JIEUN KIM ELEVATED TO PRESIDENT OF WARNER MUSIC KOREA
Warner Music Group has named Jieun Kim as President of Warner Music Korea, placing her at the helm of the company’s operations and long-term growth strategy in South Korea, one of the world’s largest recorded music markets. Based in Seoul, Kim will report to Lo-Ting Fai, also known as Lofai, President of Warner Music APAC.
Kim steps into the role after serving as CFO of Warner Music Korea for the past three years, where she aided in strengthening the company’s leadership structure and building strategic relationships with local partners. Since joining the company in 2023, she has brought significant expertise from her earlier leadership positions in finance and retail operations at Tiffany & Co.
Her appointment indicates Warner Music’s continued investment in the Korean music industry as the company expands its local presence and artist development efforts. Warner Music Korea has been working across multiple genres to support artists through approaches that prioritize creative independence while also providing access to global audiences and opportunities.
Under Kim’s leadership, Warner Music Korea is expected to deepen its integration with Warner Music Group’s broader APAC infrastructure and international specialist teams, with a focus on elevating Korean artists through cross-cultural collaborations, global partnerships, and innovative worldwide marketing initiatives.
Jieun Kim, President of Warner Music Korea, said, “It is a privilege to lead such a talented and passionate team at a pivotal moment when Korean music continues to redefine the global cultural landscape. Our mission is to significantly scale our presence in this vital market while providing a sophisticated global platform for artists from a variety of genres. I want to thank Lofai for his unwavering support and partnership as we enter this next phase of strategic growth.”
SONY MUSIC EXPANDS JOINT VENTURE PARTNERSHIP WITH LEADING INDEPENDENT GERMAN LABEL TWO SIDES
Sony Music Entertainment Germany, Switzerland & Austria (GSA), and an independent Berlin-based music group Two Sides are deepening their existing joint-venture partnership, building on a relationship that has steadily grown in recent years.
In a statement, the companies highlighted Two Sides’ rise as one of the most impactful and forward-thinking creative forces within the German-speaking entertainment market. Two Sides is home to a roster of artists and label partners, including Feder Musik (linked to Apache 207), Achraf (6PM Records), Bipolar (featuring acts like Kane, Badchieff, Sosa La M, YC, and Marli), as well as Reezy, Sira, Bausa, Levin, Miksu/Macloud, Helena, Vinosh, and Jenny Augusta, among others. Apache 207 stands out as one of Germany’s most successful modern artists, having achieved 12 chart-topping singles, two No. 1 albums, and more than five billion streams.
Lucas Teuchner will remain in his role as Managing Director of Two Sides and will also step into an expanded advisory position for Sony Music, focusing on artist development and repertoire strategy across the broader organization. Since 2025, he has worked alongside label head Sharon Alem.
Established in 2017, Two Sides has grown from an independent label into a multifaceted creative hub with both domestic and international reach. Its connection with Sony Music dates to its early days through a joint venture with Four Music, and its releases have been distributed by Sony ever since.
Christoph Behm, CEO, Sony Music Entertainment GSA, stated, “Over the past years, Lucas has built Two Sides into one of the most exciting music labels in the German-speaking market, shaping some of the most influential artists – both in recorded music and across the wider creative ecosystem. With this new partnership, we are strengthening our footprint in rap, pop, and hip-hop, expanding our creative services offering, and creating new opportunities for growth.”
Lucas Teuchner added, “From the very beginning, Two Sides has stood for creative freedom and an entrepreneurial mindset. With Sony Music as a strong partner at our side, we can take this DNA to the next level – both nationally and internationally. I am excited to move forward together with the Sony Music team.”
In addition to its label operations, Two Sides will continue to run its artist management division, led by Alexia Kafritsas, who is tasked with further growing both its music and non-music talent portfolio.
PARAMOUNT PICTURES & WARNER MUSIC GROUP ANNOUNCE PARTNERSHIP FOR THEATRICAL FILMS
Paramount Pictures and Warner Music Group (WMG) have entered into a new multi-year first-look agreement focused on developing theatrical films inspired by the stories and music of Warner Music’s current roster of artists and songwriters.
