DIPLO SIGNS GLOBAL PUBLISHING DEAL
WITH WARNER CHAPPELL MUSIC
Warner Chappell Music (WCM) has announced a worldwide publishing deal with Diplo. A thirteen-time Grammy nominee and three-time winner, Diplo has spent the last two decades shaping the sound of modern music, building a catalog stacked with tracks like “Where Are Ü Now” with Skrillex and Justin Bieber, “Lean On” with DJ Snake and MØ (as part of Major Lazer), Beyoncé‘s “Run the World (Girls),” M.I.A.‘s “Paper Planes,” and more recent hits like “Heartbroken” with Jessie Murph and Polo G.
Diplo’s career took off from the underground scene of Philadelphia’s Hollertronix parties and catapulted into international stardom. Born in Mississippi and raised in Florida, he has become a global ambassador for genre fusion and musical exploration, elevating new voices through his labels, Mad Decent and Higher Ground. Whether as a solo artist, part of Major Lazer, one-half of Jack Ü (with Skrillex), LSD (alongside Sia and Labrinth), or Silk City (with Mark Ronson), Diplo has continually pushed sonic boundaries.
Diplo stated, “The Warner Chappell team is uniquely set up to address my many endeavors and projects whether it be producing for other artists, releasing my own music, or collaborating on records. They have an immensely skilled, forward-thinking staff that I feel can help complement how I approach making and placing music. In addition, I am excited to bring it full circle with Carianne Marshall who played such an integral role in my early success.”
David Goldsen, Sr. Vice President, North America A&R, WCM, said, “Diplo has already cemented himself as one of the most accomplished artists and music pioneers on the planet. His bold approach to art, culture, and songs is what we want to align with at Warner Chappell. There’s lots to continue to look forward to, and we’re thrilled to collaborate with him alongside his management team, Andrew McInnes and Renee Brodeur.”
Beyond his recent Higher Ground releases, Diplo’s latest projects include Diplo Presents Thomas Wesley: Chapter 2 – Swamp Savant, a continuation of his country alter ego, and 2022’s self-titled electronic album—his first in two decades.
BETTER NOISE MUSIC ANNOUNCES FOUR NEW KEY SIGNINGS
Better Noise Music has announced the signings of Sabaton, Yellowcard, In This Moment, and Finnish alternative dark-rock legends The Rasmus.
Under the guidance of Chairman Allen Kovac, and leadership from CEO Dan Waite, COO & President Steve Kline, CFO Harris Masood, and GM Paul Cormack, the label has spent the last five years at the top of the Rock Airplay charts.
Sabaton, Sweden’s reigning power metal giants have landed at Better Noise Music, bringing with them four billion Spotify streams, Gold to Quadruple Platinum certifications, and a global fan base fueled by their storytelling. Their debut release with the label, the single “Templars,” arrives April 25.
The Rasmus, Finland’s No.1 rock export and one of the country’s most successful acts ever, joined the label through a joint venture with Playground Music. Their upcoming album Weirdo includes recent singles “Rest in Pieces” and “Creatures of the Night,” and the soon-to-drop “Break These Chains” featuring Niko Vilhelm of Blind Channel. With over 829 million global streams and a 2025 world tour underway, the band shows no signs of slowing down.
Yellowcard are officially signed and in the studio. Teaming up with Travis Barker for a brand-new album set for 2025, it’s their first full-length since 2016. In addition, Yellowcard has racked up over one billion streams, and three million albums sold.
In This Moment, the theatrical metal act led by frontwoman Maria Brink is stepping into a new era with Better Noise. The Grammy-nominated band is crafting their ninth studio album, due to begin rolling out in 2025. The band are known for their live shows and anthems like “Blood” and “Whore” and have six Gold and Platinum singles to their name.
Commenting on the new signings Dan Waite said, “Better Noise is deeply committed to utilizing the label’s knowledge and expertise to elevate each band to greater commercial heights. We are getting several inquiries from household name bands after 5 years as the No.1 rock radio label, from acts feeling overlooked in the major label system, or wanting to spread their success outside their home market and grow globally.”
He continued, “When artists follow our system, it doesn’t matter if you are Five Finger Death Punch, Mötley Crüe, Papa Roach, or Nothing More, Dirty Heads, Bad Wolves, The Funeral Portrait, or From Ashes to New, together we have the most success in their career to date. When artists follow our system, which is a unique system, and sometimes scary for artists, once they see the results they go all-in. The ones that tell us early on that they are not going to follow our system, we choose not to get in business with.”
WARNER MUSIC PARTNERS WITH ANJULA ACHARIA
ON JV LABEL 5 JUNCTION
Warner Music Group (WMG) is teaming up with entrepreneur Anjula Acharia to launch 5 Junction, a joint venture label with a mission to spotlight artists of South Asian descent based in the U.S. while elevating voices from across the South Asian diaspora.
5 Junction will partner closely with the team at Warner Records in Los Angeles, led by Co-Tom Corson, Chairman & COO, and Aaron Bay-Schuck, Co-Chairman & CEO to build bridges between cultures and soundscapes.
Acharia, the powerhouse behind Desi Hits!, has played a key role in introducing artists like Lady Gaga, Britney Spears, and 50 Cent to South Asian markets. Now, with 5 Junction, she’s bringing that global sensibility full circle—championing South Asian artists for audiences around the world.
The label will also work together with WMG’s India division, which has seen massive growth recently. Artists like Diljit Dosanjh—who headlined the largest Punjabi concert outside India in a sold-out Canadian stadium—and rising stars like King and Jasleen Royal are already making history on global charts. Both King and Royal are the first Indian artists to crack Spotify‘s Global Top 25 outside of Arijit Singh. In addition, 5 Junction will further expand its reach through a strategic alliance with 91 North Records, the Toronto-based venture from Warner Music India and Warner Music Canada.
Robert Kyncl, CEO of Warner Music Group, said, “WMG saw the global potential in South Asian music early, and we’re well-positioned to turbocharge our success in the bustling trade route between South Asia and North America. I’ve been lucky enough to know Anjula for years – she’s a creative and entrepreneurial dynamo who brings a vibrant network and immense expertise to our world-class team.”
Anjula Acharia, Founder of 5 Junction, added, “Bringing South Asian talent to Western audiences and beyond isn’t about trends – it’s about truth. Growing up between cultures, I always knew our stories had global power. My mission has been to translate that and show the world that representation isn’t a favor – it’s a force. Whether it’s music, identity, marketing, or scale, moving fluidly between the intersection of culture and commerce is where the magic happens.”
