WARNER CHAPPELL MUSIC LAUNCHES IN INDIA
Warner Chappell Music (WCM) has officially established direct operations in India, marking a significant shift from its previous sub-publishing approach to a fully integrated, on-the-ground presence. This move is designed to give Indian songwriters deeper access to WCM’s global creative network, along with its advanced rights management systems and infrastructure.
Jay Mehta, who has led Warner Music India as Managing Director since its launch in 2020, will head the new publishing division while continuing to oversee recorded music operations. His expanded remit brings both sides of the business, recordings, and publishing, under a single leadership structure, enabling a more unified and streamlined offering for artists and songwriters across India and neighboring South Asian markets. In this role, Mehta will report to Guy Moot, Co-Chair & CEO, WCM, and Lo Ting-Fai, President, Warner Music APAC.
Robert Kyncl, CEO, Warner Music Group, stated, “India is a key part of our global growth strategy, and the talent emerging there is truly world-class. By bringing our publishing and recorded music operations under Jay Mehta’s proven leadership, we are creating a unified powerhouse that can better serve creators and fans alike. This is the right moment to double down on our investment in India’s vibrant creative economy.”
The expansion comes at a time of rapid growth for India’s music industry. Recent data shows a sharp rise in creator earnings, with collections reaching approximately ₹7 billion (around $75 million USD) in 2024, reflecting a 42% increase year over year. India has also climbed to become the 15th largest recorded music market globally. At the same time, the country’s musical landscape is evolving, with independent and non-film music gaining ground as Bollywood’s share of digital consumption declines. Local repertoire continues to dominate streaming, accounting for 90% of listening, while the market increasingly shifts from ad-supported models to paid subscriptions.
To support this momentum, WCM is offering its India-based songwriters’ access to innovative studio facilities at its Mumbai headquarters, making Warner Music Group the only major music company in the country with a localized, high-end creative hub of this kind. The transition to direct operations will also enable WCM to deliver more personalized creative services, improved digital licensing, and stronger day-to-day support through a dedicated local team.
Additionally, Indian creators and catalog partners will now benefit from full access to WCM’s proprietary technology suite. This includes Global Match, an AI-powered royalty tracking system; the Client Portal, which provides real-time insights into earnings and catalog performance; and Pulse, a songwriter-focused app built in collaboration with creators. Together, these tools are set to significantly enhance transparency, efficiency, and control for songwriters operating in India’s fast-growing music market.
BIG MACHINE RECORDS/NASHVILLE HARBOR NAMES ALLISON JONES AS EXECUTIVE VP OF A&R
Big Machine Records/Nashville Harbor Records & Entertainment has appointed industry veteran Allison Jones as Executive Vice President of A&R, marking a key leadership move as the company enters a new chapter following Scott Borchetta‘s exit from HYBE America.
Jones, who first joined Big Machine in 2008, has assisted in shaping the label’s success, signing acts such as Thomas Rhett, Florida Georgia Line, The Band Perry, Riley Green, Carly Pearce, and Midland, while also contributing to the careers of Tim McGraw, Rascal Flatts, Lady A, and Taylor Swift. In her new role, Jones will oversee all A&R operations across the label’s roster, which includes artists like Riley Green, Rascal Flatts, The Band Perry, Aaron Lewis, Cole Goodwin, The Jack Wharff Band, and Greylan James.
Before her time with Big Machine, she spent over a decade working closely with Toby Keith as his A&R representative, helping develop the Show Dog Records roster, and later collaborated extensively with Reba McEntire on a range of projects. Throughout her career, Jones has also held senior A&R leadership positions at several major labels, including Giant Records, DreamWorks Nashville, and Universal Music Group Nashville.
“I’ve worked with Scott since 1997, when we opened DreamWorks Nashville together, and have spent the past 18 years at Big Machine in the trenches making history – with lots of celebrations and core memories made!” said Allison Jones. “I am incredibly proud of the music we have created. It has been an honor to be part of building one of the most impactful and successful labels in the history of the music business. Scott is a true visionary who never settles for anything less than winning. I am incredibly excited and proud to do it all over again as we rebuild the new Big Machine!”
Scott Borchetta, Founder, Chairman & CEO, Big Machine Label Group, stated, “Allison is the consummate A&R executive. She knows every artist, every song, and every publisher, and is obsessed with being on the sharp end of pop culture. Big Machine simply would not be what it is today without Allison by my side, and I am so thrilled that we get to continue together in this new season.”