As part of the collaboration, WMG and its production partner Unigram, led by Amanda Ghost and Gregor Cameron, will work alongside Paramount to create projects in close partnership with the artists, songwriters, and their estates. The initiative aims to bring music-driven stories to the big screen by drawing from the extensive cultural and creative legacy within Warner Music’s catalog. WMG and Unigram are represented by WME.
Paramount, now operating under Skydance Corporation, is a global media and entertainment company spanning film, television, streaming, sports, animation, and gaming. Its portfolio includes brands such as CBS, MTV, Nickelodeon, Comedy Central, BET, SHOWTIME, Paramount+, and Pluto TV, alongside its film and television studios and the recently launched Paramount Sports Entertainment division.
Warner Music Group, meanwhile, continues to operate across recorded music, publishing, artist services, and independent distribution. Its recorded music division includes labels such as Atlantic Records, Elektra Records, Parlophone, Warner Records, Fueled by Ramen, Roadrunner Records, and 300 Entertainment, among many others. Its publishing arm, Warner Chappell Music, manages a catalog of more than one million copyrights spanning every genre and era of music. WMG also includes ADA, which supports the independent music sector, and its artist services division, WMX.
Robert Kyncl, CEO of Warner Music Group, said, “This collaboration with Paramount unites two forward-looking and innovative companies, and together we are taking a fresh approach to the space. Every artist deserves to tell the stories behind their life and music in their own creative way, and we are excited to partner with our incredible talent and world-class filmmakers to bring these stories to the big screen, growing their audiences around the world.”
Josh Greenstein and Dana Goldberg, Co-Chairs of Paramount Pictures, added, “We’re excited to partner with WMG and their extraordinary artists to create powerful theatrical experiences inspired by generation-defining music and talent.”
BELIEVE UNVEILS AZTEC ITS FIRST U.S. RECORD LABEL JOINT VENTURE
Believe, the Paris-headquartered digital music company, has partnered with music executive Az Cohen to launch a new joint-venture label, AZTEC, based in New York, marking Believe’s first label JV in the United States.
Announced by Cohen and Romain Vivien, Global Head of Music at Believe, the venture will see Cohen serve as President of AZTEC while operating out of Believe’s New York offices. The launch follows Believe’s recent expansion of its U.S. Label & Artist Solutions division, led by industry veteran Thomas Maxwell.
Cohen brings over a decade of experience in the independent music sector, including leadership roles at 300 Entertainment, where he helped scale the company through its acquisition by Atlantic Records. During his tenure, he also launched Sparta Distribution, which has since generated billions of streams and supported artist development across its catalog. Earlier in his career, Cohen worked with Post Malone during the artist’s breakthrough rise.
AZTEC will operate within Believe’s growing global ecosystem of labels and imprints, joining brands such as France’s Play Two, India’s Think Music, and Brazil’s Ok Music. The joint venture will leverage Believe’s international infrastructure as it continues expanding its footprint in the U.S. market. Initial artist signings for AZTEC have not yet been announced.
Az Cohen said, “In an industry that has become increasingly about quick wins and short-term virality, we are artists, engineers, planners, and warriors with a singular focus: building empires with our artists and partners. AZTEC is about patience, commitment, and shaping careers that stand the test of time.”
WARNER MUSIC JAPAN PARTNERS WITH TOURISM AUTHORITY OF THAILAND
Yuki Chiba has made history as the first Japanese artist to lead a global tourism campaign promoting Thailand, highlighting the increasing international reach and cultural impact of Japanese music. Selected for Thailand’s “Amazing Thailand” campaign, Chiba was chosen for his distinctive artistic style and his ability to authentically represent real-life culture through his work.
Instead of following the polished format of traditional tourism advertising, the campaign centers around the music video for Chiba’s latest single, “Mahiiya,” using music-driven storytelling to connect with younger global audiences. The approach reflects a growing trend toward “vibe-based” travel marketing aimed at Gen Z and Millennials who are drawn to immersive, genuine cultural experiences over heavily curated tourism imagery.
The initiative was created through a collaboration between Warner Music Japan and Tourism Authority of Thailand (TAT), with the goal of promoting Thailand’s culture and destinations through premium music content. Directed by internationally recognized filmmaker Taichi Kimura, the video for “Mahiiya” was shot in Bangkok in April 2025 and built around Kimura’s concept of “the strength of a relaxed mind,” embracing resilience while maintaining a calm, carefree attitude.