Jay Mehta, Managing Director, Warner Music India, concluded, “We’ve seen big cultural collaborations between King and Nick Jonas, Diljit and Sia, as well as Karan Aujla and One Republic, and for the first time ever we saw Diljit perform at Coachella and sell out arenas across North America. But we’re only at the starting line of what’s to come as we double down on South Asian music’s potential in the world’s largest music market.”
SONY MUSIC ENTERTAINMENT PROMOTES KEVIN FOO
TO MANAGING DIRECTOR FOR SOUTHEAST ASIA
Sony Music Entertainment (SME) has named Kevin Foo as the new Managing Director for Southeast Asia, encompassing the evolving markets of the Philippines, Indonesia, and Thailand. The appointment, effective immediately, places Foo at the forefront of SME’s vision for artist development and audience engagement in one of the world’s most dynamic music regions.
Operating out of Singapore, Foo will report directly to Shridhar Subramaniam, President of Asia and the Middle East for Sony Music Entertainment. In this role, he will guide a leadership team—including the General Managers of the three countries and the region’s VP of International Marketing, toward building stronger regional connectivity, supporting emerging and established talent, and unlocking new opportunities for growth.
With a career spanning multiple markets and disciplines, Foo brings to the table a mix of executive leadership, creative insight, and grassroots experience. Most recently, he served as Managing Director of RCA Records Greater China and General Manager of SME Taiwan, where he spearheaded forward-thinking initiatives and cultivated a culture of innovation and inclusivity. His time in Taiwan was marked by both artistic breakthroughs and social impact, notably during the pandemic when he led a cross-border music project supporting charity efforts led by Eric Chou. The collaboration brought together fifteen artists from across Asia, including names like Ben&Ben, Fatin, and Sezairi.
Shridhar Subramaniam stated, “Kevin has a unique ability to connect artists, markets, and audiences in ways that drive both commercial and cultural impact. His deep understanding of the region, coupled with his passion for artist development, makes him an ideal leader to shape the next phase of our Southeast Asia strategy.”
Prior to joining Sony Music, Foo made a mark as Founder of Foundation Music, managing a roster that included artists like Linying, Charlie Lim, and The Steve McQueens. He also co-founded Umami Records and built Beep Studios into one of Singapore’s premier recording facilities, creating a fertile ground for regional talent to thrive.
ULTRA INTERNATIONAL MUSIC PUBLISHING
UNVEILS NAME CHANGE
Ultra International Music Publishing officially announced its rebrand to Payday Music Publishing and has expanded global creative initiatives.
The rebrand follows a recent legal ruling in a case filed by Sony Music, which contested the ownership of the “Ultra” brand after acquiring Ultra’s recording arm back in 2021. As a result, the publishing company will move forward under a new identity—but with the same global impact and reach.
Despite the change in name, Payday Publishing retains its catalog of over 70,000 copyrights, including shares in countless Billboard No.1 hits. Its roster includes co-writing and publishing credits with Post Malone, Ed Sheeran, Travis Scott, Drake, Katy Perry, Future, Kanye West, Kygo, Steve Aoki, and many more. The company celebrated a showing at the most recent Grammy Awards, with thirteen of its songwriters nominated across seven categories, including top honors like “Album of the Year” and “R&B Album of the Year.”
The Payday name draws inspiration from Payday Records, the influential hip-hop label founded by Patrick Moxey in 1992—known for early releases from Jay Z, Jeru The Damaja, and rising stars like Antslive. Staying true to that legacy, Payday Publishing continues to score streaming wins, with recent billion-stream entries like Tory Lanez‘s “The Color Violet,” Drake & Future’s “Wait for U” (feat. TEMS), and AURORA‘s viral hit “Runaway.”
Beyond chart success, Payday Publishing is shaping the future of songwriting with a lineup of international writing camps in 2025, following a breakout year of global collaboration. Recent camps include partnerships with Atlantic Records in Ibiza, Virgin Records in Germany, Warner Music in Paris, and a South Korean camp in Seoul hosted alongside Hybe, JYP, SM Entertainment, and others. That event brought together Payday writers like Neil Ormandy, Jenson Vaughn, Lizzy Land, and Kwon Close with leading Korean talents such as Slow Rabbit, 1Zone, Jinsol, Frants, and more.
April also saw the return of the company’s Coachella Writing Camp, now in its eighth year. Held in Santa Monica between festival weekends, the camp attracted artists performing at Coachella and other collaborators in town, offering a creative oasis for music-making coordinated with the energy of the event.
Coming up in May, the company will also relaunch its sync-focused writing camp in Palm Springs, with a dedicated emphasis on trailers and film/TV placements. Previous successes include placements in the We Live In Time trailer, Disney 100, Grey’s Anatomy, and campaigns for Netflix, Hulu, ABC, and more.
LOST HIGHWAY RECORDS TEAMS UP
WITH INTERSCOPE GEFFEN A&M
After more than a decade in hibernation, Lost Highway Records is relaunching with the full backing of Interscope Geffen A&M (IGA).
At the center of this renaissance are Robert Knotts and Jake Gear, handpicked by Interscope’s John Janick to serve as Executive VP’s and Co-Heads of the new Lost Highway. Both bring deep Nashville credentials and a shared ethos of championing artists and their vision more than anything else, a philosophy that defined Lost Highway in its first life and now shapes its second.
Jake Gear brings a sharp ear for talent and a proven record from his time at UMG Nashville, where his A&R savvy helped launch acts like Tucker Wetmore and guided projects from Parker McCollum, Dierks Bentley, and Sam Hunt. With roots in Iowa and a foundation built on years in Nashville’s publishing trenches, Gear also co-founded Hang Your Hat Music, developing artists like Hailey Whitters and Flatland Cavalry.
Robert Knotts, meanwhile, arrives from a 12-year rise at Thirty Tigers. Starting as an intern, Knotts became Senior VP, Artist & Label Services, helping steer campaigns for acts like Jason Isbell, Sturgill Simpson, and Lucinda Williams. His approach, which centered on storytelling, long-term strategy, and supporting artist autonomy, aligns with Lost Highway’s mission.
John Janick, Chairman & CEO, Interscope Capitol & IGA, said, “Lost Highway carved out a special place in the remarkable musical legacy of Nashville. It was a left-of-center label with one-of-a-kind artists who, at their core, were great songwriters and moved culture. Similarly, Interscope has always been a beacon to artists who don’t fit into a box yet are destined to inspire what comes next. With this new chapter in Lost Highway’s history, we are devoted to empowering the next generation of trailblazers, both artists and executives.”