BELLA FIGURA MUSIC ACQUIRES GLOBAL HITMAKER & PRODUCER PAUL EPWORTH’S PUBLISHING CATALOG
Bella Figura Music has announced the acquisition of the publishing catalog of renowned global hit songwriter and producer Paul Epworth. The deal includes both his publishing rights and producer income, covering a body of work that has had a significant commercial and cultural impact worldwide.
Among the highlights in the catalog are Epworth’s contributions to Adele‘s landmark album 21, including the global hit “Rolling in the Deep,” as well as “Skyfall,” which earned both an Academy Award and a Golden Globe. The acquisition also encompasses his collaborations with Florence + The Machine on albums like Lungs and Ceremonials, alongside work with artists such as Rihanna, Arlo Parks, Glass Animals, and Paul McCartney.
Across his career, Epworth’s productions have contributed to more than 100 million records sold globally. His achievements include seven Grammy Awards, an Academy Award, a Golden Globe, an Ivor Novello Award, multiple BRIT Awards for “British Producer of the Year,” and several MPG honors, including the MPG Icon Award.
“For us, acquiring Paul’s catalog defines what Bella Figura was built to do,” said Alexi Cory-Smith, CEO & Founder, Bella Figura Music. “His body of work speaks for itself. Songs that have moved hundreds of millions of people and stand the test of time. We are honored to be the stewards of this catalog, and we are committed to managing it with the long-term vision and care it deserves. Paul is one of those rare artists whose creative instincts and commercial impact are equally extraordinary, and we look forward to championing his work for generations to come.”
The catalog will continue to be administered by Sony Music Publishing, which serves as both Epworth’s publisher and Bella Figura Music’s global administration partner, ensuring continuity as the catalog enters a new phase under its new ownership.
Bella Figura Music has significantly strengthened its rapidly expanding portfolio by acquiring Paul Epworth’s prestigious catalog. Founded just over four years ago, the company already manages over $200 million (USD) in music rights, encompassing a diverse library of more than 5,000 songs and a growing recordings division.
The portfolio features legendary assets like Mickie Most‘s RAK Music Publishing, home to iconic hits such as “I Love Rock ‘n’ Roll” and “You Sexy Thing.” Their extensive holdings also include chart-topping works by global superstars like Robbie Williams, Amy Winehouse, and Kylie Minogue. From the indiepop of Belle and Sebastian and Snow Patrol to the country hits of Keith Urban and LeAnn Rimes, Bella Figura’s reach spans every genre. With the inclusion of David Gray‘s multi-Platinum White Ladder and tracks by The Human League and Boyz II Men, the company is cementing its status as a major industry player. Plans for a new Los Angeles office further signal their aggressive U.S. expansion.
UNIVERSAL MUSIC GREATER CHINA NAMES SAM HU AS MANAGING DIRECTOR OF CHINA
Universal Music Greater China (UMGC), a division of Universal Music Group (UMG) has announced that it has appointed veteran music executive Sam Hu as Managing Director of Universal Music China & Sr. VP, Universal Music Greater China, effective immediately. Based in Beijing, he will report to Timothy Xu, Chairman & CEO, Universal Music Greater China.
Hu will oversee the company’s operations and strategic development in China, with a particular focus on accelerating artist development, strengthening the company’s position in the local market, delivering long-term success for domestic artists, and further expanding the international reach of Chinese artists, repertoire, and music culture through UMG’s global network.
Hu brings more than two decades of direct leadership experience across both international music companies and major domestic businesses, with a deep understanding of how to navigate both major global music corporations and China’s local music ecosystem. Over the course of his career, he has held senior roles at some of the leading music organizations in Greater China, including serving as General Manager of Warner Music China, General Manager of Sony Music Entertainment China, and Vice President of Taihe Music Group.
Throughout his career, Hu has built an influential track record across A&R, artist management, copyright management, marketing, digital music development, and live entertainment operations with proven success at identifying and championing artists and strategic career-building innovation With his deep operational experience and strong industry insight, Hu has both witnessed and helped drive several major transformations in China’s music industry.
Timothy Xu, Chairman & CEO, Universal Music Greater China, said, “Sam has an exceptional understanding of the industry, a sharp instinct for talent development and market trends, and a strong track record of building artist careers, businesses, and teams, as well as being one of the few executives in the market who combines operational experience globally and locally at the highest level. I am confident that under his leadership, Universal Music Greater China will further strengthen its artist development capabilities and create more opportunities for Chinese artists and music to connect with audiences around the world.”