Rather than portraying perfection, the video captures Chiba moving through unexpected moments with an easygoing “Mahiiya” mindset, meaning “It’s okay.” The project reflects Thailand’s atmosphere of openness, adaptability, and optimism, presenting the country through a more spontaneous and emotionally grounded lens.
Takeshi Okada, President & CEO of Warner Music Japan, said, “We are thrilled to bring the local energy and multi-faceted soul of Thailand to the world through Yuki Chiba’s music and this video – something I personally feel every time I visit the country. Yuki’s artistry possesses a rare power to transcend language barriers and move people emotionally, creating genuine connection and resonance across cultures. We will continue to support him as he takes this next leap onto the global stage, proving that authentic expression is the ultimate universal language.”
AN INTERVIEW WITH REYNOLD D’SILVA –
FOUNDER & CEO, SILVA SCREEN GROUP
Reynold D’Silva, Founder & CEO of Silva Screen Group, was the recipient of the prestigious “Lifetime Achievement Award” at the 26th global edition of MUSEXPO this year, where he garnered praise and support from some of the music industry’s top creatives and executives from around the world for his half-century of positive contributions to global film, television, and recorded music. In addition, he received acknowledgments from Paul Rennie OBE, British Consul General in Los Angeles, the City of Burbank, County of Los Angeles, and the California State Assembly.
Since launching Silva Screen in London in 1986, D’Silva has been instrumental in revolutionizing the soundtrack and synchronization industries. Silva Screen has grown into a globally recognized leader in independent music, with operations spanning major hubs and a reach that connects the heritage of South Asian music with the world’s most iconic cinematic franchises.
Under D’Silva’s visionary leadership, Silva Screen has profoundly shaped the sonic landscape, contributing to seminal releases such as Lawrence of Arabia, The Godfather, and Alien, as well as modern television pillars like Doctor Who and Sherlock. D’Silva’s legacy extends from his early days as a tastemaker at HMV to his evolution into a multidisciplinary executive producer, overseeing diverse ventures including the SO Recordings roster, which is home to artists like Placebo, Enter Shikari, and the expansive Supreme Songs catalog.
D’Silva’s influence is also evident in his pioneering approaches to international licensing, publishing, and the preservation of creator rights. The group has set new industry standards by managing a catalog of over 200,000 works and expanding into documentary production with award-winning films like General Magic. His diverse portfolio has facilitated global collaborations that bridge classical, rock, and cinematic genres across five decades.
Beyond professional achievements, he also helped preserve a piece of musical history by acquiring the Montague Square apartment, once home to John Lennon, Paul McCartney, Jimi Hendrix, and Ringo Starr, which received a Blue Plaque from English Heritage in 2010.
Read the interview with Reynold D’Silva HERE.
Each week, A&R Worldwide shares a snapshot of creatives and executives that we have collaborated or worked with in various music markets around the world, albeit in recent or previous times!
In the ever-evolving landscape of sound, where algorithms often threaten to overshadow artistry, the collective visionaries pictured above serve as a trusted bridge between creators and the global stage.
During this year’s MUSEXPO In Burbank, CA, the above collective wasn’t just a gathering of executives; they were part of a global summit of architects who have played a key role in today’s modern infrastructure for how we discover, consume, and fall in love with music in an authentic and impactful manner.
From Sat Bisla’s relentless championing and curation of emerging international talent and Matt Pinfield’s iconic encyclopedic curation and broadcasting prowess, to the programming impact of Kevin Weatherly and Lisa Worden, both of whom command the airwaves of the world’s most competitive markets, these are the gatekeepers who have been early supporters and champions who have broken countless artists. They were joined by the digital pioneers: Clive Dickens, who transformed traditional broadcasting into a multimedia powerhouse; Jesper Skibsby, whose data-driven transparency empowers independent artists, labels, and rights owners worldwide; Danny Garcia, streamlining the path from studio to playlist; and the legendary Erica Farber, whose leadership has championed the enduring, intimate power of the radio medium across the U.S. and beyond.
Together, these visionaries and entrepreneurs came together to share the insights and inspiration of how audio platforms shape global pop culture and are a trusted curator of sound and connectivity with audiences around the world.