Robert Knotts added, “Over the course of my career, my goal has always been to operate in service to the artist’s vision while understanding the emotional connection to their art. It is with this same spirit that Lost Highway left a lasting impact on the Nashville community – providing a home for artists who aren’t defined by genre and recognizing that the artist’s vision shapes culture itself. I am honored to carry that approach forward alongside one of my closest friends, Jake Gear. With John Janick’s guidance, and support from the entire Interscope team, we have an incredible opportunity to combine an artist-first mentality with Interscope’s remarkable ability to help build worlds around an artist’s vision.”
Founded in 2000 by Luke Lewis, Lost Highway earned a reputation as a haven for authentic voices, nurturing records from the likes of Willie Nelson, Lucinda Williams, Ryan Bingham, and Kacey Musgraves. Though it was absorbed into Mercury Nashville in 2012, its influence lingered like a great song—waiting for the right time to play again.
AN INTERVIEW WITH MARK BEAVEN —
CO-FOUNDER & CO-CEO, AAM, INC.
Mark Beaven, Co-Founder & Co-CEO of Advanced Alternative Media (AAM Inc.), was the recipient of the prestigious “Lifetime Achievement Award” at the 25th global edition of MUSEXPO last month – garnering praise and support from some of the music industry’s top creatives and executives from around the world for his decades of positive contributions to global pop culture.
Since co-founding AAM in New York City in 1982 with Andrew Kipnes, Beaven has been instrumental in revolutionizing the music and entertainment industries. AAM has grown into a globally recognized leader in producer and songwriter management, with operations in key creative hubs across New York, Los Angeles, London, Philadelphia, Miami, and Ecuador.
Under Beaven’s visionary leadership, AAM has profoundly shaped the music landscape, contributing to seminal albums such as Nirvana‘s Nevermind, Guns N’ Roses‘ Appetite for Destruction, Madonna‘s Ray of Light, Amy Winehouse‘s Back to Black, and countless others. AAM’s legacy extends from its origins in marketing tastemaker artists like The Smiths and Depeche Mode to its evolution into a premier artist management firm, representing industry icons including Thompson and Barbiero, Peter Collins, and Andy Wallace.
Beaven’s influence is also evident in AAM’s pioneering approaches to artist management, deal-making, and creator rights. The firm has set new industry standards and managed high-profile transactions, including over forty music catalog acquisitions, many in the nine-figure range. AAM’s diverse roster has contributed billions of albums sold and numerous Billboard Top 10 hits.
Beyond professional achievements, Beaven and Kipnes are committed to philanthropy through their organization Friends ‘N’ Family (FNF), which supports charitable causes in music, film, and tech, reflecting Beaven’s dedication to giving back to the community. Read the full interview HERE.
Each week, A&R Worldwide shares a snapshot of creatives and executives that we have collaborated or worked with in various music markets around the world, albeit in recent or previous times!
A&R Worldwide has had a long history of working across sync (film, TV, videogames, trailers, promos, advertising), and with some of the best-in-class music supervisors. Since 1996, when A&R Worldwide Founder Sat Bisla managed Rob Dougan (“Clubbed To Death“), which was the theme song for the legendary film, The Matrix, and became one of the most sync’d songs in the world—music in visual media has been a staple in the company’s DNA.
This year, A&R Worldwide teamed up again with Europe’s leading Composer Summit in Prague, Czech Republic, to bring together almost a dozen leading music supervisors to be a part of conversations, panels, workshops, and masterclasses with both established and burgeoning music composers from around the globe.
Joining A&R Worldwide in association with MUSEXPO at the Composer Summit in Prague were companies including Amazon MGM Studios, Activision/Blizzard, Netflix, Constantin Films, Black & White Music, and Format Entertainment the largest theatrical and television music supervision company in the world who are behind the sound of Marvel blockbuster films, amongst others.
MOOD BORED
Dutch indie rock trio Mood Bored is turning up the volume with their brand-new EP Too Much? (Mattan Records)—a thrilling next chapter that cements their status as one of the most exciting acts emerging from the Netherlands. The spotlight’s firmly on their latest single “Out Loud,” a soaring, guitar-driven anthem that channels the chaos and clarity of being young in a restless world. Known for their punchy bass lines, infectious hooks, and dreamy yet urgent vocals, Mood Bored blends dancefloor euphoria with existential reflection in a way that’s both deeply relatable and wildly fun. Following a breakout year supporting the likes of Nation of Language, Wolf Alice, and Sorry—and their first U.K. tour including a KOKO Camden stop—Mood Bored returned from the road to record with producer Ali Chant (Yard Act, Soccer Mommy). The result is Too Much?, a bold, honest, and sonically expansive EP that’s made to be felt—and shouted—out loud. Listen to “Out Loud” HERE, and contact Mila Groen at mila@mattanrecords.com, for additional information and all inquiries related to Mood Bored.
BABY SAID
U.K.-based sister duo Baby Said—aka Jess and Veronica Pal—are rewriting the rules of modern rock with their bold sound and even bolder attitude. Blending their Italian/Punjabi roots with influences like Olivia Rodrigo, Måneskin, and Royal Blood, these 18- and 20-year-old powerhouses are turning heads fast. Their latest video, “Dead to Me,” is a fierce breakup anthem wrapped in gritty visuals and unapologetic energy. It’s theatrical, raw, and impossible to ignore—just like the band themselves. In just 16 months, Baby Said have released an EP, Who Gives A Rock, and debut album, BS, earned spins on BBC Radio 1, 6 Music, global support on the influential Passport Approved radio program (broadcasting on over 50 radio stations worldwide), and European stations, and landed major DSP support across Spotify, Apple, Deezer, and Amazon. They’ve lit up stages at Reading & Leeds, SXSW Austin, and The Great Escape, with upcoming appearances at SXSW London, Glastonbury, Wilderness, Focus Wales, and more. With their sophomore album in progress, Baby Said are clearly on a fast track to something massive. Now seeking label, publishing, and North American live partners. Watch the video for “Dead To Me” HERE, and contact Jeff Powell at jeff@bighugmanagement.com for all inquiries pertaining to Baby Said.