Sam Hu added “I am sincerely grateful to Timothy for his trust. Having worked together previously, I have long appreciated his openness, vision, and commitment to innovation and collaboration, which have always been a source of encouragement to those around him. I look forward to joining my colleagues at Universal Music China and contributing to the continued growth of Chinese music on the global stage.”
Hu holds a master’s degree in media practice from the University of Sydney.
EMPIRE STRIKES PARTNERSHIP WITH BOLLYWOOD’S ZEE MUSIC
EMPIRE has entered a strategic global partnership with Zee Music Company, one of India’s largest music labels, with the shared goal of expanding the global reach of Indian music. As part of the agreement, EMPIRE will manage distribution of Zee Music Company’s catalog across streaming platforms outside of India, while both companies will collaborate on a range of international creative initiatives.
These joint efforts will include global remixes of popular Indian tracks, sampling projects that blend Zee Music Company’s catalog with EMPIRE’s worldwide roster, and coordinated marketing campaigns across key regions such as Africa, West Asia and North Africa, East Asia, and Latin America. The partnership is designed to drive greater consumption of Zee Music Company’s repertoire while increasing its visibility among both the global Indian diaspora and new international listeners.
Founded in 2014, Zee Music Company has quickly established itself as a major player in Bollywood and the broader Indian music landscape. For EMPIRE, which was founded in 2010 by Ghazi Shami and is headquartered in San Francisco, the deal represents another step in its ongoing international expansion strategy. The company has built a diverse global presence, collaborating with artists such as Kendrick Lamar, Bebe Rexha, Fireboy DML, Shaboozey, Asake, and Anderson .Paak.
Ghazi, CEO & Founder, EMPIRE stated, “At EMPIRE, our mission has always been to provide access to vibrant local music ecosystems to reach the global stage. Partnering with Zee Music, which is a company that has shown incredible momentum and an enterprising spirit like our own, allows us to further strengthen the reach for Indian music worldwide.”
Sujal Parekh, Chief Business Officer at Zee Music Co., added, “Indian music today has unprecedented global potential, fueled by streaming adoption, the strength of India’s cultural storytelling, and the growing demand for diverse repertoire worldwide. I see this partnership with EMPIRE as a strategic step toward expanding Zee Music Company’s global footprint. By combining our deep and diverse catalog with EMPIRE’s international distribution network and market expertise, we aim to unlock new audiences, accelerate global catalog monetization, and enable meaningful cross-cultural collaborations that create long-term value for artists, partners, and the company.”
Each week, A&R Worldwide shares a snapshot of creatives and executives that we have collaborated or worked with in various music markets around the world, albeit in recent or previous times!
A&R Worldwide Founder Sat Bisla first met Wendy Goldstein when she worked as a leading A&R executive at Priority/Capitol Records in the early 2000’s when Sat was an A&R consultant for Capitol Records’ Head of A&R, Ron Laffitte. Sat met Bryan Turner at his home back in 2001 when they were celebrating the signing of the 15-year-old singer/songwriter Bonnie McKee whom Sat helped with early A&R development (and sign to Warner Music through his attorneys Doug Mark and Brian Schall) with Bryan’s nephew Dylan (who was Sat’s assistant at the time).
Wendy Goldstein, President & Chief Creative Officer at Republic Records, is a pivotal A&R figure with over three decades of experience, instrumental in shaping the careers of artists like Ariana Grande, The Weeknd, John Legend, The Roots, and countless others. Starting as an assistant at Epic Records, she overcame early industry gender barriers to become a top executive known for her, according to an interview, keen ear for talent across genres. Wendy is also the first-ever recipient of the esteemed annual “Seymour Stein – Global A&R Award,” which is held annually at A&R Worldwide’s global music business conference – MUSEXPO “United Nations of Music.”
Bryan Turner revolutionized West Coast hip-hop by founding Priority Records in 1985, turning it into a major independent powerhouse responsible for launching N.W.A. and fostering the careers of Dr. Dre, Snoop Dogg, and countless others. His strategic leadership, noted in a Billboard interview, transformed the label into a dominant force, leading to a long-lasting legacy in urban music. Bryan currently serves as the Non-Executive Chairman at Cinq Music Group.
Incidentally, Wendy also held a key A&R role at Priority Records whilst working for Bryan Turner.