CHLOE PARCHÉ
Chloe Parché leans into her most self-assured era yet with “Silver Bullet,” a bright, hook-heavy single that captures the thrill and chaos of figuring life out in real time. Effortlessly blending sharp pop instincts with a lived-in honesty, the track feels like a snapshot of early adulthood; messy, funny, and quietly transformative. Built on her signature warmth and melodic pull, “Silver Bullet” taps into the idea of searching for quick fixes in moments of uncertainty, only to realize that growth rarely comes that easily. It is a theme that runs deep through her upcoming EP, Sitting Next To Nellie, a project shaped by the emotional highs and lows of her early twenties, where every song feels like a reaction to a different kind of “freak out.” Still just 22, Chloe Parché has already carved out serious momentum. From sold-out headline shows to major festival stages and high-profile supports, she has quickly built a reputation as one of Australia’s most exciting rising voices. Now, she’s gearing up for her Sitting Next To Nellie headline tour, with stops in Sydney, Brisbane, and Melbourne next month. Backed by her tight-knit band of longtime friends, her music carries a sense of authenticity that’s hard to manufacture, and even harder to ignore. Find “Silver Bullet” HERE and reach out to Charlie Hole for more information and available opportunities worldwide on behalf of Chloe Parché.
JERUB
Rising star JERUB returns with “Stay,” a soul-stirring, deeply human single that finds the Nigeria-born, Nottingham-based artist leaning all the way into vulnerability and coming out stronger for it. Built on warm acoustic guitar and his unmistakable, gospel-tinged voice, the track captures that fragile moment where fear tells you to run… but something deeper asks you to remain. Instead of chasing perfection, “Stay” embraces the beauty of imperfection, choosing to love not because it is easy, but because it is real. There is a quiet power in the way JERUB delivers this message. His voice carries both weight and warmth, giving the song an intimacy that feels almost confessional, while still swelling into something anthemic. It is a reminder that connection is not about fixing each other; it is about showing up, scars and all, and deciding to stay anyway. The release builds on a breakthrough moment. His previous single “Kumbaya” not only topped the Official U.K. Christian & Gospel Chart but crossed genres effortlessly, signaling an artist whose reach extends far beyond any one lane. That same crossover appeal lives in “Stay,” blending soul, pop, and folk influences into something that feels both timeless and immediate. “Stay” has already made an impact of its own, debuting at No. 1 on the U.K. iTunes chart and breaking into the Top 30 on the Capital Big Top 40 during its week of release. With a string of sold-out shows, standout TV appearances, a successful showcase at MUSEXPO in Burbank, CA, and a rapidly growing global audience, JERUB is stepping into 2026 with serious momentum. Experience the visual for “Stay” HERE, and reach out to label contact Kim Revie, or Thando Zulu for artist management, as JERUB is available for global brand, sync, collaborations, and support tour opportunities.
“PASSPORT APPROVED” PLAYLIST FOR Sunday, May 10th, 2026: The weekly new music radio show is heard on over 50 radio stations worldwide on six continents weekly including the U.S., Germany, U.K., Canada, Peru, India, Australia, Uganda, Zambia, South Africa, Egypt, Bolivia, Indonesia, Philippines, Holland, Dominican Republic, and many other territories. More information can be found HERE.
ALEX SPENCER – “Farewell to Forever” (Modern Sky, U.K.)
RUM JUNGLE – “Coal Dust” (Sureshaker, Australia)
LUSAINT – “Love Bites Back” (Heavenly Fire, U.K.)
BRIGITTE CALLS ME BABY – “I Can Take the Sun Out of The Sky” (ATO Records, U.S.)
DOTAN – “Last Goodbyes” (Universal Music, Holland)
TEMPLES – “Jet Stream Heart” (Heavenly Recordings, U.K.)
MEEK – “Fabulous” (BMG, U.K.)
BALU BRIGADA – “Politix” (Warner Music Group, Australasia)
SEAFRET FT. JAMES MORRISON – “Driftwood” (Nettwerk, U.K.)
MASTER PEACE – “My Guitar” (PMR Records, U.K.)
TOVE STYRKE – “Prayer” (Bud Fox, Sweden)
THE HAUNTED YOUTH & MAX FRY – “Deathwish” ([PIAS], U.K.)