“PASSPORT APPROVED” PLAYLIST FOR Sunday, April 27th, 2025: The weekly import show is heard on more than 40 radio stations on six continents weekly including: Flux FM Berlin (Germany); NINETYSIX Radio (Indonesia); Radio Doble Nueve, Lima (Peru); Radio C Luxembourg; KWSS “93.9FM” Phoenix, AZ; KRML “102.1FM” Carmel, CA; KFRR “New Rock 104.1FM” Fresno, CA; Radio 1, Mumbai (India); WCNR Charlottesville, VA; KIWR “The River” Council Bluffs, IA; RTÉ 2XM Ireland (national radio); 96.2 ZFM The Netherlands; WAPS/WKTL “91.3 The Summit” Akron–Canton-Youngstown, OH; PUK–FM Johannesburg (South Africa); Rock 96.5FM Zambia; 897 FM Bratislava, Slovakia; WITH “90.1FM” Ithaca, NY; UCFM 87.8FM Australian Capital Territory, Australia; WSHR Long Island, NY, WRUR 88.5FM Rochester, NY; WCRU–FM Hamilton, NY; KZND Anchorage, AK; KQCJ Quad Cities, IL; Allgauhit–FM Bavaria Germany; Indie X FM Los Angeles, QCIndie Saskatchewan, Canada; WJSE Cape May/Atlantic City, NJ and on The Independent FM (iHeartRadio) in the United States, as well as many others internationally.
Listen to this two hour show by clicking HERE:
WAITING FOR SMITH – “I Like Life” (Four One Seven Records, U.K.)
MONOTRONIC – “Everything Moves” (Unsigned, U.S.)
VELLA – “All My Love” (Universal Music, Sweden)
DAMIANO DAVID – “Next Summer” (Sony Music, Italy)
UNPEOPLE – “The Garden” (SharpTone Records, U.K.)
CASSIA – “Miles Out” (Distiller, U.K.)
THE AMAZONS – “My Blood” (Fiction Records, U.K.)
SHOBSY – “Hold Me Up” (Pangea Int’l Music, Ireland)
SPACEY JANE – “All The Noise” (AWAL, Australia)
VERONICA FUSARO – “Jealousy” (Deep Dive, Switzerland)
SEAFRET – “River of Tears” (Nettwerk, U.K.)
CARISSA SUMMER ROSE – “Scatterbrain” (Unsigned, U.S.)
THE LOTTERY WINNERS – “Turn Around” (Modern Sky, U.K.)
GIRL IN RED – “Confession” (Sony/Columbia, Norway)
GLASS CITIES – “Mad4U” (Unsigned, U.S.)
RHETT REPKO – “Every Night” (Unsigned, U.S.)
NONĒ SUNSHINE – “Clairvoyant” (Unsigned, U.S.)
FAT DOG – “Peace Song” (Domino Records, U.K.)
SI EVOL – “By The Sea” (Unsigned, Sweden)
BRKN LOVE – “Diamonds” (Spinefarm, U.S.)
KAI BOSCH – “Angel” (LAB Records, U.K.)
THE MOVING STILLS – “Running Out” (Unsigned, Australia)
SADIE FINE – “Whoreble” (Sign From The Universe, U.K.)
THE TERRY’S – “Stay Free” (Good Intent, Australia)
KINGFISHR – “Man On The Moon” (Doonane Records, Ireland)
THE PALE WHITE – “Lost In The Moment” (Propeller Recordings, U.K.)
GIZMO VARILLAS – “Still Holdin’ On” (Sonteca Records, Spain)
MOOD BORED – “Out Loud” (Mattan Records, Holland)
SUNDAY (1994) – “Doomsday” (RCA, U.K.)
CIRCA WAVES – “Let’s Leave Together” (Lower Third/[PIAS], U.K.)
CAT SERRANO – “When You Love Me” (Unsigned, U.S.)
ADAM REESE – “1996” (Unsigned, U.S.)
JACOB BANKS – “Blind” (Interscope, U.S.)
BABY SAID – “Hate Me” (Pal Records, U.K.)
ACROBVT SIGN WORLDWIDE MANAGEMENT DEAL WITH 7PM MANAGEMENT: Coldplay and Imagine Dragons-inspired British stadium-ready alternative band Acrobvt will be teaming up with 7pm Management in a worldwide management deal after a successful performance at MUSEXPO 2025. The U.K.-based firm is helmed by industry executives Seven Webster, a respected figure in artist management, and Steve Wolfe, former Global Director of A&R at MCA Records. 7pm Management has a roster that currently includes platinum-selling acts like Saxon, REEF, and genre-bending Welsh artists Skindred—whose latest record catapulted them to a No.2 spot on the U.K. Albums Chart and a headline show at Wembley Arena. This new alliance marks a step forward for Acrobvt as they gear up for their next chapter on the global stage. 7pm Management Owner Seven Webster said, “Acrobvt have been on our radar for some time now but their performance at A&R Worldwide‘s MUSEXPO along with their latest recordings made it hard for us to not want to get involved. Ben Edwards and the band have written some fantastic songs that deserve to be heard globally so we are very much looking forward to collaborating with them and to building on the fantastic work done so far.”
KOBALT SIGNS MUTT CO-WRITER BIZZY CROOK: Kobalt has officially signed Bizzy Crook, whose contributions were instrumental to the success of Leon Thomas‘ breakout single, “Mutt.” The track has climbed into the Top 20 on both the U.S. Hot 100 and U.K. Singles Chart. Thomas has openly credited Bizzy Crook as a key collaborator, highlighting the impact their creative chemistry had on shaping the distinctive sound of “Mutt.” Released in August 2024 as the lead single from Thomas’ album of the same name, “Mutt” has racked up over 100 million streams on Spotify. The hit has also inspired two remixes, featuring artists Freddie Gibbs and Chris Brown. “We’re beyond excited to welcome Bizzy Crook to the Kobalt family,” said Genevieve Huguely, Manager, Creative, Kobalt. “His talent as a songwriter and storyteller is undeniable, and his work on Mutt is a testament to the kind of creativity and vision we love to support. Bizzy brings a fresh perspective and a unique voice to everything he touches, and we’re proud to be part of this next chapter in his journey.”