THOMAS AZIER
Amsterdam, Holland-based Thomas Azier returns with “Year in A Spiral,” a haunting, deeply personal new single that opens the door to his most intimate body of work yet. Marking the beginning of his expansive PANORAMA project, the track captures a life lived on the edge where love, illness, and fragile hope collide in real time. Written during an intensely personal period, new fatherhood unfolding alongside his partner’s battle with lymphoma, “Year in A Spiral” feels like both a confession and a reckoning. Built as a kind of emotional litany, it drifts between quiet, everyday moments and overwhelming psychological landscapes, mirroring the disorientation of holding everything together while it threatens to fall apart. After several years of relative silence, Azier’s return is as cinematic as it is raw. Known for his genre-defying approach, he once again blurs the boundaries between pop, classical, and experimental sound, using his voice as a shape-shifting instrument, at times tender, at times otherworldly. The result is a piece that feels less like a song and more like a living, breathing fragment of a much larger story. That story will continue to unfold through a series of releases leading into PANORAMA in 2027, an ambitious, multi-dimensional project weaving together music, visuals, and performance into a fractured yet cohesive whole. Discover “Year in A Spiral” HERE, and contact Nahuel Blaton and Anouk van Esch for additional information and available opportunities worldwide with Thomas Azier.
CHLOE QISHA
Alt-pop’s fastest-rising force Chloe Qisha illuminates with “So Sad So Hot,” a glittering future-pop anthem that confirms why critics are calling her everything from “a superstar in the making” to “pop’s next big thing.” Premiered on BBC Radio 1‘s Future Pop and out now via Sony Music U.K./RCA Records the single launches a bold new era following her acclaimed sophomore EP Modern Romance. On “So Sad So Hot,” Chloe delivers her signature intoxicating blend of funk-laced grooves, disco shimmer, and razor-sharp contemporary pop. Written with hitmaker Caroline Ailin (Dua Lipa, Charli XCX) and longtime collaborator Rob Milton, the track is an instant earworm; playful, magnetic, and effortlessly cool. As Chloe puts it, it’s about “wearing sadness as an accessory… an assertive reminder that you’re still that bad bitch even if you’ve had your heart broken.” The release follows a whirlwind year that has seen Chloe support Coldplay at Wembley Stadium, light up major festivals including Primavera, All Points East, and Leeds, and sell out London’s Village Underground on her U.K./E.U. tour. Her first-ever U.S. and Canadian headline run has now concluded, with major sold-out stops in Brooklyn, Toronto, Chicago, San Francisco, and Los Angeles. Experience the visual for “So Sad So Hot” HERE, and reach out to Nicole Garcia for more information and available opportunities with Chloe Qisha around the globe.
“PASSPORT APPROVED” PLAYLIST FOR Sunday, April 26th, 2026: The weekly new music radio show is heard on over 50 radio stations worldwide on six continents weekly including the U.S., Germany, U.K., Canada, Peru, India, Australia, Uganda, Zambia, South Africa, Egypt, Bolivia, Indonesia, Philippines, Holland, Dominican Republic, and many other territories. More information can be found HERE.
MEEK – “Fabulous” (BMG, U.K.)
RUM JUNGLE – “Coal Dust” (Sureshaker, Australia)
LOUIS OLIVER – “Tell Me” (Unsigned, U.K.)
TOVE STYRKE – “Prayer” (Bud Fox, Sweden)
SEAFRET FT. JAMES MORRISON – “Driftwood” (Nettwerk, U.K.)
CHLOE PARCHE – “Silver Bullet” (AWAL, Australia)
OVERPASS – “Sandman” (Communion Records, U.K.)
GOOD NEIGHBOURS – “Somebody” (Polydor, U.K.)
SEX MASK – “Cold” (Unsigned, Australia)
VELLA – “Settle Down” (Universal Music, Sweden)
DEAD DADS CLUB – “That’s Life” (Fiction Records, U.K.)
MIA WRAY – “When We Were Young” (Ivy League Records, Australia)
MASTER PEACE – “My Guitar” (PMR Records, U.K.)
AINA – “Soon You’ll Be Mine” (Unsigned, U.S.)
YONAKA – “Trouble Follows” (Distiller Records, U.K.)
LAVA LA RUE – “Scratches” (Dirty Hit Records, U.K.)
DOTAN – “Last Goodbyes” (Universal Music, Holland)
LIME GARDEN – “All Bad Parts” (So Young Records, U.K.)
D’MASIV – “Side By Side” (Unsigned, Indonesia)
GIRLI – “Romantic Sadness” (Virgin EMI Records, U.K.)
JERUB – “Kumbaya” (Elevate Music, U.K.)
THE SOOKS – “Take It Slow” (Good Intent, Australia)
GIRL SCOUT – “Operator” (AWAL, Sweden)
LUSAINT – “Blind” (Heavenly Fire, U.K.)