THOMAS AZIER – “Year In A Spiral” (Hylas Records, Holland)
YONAKA – “Trouble Follows” (Distiller Records, U.K.)
RHETT REPKO – “Bad At Love” (Unsigned, U.S.)
AINA – “Soon You’ll Be Mine” (Unsigned, U.S.)
SEX MASK – “Cold” (Unsigned, Australia)
LOUIS OLIVER – “Tell Me” (Unsigned, U.K.)
JOHNNY ORLANDO – “Have Your Lovin’” (Position Music, U.S.)
OVERPASS – “Sandman” (Communion Records, U.K.)
VELLA – “Somebody Else” (Universal Music, Sweden)
GIRL SCOUT – “Operator” (AWAL, Sweden)
JERUB – “Kumbaya” (Elevate Music, U.K.)
THE SOOKS – “Take It Slow” (Good Intent, Australia)
LIME GARDEN – “All Bad Parts” (So Young Records, U.K.)
CARDINALS – “St. Agnes” (So Young Records, Ireland)
CHLOE PARCHÉ – “Silver Bullet” (AWAL, Australia)
MICHAEL ALDAG – “Superstar” (3 Beat Records, U.K.)
SUNDAY (1994) – “Shame” (RCA Records, U.K.)
THE ENEMY – “Trouble” (The Enemy, U.K.)
FAVOURITE DAUGHTER – “You but Different” (Unsigned, U.K.)
D’MASIV – “Side by Side” (Unsigned, Indonesia)
MIA WRAY – “When We Were Young” (Ivy League Records, Australia)
KOBALT PROMOTES LESLIE AHRENS TO MANAGING DIRECTOR & EVP CREATIVE LATIN AMERICA: Kobalt Music Group has officially announced the promotion of Leslie Ahrens to the role of Managing Director and Executive Vice President of Creative for Latin America. In stepping into her expanded position as Managing Director and EVP, Ahrens will report directly to Jeannette Perez, who serves as President & Chief Commercial Officer. Her new responsibilities will span both creative leadership and operational oversight throughout the Latin American region. She will also continue to oversee and support Kobalt’s extensive roster of Latin artists and collaborators, which features names such as Karol G, Arcángel, Prince Royce, Anuel AA, Natti Natasha, Carlos Vives, Rubén Blades, Enrique Iglesias, Los Temerarios, and Jesús Adrián Romero, among many others. Ahrens originally joined Kobalt’s Creative team in Miami in 2014. Her steady progression within the company led to her being named Vice President of Creative for Latin America in 2016, followed by her promotion to Senior Vice President in 2020. With this appointment, Ahrens takes over leadership of Kobalt’s Latin division from Nestor Casonu, a publishing veteran who is stepping down from his role as President of Latin America to dedicate more time to his personal life. Alongside Ahrens’ promotion, Kobalt has also announced additional leadership advancements within its Latin division. May-Ling Mediavilla has been elevated to Vice President and General Manager for Latin America after previously serving as Senior Director. Meanwhile, Lea Moussa has been promoted to Vice President of Business Development for the region, having formerly held the position of Vice President of Deals and Digital Partnerships for Latin America.
UNITEDMASTERS HIRES ALESSANDRO ‘MOZ’ MORO TO LEAD U.K. DIVISION AND SIGNS NEW ACTS: UnitedMasters is strengthening its footprint in the U.K. by appointing industry veteran Alessandro “Moz” Moro as Sr. A&R to lead its U.K. division. In this role, Moro will partner with Jesse Morav, the company’s VP of A&R, to oversee operations, artist development, and overall growth in the region. Moro brings 15 years of experience across major and independent companies, including Warner Records, Island Records, Platoon, and EMPIRE. Over the course of his career, he has led digital strategy for global stars such as Drake, The Weeknd, and Jessie J, while also working in A&R with artists including Ayra Starr, Teni, and Kwengface. As part of its U.K. expansion, UnitedMasters has also signed a London-based artist Grace Carter and songwriting-production trio Kid Apollo. Carter first gained recognition with her debut single “Silence” and released her debut album A Little Lost, A Little Found in 2023. She has toured with Lewis Capaldi, Dua Lipa, and HAIM, and was featured on both BBC Music’s Sound of 2019 and BBC One’s To Watch 2019 lists. Her upcoming project will be distributed through UnitedMasters. Also, Kid Apollo, made up of Jimmy, Felix, and Theo, joins the U.K. roster after building momentum with their alternative R&B and indie pop sound over the past five years. Their 2023 sophomore EP earned them a spot on Notion’s Undiscovered: Artist’s list, and they recently released their debut UnitedMasters single “Kumbaya” early last month.