VIRGIN MUSIC GROUP NAMES HANNAH THOMPSON-WAITT AS SR. VP, COMMERCIAL STRATEGY: Virgin Music Group has promoted Hannah Thompson-Waitt to the role of Sr. VP, Commercial Strategy, reflecting her rapid ascent and deep impact within the company. In her expanded role, Thompson-Waitt will now head up the U.S. commercial team, where she’ll steer the strategic direction across streaming, release performance analysis, and fan acquisition initiatives for the label’s roster. This promotion marks the latest chapter in a career that’s blended digital innovation, global perspective, and artist-first thinking. Previously serving as VP, Commercial Strategy at Virgin, Thompson-Waitt joined the company following her time at Mtheory, where she was VP, Digital Marketing. Mtheory, co-founded by current Virgin Music Group Co-CEOs JT Myers and Nat Pastor, was acquired by Universal Music Group in 2022. Her journey at Mtheory began in 2017 as a marketing associate. Thompson-Waitt’s foray into music began even earlier—while in graduate school, she launched a K-pop media platform, which led her to Seoul, where she became fluent in Korean and provided English-language content for global fans of the genre. Since joining Virgin, she’s assisted in campaigns for artists like Clairo, St Vincent, Amyl And The Sniffers, David Kushner, Tom Odell, and the Tove Lo x SG Lewis collaboration. Thompson-Waitt will soon make the move from New York to Virgin’s Los Angeles offices.
ARMADA MUSIC PUBLISHING REVEALS SERIES OF NEW DEALS: Armada Music Publishing is bolstering its creative arsenal with a slate of new signings and a key partnership renewal. The company has officially inked new publishing deals with Bloom Twins, Shells, and Trance Wax, while also extending its collaboration with duo Da Beatfreakz. “Armada Music Publishing continues to strengthen its UK footprint, adding to a powerhouse roster that already includes names like D.O.D, Ki Fitzgerald, Tom Staar, Kryder, and Chicane,” the company noted in a statement. Among the new signees are the Bloom Twins—Anna and Sofia Kuprienko—a Ukrainian sister duo based in London. Known for their fusion of dance-pop and high fashion, the twins have made collaborations like “High on Beat” (with Jan Blomqvist), “DayDream” (with Benny Benassi), and “Opposite of Crazy” (with Purple Disco Machine). Their influence extends beyond music, with appearances in fashion campaigns and runway shows for brands including Gucci, Armani A/X, Swarovski, and Sephora. Also joining Armada’s publishing family is rising songwriter and performer Shells (Sarah Sheldrake). Fresh off the success of “Dancing Is Healing”—a Top 5 U.K. hit co-written with Charlotte Plank, Rudimental, and Vibe Chemistry—Shells’ recent nod for “Song of the Year” at the BRIT Awards cements her as a writer to watch. Her portfolio also includes work with Meduza and Sonny Fodera. On the electronic front, Belfast’s Trance Wax (aka Garry McCartney) joins the roster with his blend of nostalgic trance and modern club energy. Known for productions like “Black Lion,” and “Rhythm of The Night,” plus remixes for the likes of Tom Smith and Meduza, McCartney has also made an impact live, with performances at London’s Printworks and support slots for Above & Beyond. Rounding out the announcement is the renewed exclusive publishing deal with Da Beatfreakz (brothers Obi ‘O1’ and Uche ‘U1’ Ebele). Their track record includes co-writing the hit “Prada” by Cassö, Raye, and D-Block Europe, a billion-stream juggernaut now nominated for both a 2025 BRIT Award and an Ivor Novello.
UNIVERSAL MUSIC GROUP NASHVILLE REBRANDS AS MUSIC CORPORATION OF AMERICA: Universal Music Group Nashville has officially embraced a new identity, reemerging under the name Music Corporation of America (MCA). Announced on April 24, the company describes the new name as a symbol of “creativity, imagination, an honored legacy, and the future of music,” setting the tone for a fresh chapter in its storied history. This transformation follows a strategic overhaul two months ago when industry veteran Mike Harris was named CEO, leading the restructured Nashville division. He is joined by Dave Cobb, a nine-time Grammy-winning producer hailed for shaping the sonic landscape of Music City, who now serves as Chief Creative Officer. The revitalized company is not only refining its executive structure but also sharpening its creative focus. Katie McCartney has been appointed Executive VP/General Manager, while Tom LaScola steps in as Head of Artist and Audience Strategy through a deeper collaboration between MCA and his firm, THE TRENCHES, now connected via UMG’s Republic Collective. One of Cobb’s first major initiatives includes the launch of a new songwriting-focused alliance designed to nurture Nashville’s homegrown talent. In line with this mission, Jessie Jo Dillon has been named the inaugural “Song Buddy”—a uniquely tailored role emphasizing the company’s investment in the city’s songwriting ecosystem. MCA will continue to support its established labels—Mercury Nashville, EMI Nashville, Capitol Nashville, and MCA Nashville—while also backing the newly launched Lucille Records, founded by Cobb and helmed by Austin Jenkins (Sr. VP of A&R and Head of Lucille). The boutique imprint’s first signings include Lamont Landers, Landon Smith, Isabel Dumas, and Sons of Habit. The broader MCA roster remains a powerhouse lineup featuring country artists including Carrie Underwood, Chris Stapleton, Eric Church, Reba McEntire, Luke Bryan, Keith Urban, George Strait, Sam Hunt, Little Big Town, and many more.
INDIA’S TIPS MUSIC GENERATED $9.1M (USD) IN CALENDAR Q1: India-based TIPS Music has shared its financial performance for the fiscal year and quarter ending March 31, 2025 (calendar Q1). For the quarter, the company posted revenues of approximately $9.1 million USD, reflecting a 24% year-on-year increase. Operating EBITDA also rose to 24% YoY, hitting $4.3 million, with an EBITDA margin of 47.5%, slightly below the 47.7% margin recorded in the same quarter last year. On the content front, TIPS released a total of 105 new songs during the quarter, including 37 film tracks and 68 non-film titles. Additionally, TIPS reported a YouTube subscriber count of 117.1 million. In Q1 alone, TIPS’ YouTube catalog racked up 56.7 billion views, marking a 19% YoY increase in video consumption. In parallel with its financial success, TIPS has also strengthened its international publishing strategy. In March, the company announced an expanded multi-year publishing deal with Sony Music Publishing (SMP), building on their original 2023 agreement. The renewed deal grants SMP extended global rights to TIPS’ catalog of over 32,000 tracks in 24 languages, including many of India’s most iconic and widely cherished film soundtracks. Commenting on the company’s latest financial results, Kumar Taurani, Chairman & Managing Director, said, “I am pleased to report that the company has delivered an impressive performance for FY 2025. We achieved a revenue of ₹ 311 crore, representing a 29% increase YoY Profit After Tax (PAT) stood at ₹167 crore, reflecting a YoY 31% growth. We distributed INR 136 crores in FY2025 in the form of buyback and dividends. Being able to reward our shareholders in this manner is a matter of immense pride for us.”