CARDINALS – “St. Agnes” (So Young Records, Ireland)
FAVOURITE DAUGHTER – “You But Different” (Unsigned, U.K.)
DAILY J – “Don’t Smile” (Unsigned, New Zealand)
MICHAEL ALDAG – “Superstar” (3 Beat Records, U.K.)
BALU BRIGADA – “Backseat” (Warner Music Group, Australasia)
CHANIN – “Whisper” (Unsigned, Germany)
THE ENEMY – “Trouble” (Unsigned, U.K.)
THE LATHUMS – “Cobblestones” (Island Records, U.K.)
YUNG GRAVY SIGNS TO BMG FOR NEW ALBUM: Multi-Platinum hip-hop artist Yung Gravy has entered a new worldwide recordings partnership with BMG. This agreement represents his first shift to a new label in almost ten years, following his initial signing with Republic in 2017, a move that helped launch his rise as a genre-blending artist who reshaped the sound of internet-era hip-hop. Known for a style that fuses rap with influences from pop, soul, funk, and a playful sense of nostalgia, Yung Gravy continues to resonate with global audiences through streaming platforms, live performances, and digital culture. Since emerging independently on SoundCloud, he has built an extensive discography that includes six studio albums, eight EPs, and a mixtape. Among these releases are notable projects such as Sensational, Gasanova, Marvelous, Serving Country, and the fan-favorite collaborative project Baby Gravy with bbno$. Over the course of his career, Yung Gravy has released more than 30 singles, including several that have achieved significant commercial success. His Platinum-certified tracks include “Mr. Clean,” “1 Thot 2 Thot Red Thot Blue Thot,” “Betty (Get Money),” and “oops” featuring Lil Wayne. In addition, he has earned Gold certification for songs such as “Whip A Tesla,” “Magic,” “Welcome to Chilis” with bbno$, “shining on my ex” with bbno$, “The Boys Are Back In Town” featuring Pouya, Ramirez, and TrippyThaKid, “Gravy Train,” “Alley Oop” featuring Lil Baby, “C’est La Vie” with bbno$ and Rich Brian, “Cheryl,” and “Rotisserie.” Throughout his journey, he has collaborated with artists including bbno$, Chief Keef, Juicy J, Lil Wayne, T-Pain, Lil Baby, Cuco, and Dillon Francis.
POPARABIA ACQUIRES MENA LABEL & DISTRIBUTOR VIRAL WAVE: PopArabia has announced its acquisition of regional label and digital distribution company Viral Wave. The deal represents a significant step forward in PopArabia’s expansion strategy, introducing distribution capabilities that complement and enhance its established publishing and label services throughout the MENA region. As part of the acquisition, Viral Wave’s operational hub in Cairo, Egypt will be integrated into PopArabia’s existing infrastructure, forming a combined team of more than 30 employees across Egypt, Morocco, and the United Arab Emirates. This expansion not only strengthens PopArabia’s regional presence but also broadens the global reach of its partner company, Reservoir, which is headquartered in New York. The Cairo-based division will now report to Rania Ibrahim, who has been appointed General Manager for Egypt. Ibrahim has over eight years of experience from her time at Viral Wave, where she most recently held the position of Sr. Commercial Manager. In her new role, she will report directly to Spek, Founder & CEO of PopArabia, who also serves as Executive Vice President of International & Emerging Markets at Reservoir. Viral Wave, which was nominated for Best Label at the first-ever Billboard Arabia Awards in 2024, has built a strong reputation as a leader in digital distribution within the region’s fast-growing music ecosystem. Originally developed by A15, a Cairo-based venture capital firm focused on technology and digital innovation across MENA, the company has worked with a wide roster of prominent artists. Its clients include Ramy Sabry, Tamer Ashour, Ahmed Saad, Ramy Gamal, Tamer Hosny, Ruby, and Saber Rebai, as well as rising talent like Algerian hip-hop artist Didine Canon16.