ANGINE DE POITRINE SIGNS WORLDWIDE DEAL WITH THIRD SIDE MUSIC: Experimental rock outfit Angine de Poitrine has secured an exclusive global publishing agreement with Third Side Music. Under the deal, Third Side will represent the band’s catalog worldwide and collaborate closely with their management, Spectacles Bonzaï, to pursue creative opportunities across film, television, advertising, gaming, and beyond. The group now joins a roster that includes artists like SOFI TUKKER, BADBADNOTGOOD, Courtney Barnett, and Kurt Vile. The Quebec-based duo, brothers Khn and Klek de Poitrine, have built a global following after a breakout KEXP session went viral, amassing over 13.5 million views on YouTube. Their unique microtonal, avant-garde sound quickly translated into critical acclaim, millions of streams, sold-out shows, and strong radio support from influential stations including BBC 6, KCRW, and CBC. Their single “Fabienk” surged to the top of Spotify’s Viral Songs Global chart and ranked among the most Shazamed tracks worldwide, while their 2024 debut album Vol. I became a highly sought-after release, even commanding resale prices of up to $600 CAD on vinyl. To meet growing global demand, the band has arranged an international physical distribution network, including ATO in the U.S. and Republic of Music internationally, allowing them to release Vol. I and Vol. II worldwide on June 12 without signing to a traditional record label. Additionally, Angine de Poitrine is selling out venues months in advance and embarking on an extensive international tour across Europe, the U.S., Latin America, and Japan. Highlights of their upcoming schedule include opening for Jack White in Toronto and headlining the launch event of the UK’s Great Escape festival, where they will be joined by fellow Third Side Music act Ribbon Skirt.
SM ENTERTAINMENT REPORTS 21% REVENUE GROWTH IN Q1 2026: SM Entertainment (SM) has released its financial results for the first quarter of 2026, highlighting continued growth across its core business areas. For the period ending March 31, the company reported consolidated revenue of 279.1 billion (KRW), marking a 20.6% increase year over year, alongside operating profit of 38.6 billion (KRW), up 18.5% compared to the same quarter in 2025. On a standalone basis, SM posted revenue of 189.3 billion (KRW), representing a 14.4% annual increase. Concert revenue surged by 56.0%, while merchandising and licensing rose by 20.3%, reflecting ongoing expansion of the company’s IP-driven business model. Standalone operating profit reached 38.8 billion (KRW), down 5.9% due to a high comparison base from one-time recorded music revenue in the prior year. Excluding that factor, profits would have grown. Net income on a standalone basis climbed 20.9% to 38.9 billion (KRW). The company’s performance was driven by strong album sales from major artists, expanded global touring, and continued momentum in merchandising and licensing tied to artist IP. Additional contributions came from subsidiaries, including DearU, whose consolidation supported earnings growth, alongside improved results from SM’s broader business network. This reflects SM’s ongoing efforts to diversify its revenue streams, with an increasing share coming from concerts and IP-based activities. During the quarter, global tours from key acts such as SUPER JUNIOR, NCT DREAM, aespa, RIIZE, and NCT WISH helped fuel concert revenue growth.