HYBE TEAMS UP WITH TELEMUNDO: HYBE Latin America is partnering with Spanish-language media giant Telemundo to debut Pase a la Fama, a music reality series designed to discover and launch the next big Regional Mexican band. Touted as a genre-first, the show will spotlight the vibrant and evolving Regional Mexican sound, bringing together aspiring artists in a high-intensity competition that blends music, storytelling, and performance. Out of hundreds of hopefuls, just 55 contestants will earn a spot in the show’s demanding “artistic camp,” where they’ll undergo rigorous training and evaluation. At the end of the series, a panel of industry experts will handpick the members of a newly formed group, who will walk away with $100,000 and a recording contract with HYBE Latin America. Premiering Sunday, June 8, Pase a la Fama will air on Telemundo, stream the next day on Peacock, and be available through the Telemundo app. The show will feature original songs created exclusively for the competition by Latin hitmaker Edgar Barrera, whose credits include work with Karol G, Bad Bunny, Maluma, and Grupo Frontera. Barrera, a 21-time Latin Grammy winner, also wrote and produced the series’ theme song. The judging panel includes three heavyweights in Regional Mexican music: Ana Bárbara, Adriel Favela, and Horacio Palencia, whose songwriting has racked up over 6.4 billion streams and earned 50 BMI Awards. Additional high-profile artist collaborations are set to be revealed as the show progresses.
RYAN NECCI SIGNS GLOBAL PUBLISHING DEAL WITH WARNER CHAPPELL MUSIC & SOUTHERN PACIFIC: Warner Chappell Music Nashville has joined forces with Southern Pacific Music to ink a global publishing agreement with rising Americana artist and songwriter Ryan Necci. Necci is the driving force behind Ryan Necci and The Buffalo Gospel—an alt-country outfit whose music threads through Americana, folk, country, and blues. The band’s 2022 track, “If I Was the Last Man,” written by Necci, continues to gain traction with over 600,000 streams on Spotify. Beyond his band work, Necci has made a name for himself in songwriting circles, collaborating with a roster of artists such as Lori McKenna, Jim Lauderdale, Stephen Wilson Jr., Flatland Cavalry, Ashley Monroe, and Luke Grimes. Hailing from a rural town in Wisconsin, Necci’s musical roots trace back to his childhood, raised on a steady diet of classic country and folk records from his parent’s collection. After earning his degree from UW–Eau Claire, he launched Buffalo Gospel in 2013 with the debut album We Can Be Horses. This March, Necci and his band released the introspective six-track EP The Letting Go: Part 1—a prelude to a full-length album expected later this year.
THRIVE MUSIC TAPS KOBALT FOR GLOBAL PARTNERSHIP: Thrive Music has announced a major global partnership with Kobalt. The deal includes worldwide administration of Thrive’s extensive catalog and all future releases. Founded in 1998 by Ricardo Vinas, Thrive has been a tastemaker in the electronic scene—launching releases that range from underground essentials to Grammy-nominated anthems. Its legacy includes works from Paul Oakenfold, Deep Dish, Steve Aoki, Moby, Sasha, John Digweed, Ferry Corsten, A-Trak, Duck Sauce, Nicky Romero, and LP Giobbi. Thrive’s more recent momentum has been fueled by ACRAZE‘s “Do It to It,” Wuki‘s “Edge of Seventeen” and “Sunshine,” Woodcamp‘s “Eatin’ Good,” and Tiësto‘s “Rule the World.” Beyond the club and streaming charts, Thrive has made major inroads into film, TV, and gaming syncs, with music placements for Riot Games, EA Games, Hulu, and T-Mobile. Additionally, the label is also known for its deep ties to film soundtracks, including the release of Thomas Bangalter‘s (Daft Punk) score for Gaspar Noé‘s Irreversible, as well as soundtracks to films like Darren Aronofsky‘s Pi and Christopher Nolan‘s Memento.
POLYPHIA SIGNS WORLDWIDE PUBLISHING DEAL WITH POSITION MUSIC: Polyphia has inked a global publishing agreement with Position Music, as announced by the company’s President & CEO, Tyler Bacon. Formed in Plano, Texas in 2010, Polyphia is made up of Tim Henson and Scott LePage on guitars, Clay Gober on bass, and Clay Aeschliman on drums, and has carved out a unique space in modern music. Their signature fusion of complex guitar work with hip-hop beats, trap basslines, and progressive rock/metal dynamics has earned them a genre-agnostic fanbase. Their discography includes four studio albums: Muse, Renaissance, New Levels New Devils, and Remember That You Will Die. The latest album is a sonic kaleidoscope of collaborations, featuring $not, Chino Moreno (Deftones), Brasstracks, and Steve Vai. Production credits on the album also include Rodney Jerkins, JUDGE, Y2K, and Johan Lenox, with Henson and LePage helming much of the production themselves. Looking ahead, Polyphia is gearing up as special guests on System of a Down‘s 2025 North American tour, sharing the stage with Korn, Avenged Sevenfold, and Deftones. The band is currently managed by Oliver Mitchell and Nick Holman of Unified Music Group.
RESERVOIR LAUNCHES NEW MUMBAI-BASED SUBSIDIARY POPINDIA: Reservoir Media recently announced the official launch of PopIndia, a full-service music company based in Mumbai. The new venture marks an expansion for the music company as it deepens its presence in emerging markets, following the success of its MENA-focused counterpart, PopArabia. PopIndia’s mission is to sign, develop, and amplify regional talent while also acquiring local music catalogs across publishing and recorded music. The first major signing is Yohani, the Sri Lankan singer, songwriter, rapper, and viral YouTube star who released the breakout track “Manike Mage Hithe.” Overseeing PopIndia is Spek, Reservoir’s Executive Vice President of International and Emerging Markets, whose leadership has already driven success in the MENA region. Joining him in the new venture is Ray Ahmed, formerly the Business Development Lead at PopArabia, who now steps into the role of Head of Operations for PopIndia, based in Mumbai. In addition to Yohani, the company is managing existing partnerships with Indian hip-hop artist DIVINE and his label Gully Gang Entertainment, while also serving as the sub-publisher for international catalogs across India and South Asia. The company will also provide regional clients with music supervision, licensing, and rights management services. Yohani’s debut album Kella, released in 2023 and received widespread praise in the Indian music scene. She has lent her voice to several Bollywood soundtracks, including The Legend, Thank God, An Action Hero, and Dhamaka. Her latest track, “Ain’t Nobody Like You,” which is a collaboration with RUUH and JOH dropped in January. Yohani is currently on tour, with a sold-out show in London.