JESSI ALEXANDER SIGNS GLOBAL PUBLISHING DEAL WITH WARNER CHAPPELL MUSIC & PERFECT GAME CREATIVE: Warner Chappell Music Nashville (WCM) and Perfect Game Creative (PGC) have entered into a worldwide publishing agreement with singer-songwriter Jessi Alexander. Over the course of her career, the Grammy-nominated writer has created some of country music’s most impactful songs, achieving ten chart-topping hits. The songs include “Ain’t No Love in Oklahoma,” recorded by Luke Combs, and “Don’t Think Jesus,” performed by Morgan Wallen. Her résumé also includes collaborations with Blake Shelton and Lainey Wilson, among many others. As the cornerstone songwriter for Perfect Game Creative, Alexander’s signing also represents the official debut of PGC’s publishing arm in collaboration with WCM Nashville. Her recent successes include Megan Moroney‘s “No Caller ID,” and Dustin Lynch and Jelly Roll‘s “Chevrolet.” These achievements add to a distinguished catalog of tracks, including Blake Shelton’s “Mine Would Be You” and “Drink On It,” Scotty McCreery‘s “In Between,” Lee Brice‘s “I Drive Your Truck,” Cole Swindell and Lainey Wilson’s “Never Say Never,” and Justin Moore and Priscilla Block‘s “You, Me, and Whiskey.” In addition to her contributions to country music, Alexander co-wrote the internationally recognized song “The Climb,” performed by Miley Cyrus, which earned her an MTV Movie Award for Best Song from a Movie. Additionally, she was named MusicRow‘s Female Songwriter of the Year in both 2023 and 2024, and in 2024 received the NMPA Gold and Platinum Gala honor for Top Female Songwriter. Continuing this momentum, Alexander earned multiple accolades in 2025, including a Grammy nomination for Best Song Written for Visual Media for “Ain’t No Love in Oklahoma,” as well as a Songwriter of the Year nomination at the 60th ACM Awards.
MATTHEW KENNEDY LAUNCHES MOMENTS LABEL IN PARTNERSHIP WITH DOWNTOWN NASHVILLE: Matthew Kennedy has officially launched a new label, Moments, in partnership with Downtown Nashville. Though still in its initial stages, Moments is built around a globally minded approach to artist development, combining international management expertise with a direct, relationship-driven philosophy. The label aims to foster meaningful connections, strategic partnerships, and momentum across every aspect of an artist’s career, with a particular focus on shaping and expanding their global DSP presence. The concept for Moments developed over time through Kennedy’s ongoing collaboration with Jeanette Porcello, now at Concord, with whom he previously worked while she held roles at Atlantic and Downtown. With additional support from Bryan Mooney, Global VP of A&R, the opportunity to create a label under the Downtown umbrella took shape, leading to the formation of Moments. Operating across multiple continents, the founding team brings a truly international perspective. Kennedy is based in Los Angeles, Greg Carey operates out of Sydney, and Andrew from Railtown Mastering is in Vancouver, Canada. Together, they contribute more than five decades of combined experience in the music industry, establishing a strong global foundation and network from the outset. Moments has already begun building its roster, signing its first artist, Daisy Kilbourne, with two additional signings expected to be announced soon.
FONTANA SIGNS U.K. JAZZ ACT KNATS: U.K. jazz trio Knats have signed a new deal with Fontana, the recently revived label under Universal Music Group. As part of the partnership, Knats will release their forthcoming album A Great Day In Newcastle on May 1st through Fontana. The project is produced by Geordie Greep and features contributions from poet Cooper Robson. Hailing from Newcastle, the trio, comprised of Stan Woodward (bass), King David-Ike Elechi (drums), and Ferg Kilsby (trumpet and flugelhorn), has also unveiled their latest single, “Never Gonna Be a Boxer.” Beyond their own headline shows, Knats have built a strong live reputation, performing as the backing band for both Geordie Greep and Eddie Chacon on European and U.K. tours, including two sold-out nights at KOKO. Since the release of their critically acclaimed debut album last year, they have earned a nomination for Best Breakthrough Artist at the Parliamentary Jazz Awards, sold out headline shows across the U.K. and Europe, and performed at festivals such as The Great Escape, We Out Here, and Love Supreme Jazz Festival. The band has also collaborated with Mike Keat of The Cuban Brothers and Simon Bartholomew of The Brand New Heavies. Speaking about the upcoming album, Stan Woodward described A Great Day in Newcastle as a journey through a range of emotions rooted in the band’s hometown, while also signaling the start of a new sonic direction for Knats. To support the release, the trio are currently on a UK headline tour this spring, which included an appearance at the Brick Lane Jazz Festival on April 25th. Knats are managed by the London-based agency Gray Matter.
