slipknot “a defining force in the global rock community,” highlighting their consistent festival headlining slots and sold-out arena tours worldwide. To date, the band has surpassed seven billion YouTube views and sold more than 30 million albums globally. The transaction was negotiated by Slipknot’s attorneys at Scott Legal Group, with HarbourView represented by Fox Rothschild.
RESERVOIR ACQUIRES CATALOG OF BERTIE HIGGINS: Reservoir Media has acquired the full catalog of American singer-songwriter Bertie Higgins, encompassing both his publishing and master recording rights. Higgins first rose to fame with his 1981 hit single “Key Largo,” followed by the 1983 album Just Another Day in Paradise. Over the years, he went on to release more than 20 additional albums, including multiple compilations. His career earned him significant recognition, including a “Lifetime Achievement Award” and induction into the Florida Music Hall of Fame in 2016, as well as entry into the Florida Artists Hall of Fame in 2019. Higgins has also received several international honors, with notable accolades in Germany and China. Donna Caseine, Reservoir EVP, Global Creative Director, said, “Bertie Higgins is a staple figure of the yacht rock genre, whose songwriting legacy, from the global success of Key Largo to his enduring international appeal, represents a unique and valuable addition to our catalog. We are honored to bring his body of work to Reservoir and further reinforce our commitment to strategically expanding our portfolio through meaningful partnerships with legacy artists.”
THE CIRCUIT GROUP PARTNERS WITH CREATE MUSIC GROUP TO LAUNCH MUSIC INVESTMENT FUND: The Circuit Group has unveiled Circuit Capital, a new investment venture powered by Create Music Group. Through this partnership, Create Music Group provides access to over $500 million (USD) in capital, enabling the acquisition and growth of music assets and cultural IP. Circuit Capital brings together The Circuit Group’s cultural influence in electronic music with Create’s financial strength, innovative technology, and robust infrastructure. Its mission is to invest in catalogs, record labels, publishers, and a range of music-driven businesses, building long-term, sustainable value while keeping creativity and community at the center. Setting itself apart from traditional investment firms and anonymous private equity funds, Circuit Capital is designed as a creator-first environment, a place where artists, entrepreneurs, and rights-holders can partner with people who understand the electronic music landscape. Beyond acquisitions, Circuit Capital will also fund future creative initiatives from artists managed by The Circuit Group. This includes investments in existing catalogs and forward-looking funding arrangements, empowering artists with the financial support they need to develop their music and realize their artistic goals. The Circuit Group includes management companies AYITA and Seven20, whose combined roster features FISHER, Chris Lake, deadmau5, Cloonee, Aluna, Ninajirachi, and many more.
DUNE MAKE TWO KEY APPOINTMENTS TO SENIOR LEADERSHIP TEAM: Thom Brunner has been appointed Chief Operating Officer, and Max Crowther has been named Head of Artist Services, both effective immediately for Dune. In his new London, England-based position as COO, Brunner will lead daily operations, guide strategic and commercial planning, drive business development, cultivate artist and industry partnerships, and oversee the execution of Dune’s long-term rollout strategy. Brunner joins with experience in music marketing, artist relations, and creative strategy. As a partner at Sassy Media, he spent over 15 years delivering campaigns for Paloma Faith, Craig David, Muse, Jennifer Lopez, and Sophie Ellis-Bextor. He also founded Electric Friends Management, where he managed Phoebe Green and Swiss Lips. His career began in the marketing department at Warner Music, contributing to campaigns for Biffy Clyro, The Wombats, Marina and the Diamonds, and Pendulum. Based in Manchester, Max Crowther takes on the newly established role of Head of Artist Services, reporting directly to Brunner. He will be responsible for the full scope of artist support within the Dune App, from outreach and onboarding through to stake launches, activations, and ongoing engagement. His role includes developing and overseeing Dune’s CRM and tracking systems, managing assets and communication flows, designing operational processes, and offering guidance to help artists maximize their opportunities on the platform. Crowther will also shape Dune’s A&R strategy and street-team initiatives. Crowther’s background spans live programming, venue operations, stage management, artist liaison, and event coordination, giving him an understanding of the operational foundation artists rely on. He also founded Clampdown Promotion, collaborating with artists, venues, and creative teams on programming, touring strategy, development, and system design.