ROBERT HARVEY SIGNS PUBLISHING DEAL WITH BMG: BMG U.K. has announced the signing of singer, songwriter, and producer Rob Harvey to a new publishing deal. Harvey’s journey began as the frontman and guitarist of the alternative rock outfit The Music. As a songwriter and collaborator, Harvey has contributed to a string of hits including the 4x Platinum anthem “Head & Heart“ by Joel Corry ft. MNEK, “Real Love“ by Clean Bandit and Jess Glynne, and “Lonely“ by Joel Corry and Harlee. His knack for crafting emotionally resonant hooks and infectious melodies has made him a sought-after creative in the studio. Harvey’s collaborative spirit has also seen him team up with Mike Skinner on The Streets‘ Computers and Blues and hit the road with both The Streets and Kasabian. Currently, he’s working with a slate of talent including Louis Tomlinson, Meduza, Ella Henderson, and Becky Hill. Georgina Upton, Sr. Manager, A&R, Publishing, BMG, tells A&R Worldwide, “I am so excited to welcome Rob to BMG. It has been a pleasure getting to know him, and I feel extremely lucky to be working with someone whose songwriting and work I truly admire. It’s an honor to work alongside a mind that inspires and elevates the craft of songwriting.”
SONY MUSIC PUBLISHING NASHVILLE & MARV GREEN SIGN CAIDEN WALLACE: Sony Music Publishing Nashville (SMPN)has joined forces with songwriter Marv Green to welcome breakout country artist Caiden Wallace to a global publishing deal. Through this new partnership, Green’s Out Yonder Music will collaborate with SMPN to provide Wallace with expanded creative resources and new co-writing opportunities. Hailing from Springville, California, Wallace has been steadily carving his own lane with tracks like “More Than a Night,” “Manipulate,” and “Don’t Call.” His latest release, “Girl I Never Had,” continues to build buzz and highlights his storytelling. Rusty Gaston, CEO of Sony Music Publishing Nashville, stated, “It’s not every day that you come across someone with as much raw talent and unlimited potential as Caiden. His California roots are infused into every song he writes, and he is creating something special. We’re excited to welcome Caiden to SMPN as we work alongside the incredible Marv Green to take Caiden’s career to even greater heights.”
EMPIRE STRIKES DEAL WITH BARAMEY PRODUCTION: EMPIRE is expanding into Southeast Asia, announcing a long-term partnership with Cambodian label Baramey Production. The collaboration as EMPIRE describes is “the first time a Cambodian music company has secured this level of international backing.” With this alliance, the San Francisco-based label and distribution company aims to unlock global pathways for Khmer artists by leveraging its international distribution network, A&R resources, and industry connections. Baramey Production, founded in 2016 by artist and entrepreneur Laura Mam, has been instrumental in shaping Cambodia’s modern music scene. Its roster includes VannDa, YuuHai, Suzana, and Norith. Another standout, Vanthan, has already made digital history with “Khmer Gentlemen / Komlors Srok Khmer,” which has surpassed 104 million views, becoming the second most streamed Cambodian song ever. Last year, EMPIRE named Jeffrey Yoo as Sr. VP of East Asia and made its first high-profile signing in the region—K-pop artist G-Dragon. In the past, Baramey had partnered with Warner Music‘s ADA to build global momentum for its artists through distribution, digital marketing, and sync licensing. Artists Norith and YuuHai are already set to bring Cambodian music to new audiences with performances in Los Angeles this July.
LIVE NATION ACQUIRES HAYASHI INTERNATIONAL PROMOTIONS: Live Nation announced its acquisition of Hayashi International Promotions (HIP). Founded over 40 years ago, HIP has become one of Japan’s largest and most influential live music promoters, known for producing shows by both domestic musicians and global stars. Under the continued leadership of CEO Kaori Hayashi, the company will now operate as part of Live Nation’s global network—strengthening its position in the world’s second-largest music market. Over the years, HIP has helped shape Japan’s concert culture, including importing rock festival brands from the U.S. One standout moment came with the debut of Ozzfest Japan in 2013, created in collaboration with Sharon Osbourne, and its return in 2015. This acquisition bolsters Live Nation’s already active presence in Japan, where artists like Oasis, Kylie Minogue, and KYGO are all set to perform in 2025. Michael Rapino, CEO & President, Live Nation Entertainment, said, “HIP is one of Japan’s iconic concert companies, and we’re honored they’ve chosen to join Live Nation. As Kaori continues to build on the incredible legacy her family started, we’re excited to partner with her and the HIP team to bring even more live music to fans across Japan.” Kaori Hayashi, CEO, Hayashi International Promotions, added, “HIP has been at the heart of Japan’s live music scene for over 40 years, and our focus has always been on delivering incredible concerts for fans. Partnering with Live Nation allows us to keep doing this with greater scale, giving Japanese artists the opportunity to perform to new audiences and strengthening Japan’s position as a must-visit destination for major acts.”
BMG ACQUIRES LILA WOLKEN EP FROM MARTERIA, YASHA, AND MISS PLATNUM: BMG has officially acquired the artist and label rights to Lila Wolken—the EP from Marteria, Yasha, and Miss Platnum. Originally released in 2012, Lila Wolken quickly became a cultural touchstone in German pop music. Produced by The Krauts, the title track skyrocketed to No.1 on the Official German Singles Chart, held its spot in the Top 10 for 13 weeks, and went on to earn Diamond certification with over one million units sold—a rare achievement in the German market. This latest acquisition marks an extension of BMG’s ongoing collaboration with Marteria, which began in 2022. The partnership reflects BMG’s continued investment in marquee German talent with global reach. Marteria has collaborated with German artists like Die Toten Hosen, Udo Lindenberg, Casper, Trettmann, and Peter Fox. His albums Fünfte Dimension, Roswell, and the two-part Zum Glück in die Zukunft series have all hit the Top 10 and earned Gold and Platinum certifications, as well as numerous major awards. Marc Johlen, Managing Director GSA, BMG, said, “Lila Wolken is a piece of music history. Our goal is to make culturally relevant music accessible to new generations while creating new opportunities for artists. That’s why we are proud to extend our successful partnership with Marteria from the label side to the catalog side.”