CREATE MUSIC GROUP FORMS JV WITH JONNY SHIPES’ GOODTALK: Create Music Group has entered a joint venture with GoodTalk, the entertainment company founded by U.S. record executive Jonny Shipes. Shipes launched GoodTalk following the sale of its independent label, Cinematic Music Group, to Interscope Geffen in a deal valued in the eight-figure range. The partnership combines Create Music Group’s global capabilities across distribution, marketing, and data with GoodTalk’s more curated, artist development-focused strategy. GoodTalk’s roster includes acts such as Skaiwater and Judah Weston alongside ISO Keys, and encompasses JumpStart Distribution, an incubator platform designed to support and develop emerging talent at the earliest stages of their careers. Jonathan Strauss, Founder & CEO of Create Music Group, said, “Jonnyshipes has always had a clear instinct for where culture is moving. This partnership is about supporting that vision and helping it reach a broader audience without losing what makes it distinct.” Jonnyshipes added, “Artists need development now more than ever. With over 100,000 new songs uploaded every day on DSPs, cutting through takes more than momentum. GoodTalk was built to develop talent from the ground up and create a real connection between artist and fan. Partnering with Create allows us to scale that approach without compromising it!”
BEATPORT UPS MATT GRALEN TO CEO & HELEN SARTORY TO PRESIDENT & COO: Beatport, the global online destination for DJs, has announced a strategic shift in its leadership structure as it prepares for its next stage of growth. Beginning July 1, 2026, longtime CEO Robb McDaniels will step into the role of executive chairman of the board after leading the company for nine years. At the same time, current President & Chief Financial Officer Matt Gralen will take over as CEO, while Chief Revenue Officer Helen Sartory will be promoted to President & Chief Operating Officer. McDaniels, who joined Beatport in 2017, is widely credited with steering the company through a major turnaround following the bankruptcy of its former parent, SFX Entertainment. Before his tenure at Beatport, he founded and led Ingrooves Music Group, which was later acquired by Universal Music Group in 2019. Since joining the company in 2022, both Gralen and Sartory have been instrumental in strengthening Beatport’s position within the global dance music landscape. Gralen has overseen strategic direction and operational execution, while Sartory has led the development and expansion of the company’s product offerings. Under their leadership, Beatport has significantly expanded its streaming services tailored for DJs, introduced a range of new tools for artists and labels, and deepened its cultural footprint within electronic music. This growth was highlighted by the success of more than 50 Beatport Live events throughout 2025, reflecting the company’s increasing influence across the dance music ecosystem.
RONALDINHO LAUNCHES TU MÚSICA RECORD LABEL IN PARTNERSHIP WITH BRAZIL’S SUA MÚSICA GROUP: Brazilian football legend Ronaldinho has stepped into the music business with the launch of a new record label, Tu Música, created in partnership with Sua Música Group, talent management firm ASJ, and his brother and longtime manager Roberto de Assis. The venture will begin with a focus on Latin America before expanding into Europe, and later into Africa, Asia, and the Middle East. The launch comes two years after Warner Music Group acquired a minority stake in Sua Música, further strengthening its presence in Brazil. Tu Música’s first major initiative will be a compilation album inspired by the FIFA World Cup, bringing together artists from multiple regions. Submissions from songwriters and performers are expected to open soon, with selected tracks forming part of the project. Leadership for the label includes Roni Maltz Bin, CEO of Sua Música Group, and Allan Jesus, CEO of ASJ, who jointly spearheaded the concept and invited Ronaldinho and Roberto de Assis to co-find the venture. The operation will draw on Sua Música’s infrastructure in distribution, recording, and digital marketing, spanning more than 170 professionals across Brazil and Latin America, alongside ASJ’s expertise in talent management and brand partnerships. Roberto de Assis will assist in forging strategic links across music, media, and sports. In its initial phase, Tu Música will focus on developing collaborative projects featuring artists from different countries. A second phase will shift toward directly signing talent and building a dedicated roster. The company has also announced plans to establish its first office and studio in Miami, positioning it as a key hub connecting the Americas with international markets. Ronaldinho, born Ronaldo de Assis Moreira, brings significant global reach to the venture. Widely regarded as one of football’s most iconic players, he enjoyed a career with clubs such as FC Barcelona, Paris Saint-Germain, and AC Milan, and was part of Brazil’s victorious squad at the 2002 FIFA World Cup.
INVERSA LABEL LAUNCHES: INVERSA has officially launched as a new record label focused on connecting the Latin music scene with the global electronic music industry. Its mission is to champion South and Latin American electronic artists, helping them grow their presence and reach within the worldwide dance community. The venture brings together a network of key partners. Max Geistfeld of Milk & Honey will play a vital role in shaping the label’s direction, working to expand opportunities for Latin electronic artists while helping build a sustainable ecosystem for their global development. Milk & Honey will also serve as a core music partner, contributing international A&R, marketing, and promotional support in the electronic and dance space, particularly in collaboration with their client, 19Clouds, who helped initiate the project. M3 Music joins as the Latin music partner, offering localized expertise across A&R, marketing, and promotion, as well as sourcing catalog opportunities for covers and remixes. Meanwhile, ONErpm will function as the label’s global distribution partner, powering releases and supporting them with A&R, marketing, promotional efforts, and collaboration opportunities drawn from its broader network. The label’s first release will come from 19Clouds, who will also take on an active creative and A&R role within INVERSA. In addition to releasing music, the artist will help identify and sign new talent from across the LATAM region, playing a key part in shaping the label’s roster and creative direction.