COUNTRY HITMAKER PARKER MCCOLLUM RENEWS GLOBAL PUBLISHING DEAL WITH WARNER CHAPPELL MUSIC: Warner Chappell Music (WCM) Nashville has renewed its global publishing deal with country superstar and prolific hitmaker Parker McCollum, reinforcing one of the genre’s most successful creative partnerships. McCollum — whose RIAA Platinum-certified hits “Pretty Heart” and “Burn It Down” have cemented him as a crossover force, continues to expand his artistic footprint with the release of his self-titled 2025 album. The project, hailed as one of his most inventive yet, debuted in the Top 10 on Billboard‘s Top Country Albums chart and reflects the raw storytelling and unmistakable vocal power that have propelled his rapid ascent. WCM Nashville executives echoed excitement at his publishing renewal. Jessi Vaughn Stevenson, VP of A&R, called working with McCollum “one of the most creatively fulfilling facets” of her career, while WCM Nashville President Austen Adams praised the artist’s drive and authenticity, adding: “Parker embodies the talent it takes to become a hitmaker in Nashville, and far beyond.” A Conroe, Texas native, McCollum has been on an upward trajectory since releasing his 2015 debut The Limestone Kid. His breakthrough came with 2021’s Gold Chain Cowboy, featuring the multi-Platinum No.1 “Pretty Heart,” followed by 2023’s Never Enough and a wave of ACM, CMA, and industry nominations. Named an Artist to Watch by Billboard and Rolling Stone, McCollum continues a nationwide tour through year’s end as his star power shows no signs of slowing.
THE OTHER SONGS & THE ORCHARD TO MANAGE LW ENTERTAINMENT CATALOG: LW Entertainment has enlisted independent label The Other Songs to take charge of managing Andrew Lloyd Webber‘s music catalog. Under this arrangement, The Other Songs will oversee both the legacy repertoire and forthcoming releases, working in collaboration with The Orchard, which will handle global distribution for Lloyd Webber’s catalog. Founded by Lloyd Webber’s sons, Alastair and Billy Webber, The Other Songs has already partnered with LW Entertainment (formerly The Really Useful Group) on several recent projects, including the U.K. No.1 Sunset Blvd. cast album. The label also recently released the new Evita cast recording, which achieved one million streams within its first 24 hours. In late October, Lloyd Webber’s catalog reached its highest single-day streaming numbers to date, driven by viral Phantom of the Opera moments on TikTok. More than 200,000 fan-created posts during Halloween week generated hundreds of millions of impressions across social platforms. The Other Songs operates across recordings, publishing, and artist management. Andrew Lloyd Webber said, “I am extremely excited that The Other Songs will be partnering with me to represent my past and future recording work. After the success of their albums by Starlight Express, Sunset Blvd, and Evita, I am thrilled that we will now have an exclusive long-term relationship. The Other Songs’ mission to doggedly champion songwriters, at a time when they have and are being treated as second-class citizens in the music industry, has hugely resonated with me. I am really looking forward to working with the new artists the collaboration will bring me at a time when I am writing as much if not more than I ever have.”
LICKD ANNOUNCES APPOINTMENT OF CHRISTOPHER COLLINS AS MARKETING DIRECTOR: Lickd has strengthened its leadership team with the appointment of Christopher Collins as its new marketing director. Collins joined the music licensing platform from Audio Network, where he oversaw global campaign strategy and built a strong record in data-led growth, creative marketing, and cross-sector partnerships. In his new position, he will guide Lickd’s brand, growth, and creator marketing efforts, shaping the company’s global approach to engaging both creators and brands. His arrival comes shortly after the debut of Lickd For Brands, a new solution that enables brands to legally incorporate major chart hits into large-scale organic content across TikTok, YouTube Shorts, Instagram Reels, and Snapchat. Paul Sampson, CEO at Lickd, said, “After a year of growth for Lickd, we are delighted to be able to hire leading figures in the marketing industry. Christopher brings a wealth of experience from his work with Audio Network and Underscore and is perfectly placed to help us become a market leader in the space and continue to expand our support to creators and brands.”