BUCKS SIGNS MAN POWER TO WORLDWIDE DEAL: Bucks Music Group has announced an exclusive worldwide publishing agreement with DJ and producer Man Power, the alias of Geoff Kirkwood. Known for his approach to house, techno, and disco, Man Power has carved out a unique space in the electronic music world, earning a reputation as both a clubland mainstay and an underground innovator. Over the past decade, his name has lit up the lineups of different venues and festivals across the globe. In 2024, Man Power continued his ascent, reaching new ears through appearances in the Resident Advisor Podcast, a coveted slot on BBC Radio 1‘s Essential Mix, and the launch of a monthly residency on Rinse FM. He also dropped fresh material on tastemaker imprints Rekids, Hypercolour, and Make A Dance, while hitting stages across Europe, North America, and Southeast Asia. Kirkwood is also the founder of Are You Affiliated (AYA) and has become a vocal advocate for authentic nightlife experiences to help revitalize club culture in his hometown. From mentorship programs to hosting events with heavyweights like Caribou, Gerd Janson, Daniel Avery, and Optimo, his vision for nightlife is as community-driven as it is creatively rich. Looking ahead, Man Power is gearing up for an Ibiza club residency, a U.K. tour of the AYA concept, and a brand-new full-length album slated for release later this year. Josh Gregg, A&R, and Bucks. facilitated the deal.
UNIVERSAL MUSIC U.K. NAMES EXECUTIVES TO SENIOR COMMUNICATIONS & POLICY ROLES: Universal Music U.K. (UMG) has expanded its communications and policy leadership team with the appointment of two executives to newly created senior roles, signaling a focus on both artist strategy and public policy. Rachel Tregenza steps into the position of Sr. Director, Communications & Global Artist Strategy, a role crafted to reflect the evolving global landscape of artist engagement. With over ten years at Universal Music Group and the last six spent shaping communications and strategy for talent in the Global Classics & Jazz division, Tregenza brings deep industry insight and a history of impactful storytelling. Joining her is Charlotte Allan, who has been appointed Vice President, Global Communications & Public Policy. Allan arrives from Milltown Partners, where she provided strategic counsel to leading figures in the creative and tech industries. At Universal, she will oversee brand and corporate communications across the U.K. and internationally, while also spearheading policy efforts within the U.K. market. Both leaders will report to Tom Williams, Sr. VP Communications & Policy, Universal Music U.K. & Global, who continues to expand his remit after three years directing UMG’s international communications strategy and sector-wide campaigns. As the company builds for the future, Jonathan Badyal, a long-standing member of the UMG U.K. communications team, will be departing this summer to pursue a new opportunity after eight years of dedicated service.
WARP PUBLISHING JOINS IMPEL: Warp Publishing has officially become a member of IMPEL, the international collective licensing agency that champions digital music rights for independent publishers around the world. With roots in Warp Records, Warp Publishing operates out of London and Los Angeles, offering a bespoke, artist-first approach to music publishing. Their roster spans genres and generations, featuring acts like Boards Of Canada, Khruangbin, Slowdive, Danny Brown, Autechre, Yves Tumor, Death Grips, Kelsey Lu, Dry Cleaning, and Daniel Lopatin, among many others. Beyond its core artist roster, Warp Publishing also manages rights for several third-party catalogs, including Psychotic Reaction Music, Inni Music, and Infine Music, further expanding its footprint in the global music ecosystem. By aligning with IMPEL, Warp aims to strengthen the global representation of its catalog in the digital landscape, ensuring its artists and partners are better supported and compensated in an ever-evolving streaming environment.
BLACK ACRE RETURNS WITH NEW SIGNING: Black Acre, the Bristol-based label known for championing forward-thinking underground sounds, has made a return with the signing of electronic/rock outfit Scaler. The label, which operates in partnership with Believe for distribution, continues to expand its roster that includes artists like Commodo, Sully, Karen Nyame KG, Waldo’s Gift, Crimewave, and more. Scaler marked their arrival on the label with the release of “Broken Entry”—their first new material since 2023’s double A-side Loam / New Symbols, produced by Daniel Avery. The new single signals the next phase for the band, blending industrial textures with live instrumentation and dynamic energy. Since its founding in 2007, Black Acre has earned a reputation as a tastemaker across multiple genres—from early support of U.K. dubstep pioneers like N-Type, DJ Hatcha, and Raffertie, to nurturing experimental artists such as Clap! Clap!, Brokenchord, Kwesi Darko, Connie Constance, and Rocks FOE.
NICOLE GEORGE-MIDDLETON NAMED EXECUTIVE VP & HEAD OF CREATIVE MEMBERSHIP AT ASCAP: ASCAP has announced the promotion of Nicole George-Middleton to Executive VP & Head of Creative Membership. In her new role, George-Middleton will report directly to Elizabeth Matthews, CEO, ASCAP, and join the organization’s senior leadership team. She will lead the Creative Membership Department, shaping initiatives that support, empower, and amplify ASCAP’s roster of music creators. Since joining in 2008, George-Middleton has led transformative efforts across the Rhythm & Soul and Symphonic & Concert sectors. Promoted to Sr. Vice President of Membership in 2016, she assisted in signing and cultivating talent including Beyoncé, Jay-Z, Cardi B, Lil Uzi Vert, Swizz Beatz, Victoria Monét, Alicia Keys, and many more. Her leadership has also driven the launch and evolution of programs like the ASCAP Grammy Brunch, Women Behind the Music, Country/Urban Song Camp, and the Rhythm & Soul Music Awards while enhancing initiatives like the Aspire Internship Program to aid the next generation of industry leaders. Alongside her new responsibilities, George-Middleton will temporarily continue her role as Executive Director of The ASCAP Foundation, which she assumed in 2021 until a successor is named. Her impact on the foundation has been equally significant, advancing its mission to support music education and talent development. Before joining ASCAP, George-Middleton built a foundation in entertainment law, serving as Director of Business & Legal Affairs at Zomba Music Group and practicing at The Middleton Law Group PC. She is an active voice in industry organizations, including the American Bar Association, Black Entertainment and Sports Lawyers Association, and the Executive Committee of She Is The Music. George-Middleton was named to Billboard‘s R&B/Hip-Hop Power Players list from 2019 to 2024.
NEED TO MAKE CONTACT, SEND NEWS AND NEW MUSIC RELEASES?: If you have any A&R, publishing, technology, agent/promoter, international radio, management, new media or film/TV music supervisor news you’d like to share with A&R Worldwide, or need to respond to information published in the weekly newsletter please E–mail it to the attention of info@anrworldwide.com. Also, all demos and new music releases should be sent as STREAMING LINKS ONLY to info@anrworldwide.com.
IN THE SPOTLIGHT: Monte Lipman, Larry Mestel, David Gray, John Watson, Laura Katz, Lyor Cohen, Troy Carter, Sarah Stennett, Anita Chinkes-Ratner, Doug Mark, Spek Hussain, Ron Broitman, and Caroline Elleray.