KATIE MAE MILLER & CHELSEA CLOUD NAMED VP’S WITHIN MARKETING DIVISION AT AEG PRESENTS: AEG Presents has announced two key leadership moves within its marketing division, promoting Katie Mae Miller and bringing in Chelsea Cloud to take on newly expanded Vice President roles. Miller steps into the position of VP, Integrated Marketing for AEG Regions and will be based in Atlanta, while Cloud joins as VP, Integrated Marketing at Goldenvoice in Los Angeles. Both will report to Victoria Torchia, Sr. VP of Marketing & Digital Strategy at AEG Presents. Cloud arrives from Universal Music Group, where she most recently served as VP of Global Brand Partnerships, bringing with her nearly 20 years of experience across the music industry. In her new role at Goldenvoice, the AEG Presents subsidiary behind major events like Coachella and Stagecoach, she will oversee brand strategy and integrated marketing initiatives, leading campaigns aimed at boosting ticket sales, increasing revenue, and deepening audience engagement through cross-platform storytelling and strategic brand collaborations. Her previous work includes partnerships such as Ludacris with Android, Jon Batiste with Lincoln Motors, The Rolling Stones with Keurig, and American Airlines‘ “Fly to the Beat” campaign featuring Juanes. She also contributed to American Eagle Outfitters‘ AE x ME platform, which spotlighted artists including Lewis Capaldi, Bea Miller, Bibi Bourelly, Jade Bird, and Trinidad Cardona. Miller, meanwhile, rises from within the AEG Presents ecosystem, having previously served as Sr. Director of Integrated Marketing at Zero Mile Presents, one of the company’s subsidiaries. With more than a decade of experience in senior marketing roles, she will now lead regional marketing performance across North America, focusing on team development, operational strength, and the implementation of data-driven strategies designed to enhance fan engagement and drive ticket sales.
TAMBER SECURES FUNDING TO LAUNCH ITS SONIC INTELLIGENCE-POWERED CREATIVE SUITE FOR MUSIC: Tamber, a creative suite powered by what it calls “sonic intelligence,” has announced it has raised $5 million in funding ahead of its official launch this May, with backing from investors including Adobe Ventures, Rackhouse Venture Capital, M13, Gaingels, and IAG Capital Partners. The company was founded by musician, technologist, and entrepreneur Zoe Wrenn, who developed Tamber around the idea of a new category in creative technology, one that approaches music-making as a collaboration between human intuition and machine comprehension. Rather than replacing the artist, Tamber is designed to enhance creative expression by acting as an intelligent layer within professional workflows, learning each user’s style while expanding their creative possibilities and maintaining complete artistic ownership. Using text or vocal prompts, users can describe sounds in abstract, sensory terms, such as color, texture, taste, emotion, or environment, and Tamber responds with audio drawn from a rich, original library built from real-world recordings collected globally, emphasizing cultural nuance and emotional depth instead of synthetic generation. The platform also introduces a gesture-based interface that enables users to manipulate and trigger sound through motion in mid-air, creating a fluid and highly intuitive experience that feels like conducting music with a wave of the hand. Fully compatible with digital audio workstations, Tamber integrates seamlessly into existing production environments while adapting to each creator’s individual process. Wrenn, who has a background in classical training and jazz influence, began coding at 13 and started building early versions of Tamber during the pandemic while composing music. She even used a beta iteration of the platform to produce her breakout single “Hailey,” which went on to generate over 350 million impressions on TikTok and exceed 30 million streams. Now fully developed and supported by a wide network of investors, Tamber has already helped earn Wrenn a spot on Forbes‘ 2025 30 Under 30 list, recognizing her contributions to evolving one of humanity’s oldest art forms.
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IN THE SPOTLIGHT: Rich Castillo, Sandy Dworniak, Alex Katter, Emma Banks, Neha Panchmatia, David Wolter, Roy Hay, Alaap Gosher, Wassim “Sal” Slaiby, Sebastain Mair, Shane Tobin, Jen Malone, Chloe Massey, and Rafael Pereira.