MUSIXMATCH LAUNCHES MUSIC LENS: Musixmatch, the lyrics and music data specialist, has introduced a new AI-driven music intelligence tool designed to turn catalog data into strategic insights, giving labels, publishers, and artists the information they need to make smarter creative and commercial decisions. This new AI agent, called Music Lens, is set for release in the first quarter of 2026, with early access available to select Musixmatch Pro partners. At launch, Music Lens will offer four key functions: aligning catalogues with any creative brief to unlock fresh sync opportunities, translating global music trends into clear, actionable takeaways, producing release-ready visual assets within seconds, and providing transparent data on royalties, splits, and DSP performance for creators, publishers, and labels. Musixmatch emphasizes that Music Lens has been built on strict ethical foundations. All data used is permission-based and securely stored within the company’s ecosystem. Importantly, the tool is powered not by broad training datasets, as is typical of many AI systems, but by “derived data,” meaning new insights generated through the processing and combination of existing information. In this case, the underlying material comes from a catalog of more than 100 million works supplied through partnerships with music publishers. Musixmatch describes this as “one of the largest ethically licensed datasets ever created” for music analytics.
KARMA ARTISTS AND PAYDAY MUSIC PUBLISHING ANNOUNCE GLOBAL PUBLISHING AGREEMENT FOR BENJI: Karma Artists and Payday Music Publishing have announced a new publishing deal with songwriter and producer Benji. At just 23, Benji has established himself as a multifaceted artist, DJ, producer, and songwriter working across Afro-House, Indie House, and Melodic House. Born in England and raised in French-speaking Switzerland from age 7, he left home at 17 to pursue music full-time. His debut single “Gabriel” earned international recognition, and his subsequent releases have accumulated more than 70 million streams. Alongside performances on some of the world’s most renowned stages, Benji’s melodic sensibility and songwriting ability distinguish him within the electronic music space and signal a promising trajectory. Patrick Moxey, Founder & CEO of Payday Publishing said, “Benji is an exceptional talent; a versatile and highly creative artist, DJ, and songwriter who has a unique ability to connect with global audiences and fellow creatives. We are really excited to be working with him and the team at Karma Artists.” Jordan Jay, Founder of Karma Artists added, “Working with an artist as extraordinarily talented as Benji is a joy and it is our responsibility to connect him with people who share his drive, vision, and passion. Patrick Moxey and the Payday Publishing team have also been incredibly supportive and enthusiastic about his work and are determined to help Benji achieve important things.”
AISHA SALEM-HOWEY NAMED GENERAL COUNSEL AT UAE’S MUSIC NATION: Music Nation Copyrights Management, the United Arab Emirates–based collective management organization, has appointed intellectual property lawyer Aisha Salem-Howey as its new General Counsel. Her arrival follows shortly after the company officially began operations, having received government approval in June to function as a CMO within the UAE. In her new role, Salem-Howey will oversee all legal, regulatory, and governance matters, as well as lead the organization’s international engagement efforts. She will play a pivotal part in securing Music Nation’s first agreements with societies, publishers, labels, artists, and other rights holders. Based in Abu Dhabi, she will report directly to CEO Amer Samhoun. Salem-Howey previously served as the intellectual property attaché for the Middle East and North Africa at the U.S. Patent and Trademark Office, stationed at the U.S. Embassy in Abu Dhabi. There, she worked closely with regional governments and businesses on issues related to IP protection and enforcement. Earlier in her career, she was a trademark examining attorney at USPTO and has also held roles with the International Intellectual Property Alliance, Florida law firm Allen, Dyer, P.A., and the business and legal affairs team at NBCUniversal.
EVEN STRIKES DEAL WITH SYMPHONIC: Direct-to-fan platform EVEN has partnered with Symphonic Distribution to bring “sell-before-streaming” storefronts to Symphonic’s creators. EVEN, described as an “infrastructure platform powering direct-to-fan music sales ahead of streaming releases,” can now be activated directly within a Symphonic account. Artists can use the integration to set pre-release D2F windows, choose formats and pricing, and launch their storefronts via EVEN. Through this integration, Symphonic creators can offer exclusive pre-release drops and bundles, receive daily payouts, create tailored fan experiences, and retain ownership of first-party fan data, all while remaining fully compatible with Symphonic’s distribution, administration, and artist services. The first live example is Symphonic artist Evil Ebenezer, who is offering early access to his new single “Young Pedro” on EVEN ahead of its DSP release. Earlier in a pilot program, Symphonic artist Ron Killings ran a pre-release campaign for The White Album via EVEN, generating revenue equivalent to 350,000 streams, driven by thousands of page views and a campaign-defined $2.32 (USD) “revenue per stream.” The partnership significantly expands EVEN’s international footprint, initially covering Symphonic’s key territories across the Americas and Europe, including the US, Latin America, Brazil, Canada, the Caribbean, Europe, Africa, and Asia.
TRACY MADDUX APPOINTED INTERIM CEO AT BEATBREAD: BeatBread has named Tracy Maddux as its interim Chief Executive Officer. Maddux steps into the role following the passing of Co-Founder & CEO Peter Sinclair. The company emphasized that Sinclair’s mission to create a fairer, more transparent music industry “remains at the heart of beatBread’s purpose.” In addition to serving as interim CEO, Maddux has joined beatBread’s board as a long-term advisor while the company conducts a global search for a permanent chief executive. With decades of leadership spanning music, tech, and finance, Maddux will guide beatBread through its next stage of expansion while helping advance its goal of giving artists greater financial autonomy and creative control. His appointment comes shortly after beatBread announced its $100 million (USD) Global Independence Fund, created to equip independent artists and labels with the resources to compete with major players without sacrificing ownership. That launch followed beatBread’s recent raise of $124 million in credit and equity capital. Maddux previously served as CEO of CD Baby from 2010 to 2020, overseeing its growth into one of the world’s largest distributors for independent musicians and building deep relationships across the indie community. He later became Chief Commercial Officer at Downtown Music Holdings, where he played a key role in shaping commercial strategy across the company’s global services. Alongside his executive roles, Maddux has been an active investor and advisor in music tech. Earlier this year, he led a multi-million-dollar investment round in rights management platform OpenPlay and joined its board to support the development of data-driven tools for independent creators. As interim CEO, he will focus on sustaining beatBread’s growth, enhancing the platform, expanding partnerships, and ensuring operational excellence, while also helping steer the search for the company’s next permanent leader.
KLAY VISION SIGNS AI LICENSING DEALS WITH ALL THREE MAJOR MUSIC COMPANIES: Los Angeles-based music technology company Klay Vision has finalized individual AI licensing agreements with all three major music groups. According to a company statement, these partnerships set the groundwork for Klay to develop new AI-powered fan experiences while fully safeguarding the rights of artists, songwriters, and copyright holders. The deals encompass Universal Music Group and Universal Music Publishing Group, Sony Music Entertainment and Sony Music Publishing, as well as Warner Music Group and Warner Chappell Music. Klay has collaborated closely with the music industry to create a new “active listening” model that enhances creativity and audience engagement. Its platform introduces immersive, interactive listening features powered by the company’s Large Music Model, trained exclusively on licensed works. Over the past year, Klay has worked with industry stakeholders to build a comprehensive licensing structure for AI-driven music experiences and is now broadening its outreach to independent labels, artists, publishers, and songwriters to establish a scalable ecosystem for the entire sector.
ATC GROUP RAISES $11 MILLION, APPOINTS JAMES PATTERSON AS CIO: London-based All Things Considered (ATC) has secured £8.6 million ($11.3 million USD) in new funding before expenses and appointed James Patterson as the new Chief Investment Officer as it prepares for its next phase of growth. The company also confirmed plans to move its listing to the London Stock Exchange‘s Alternative Investment Market (AIM). ATC said the fresh capital will support investments in direct-to-fan services, artist-focused technologies, and new partnerships across management, agency, and artist clients. Investor identities were not disclosed. The group operates a range of businesses spanning artist and songwriter management, creator services, and live events, making it one of the U.K.’s leading companies in the sector. ATC has named James Patterson, formerly VP of Global Operations & Market Development at The Trade Desk, as its new CIO, citing his experience driving international expansion. Additionally, Lewis Silkin LLP partner Cliff Fluet will join the board as a Non-Executive Director. The company, currently listed on the Aquis exchange following a £4.1 million IPO in 2021, said its move to AIM is driven by rapid growth and shareholder interest in improved liquidity.
NEED TO MAKE CONTACT, SEND NEWS AND NEW MUSIC RELEASES?: If you have any A&R, publishing, technology, agent/promoter, international radio, management, new media or film/TV music supervisor news you’d like to share with A&R Worldwide, or need to respond to information published in the weekly newsletter please E–mail it to the attention of info@anrworldwide.com. Also, all demos and new music releases should be sent as STREAMING LINKS ONLY to info@anrworldwide.com
IN THE SPOTLIGHT: Andrew Kronfeld, Jonathan Strauss, Mo Ghoneim, Aton Ben-Horin, Craig Logan, Julie Greenwald, Rob Stringer, Alaap Gosher, Annie Christensen, Brian Bumbery, Justin Shukat, Greg Hammer, Anurag Rao, and Jackie Winkler.