RAW POWER MANAGEMENT ANNOUNCES NEW LEADERSHIP STRUCTURE: Leading rock management firm Raw Power Management has unveiled a new leadership structure, appointing Matt Ash and Don Jenkins as Joint Chief Executive Officers, while founder Craig Jennings transitions into the role of Executive Chairman. The move is part of a long-term succession plan designed to support the company’s continued global expansion. In their new positions, Ash, based in Los Angeles and with the company since 2008, and London-based Jenkins, who joined in 2012, will take charge of all operational aspects of Raw Power’s worldwide artist management business. Their responsibilities will span strategic direction, artist development, touring, and commercial partnerships as the company further strengthens its international presence. Both executives have been central to Raw Power’s growth. Ash has co-managed Bring Me the Horizon alongside Jennings since 2008, helping steer the band through its Post Human era and into global headliner status, including milestones such as a stadium show in São Paulo and a sold-out performance at Madison Square Garden. He also assisted in launching Raw Power’s U.S. operations and supported the return of At the Drive-In and The Mars Volta. Jenkins, meanwhile, has managed Bullet for My Valentine since 2021, overseeing a successful touring cycle that culminated in their biggest headline show at London’s O2 Arena in 2025. He has also guided Don Broco for more than a decade, including their U.K. No. 1 album Amazing Things, and has worked with The Damned for eight years, helping drive their resurgence with multiple top ten albums and their largest-ever headline show at Wembley Arena earlier this year.
WARNER CHAPPELL NASHVILLE RENEWS GLOBAL DEAL WITH RILEY GREEN: Warner Chappell Music Nashville (WCM) has extended its worldwide publishing agreement with country star Riley Green, continuing a successful partnership. Green recently dominated the 2025 CMA Awards, earning Single, Song, and Music Video of the Year for his collaboration “You Look Like You Love Me” with Ella Langley. His momentum has carried into 2026, where he has picked up multiple nominations, including four at the ACM Awards, marking his first recognition in categories such as Male Artist of the Year, Album of the Year, and Artist-Songwriter of the Year, as well as his first American Music Award nomination for Favorite Male Country Artist. On the charts, Green continues to build his success with consecutive No. 1 hits, including “Don’t Mind If I Do” with Langley and “Worst Way.” The latter marked his sixth chart-topper and made him the first country artist since Taylor Swift to achieve back-to-back solo-written No. 1 singles on the Country Airplay chart. Over the years, he has also teamed up with artists like Luke Combs, Thomas Rhett, and Carly Pearce. Green is currently on the road for his 2026 Cowboy As It Gets Tour, performing across the United States. Austen Adams, President, WCM Nashville, said, “Riley has a natural gift for storytelling, writing songs that pull on your heartstrings from the very first note. Warner Chappell has been a part of his journey for a while, and we knew we wanted to continue building on this incredible momentum. He is a rare special talent, and our team looks forward to continuing to champion his music on a global scale.”
SONY MUSIC GROUP YEARLY REVENUES TOP $13 BILLION: Sony has released financial results for its music division for the fiscal year ending March 31, 2026, reporting strong year-over-year growth across both Recorded Music and Music Publishing. The company’s music segment generated total revenue of 2.1 trillion yen (approximately $13.5 billion USD), representing a 15% increase compared to the previous fiscal year. Sony noted that currency fluctuations had a negative impact of 16.9 billion yen (around $107 million) on overall results. Growth was primarily fueled by stronger streaming revenues in both the Recorded Music and Music Publishing businesses, alongside increased income from live events and merchandise sales within Recorded Music. Physical music sales also posted significant gains, rising 19.2% year over year. Sony Music Publishing recorded revenue growth of 10.5% compared to the prior year. Operating income for the overall music segment climbed 25% year over year to 447 billion yen (approximately $2.85 billion). Sony also stated that, even excluding one-time items, operating income reached an all-time high for the division. On a U.S. dollar basis, streaming revenue growth reached 9% in Sony’s Recorded Music business and 14% in Music Publishing over the full fiscal year. Among the company’s top-performing releases during the period was “Debí Tirar Más Fotos” by Bad Bunny, which emerged as the biggest-selling music project of the year. Other major contributors included releases from SZA, Tate McRae, and Harry Styles. Looking ahead, Sony is forecasting relatively flat growth for its music business in the coming fiscal year. While the company expects continued increases in streaming revenue across both Recorded Music and Music Publishing, it also anticipates declines in live event and merchandising revenue within the Recorded Music segment.
BUCKS MUSIC GROUP SIGNS NIKKI AMBERS: Bucks Music Group has entered into a music publishing administration agreement with songwriter and recording artist Nikki Ambers. Ambers first emerged in the music industry as a member of the trio SoundGirl before launching her solo career at just 16 under the name Little Nikki. Early in her solo journey, she gained recognition through sync placements in Boohoo advertising campaigns featuring her tracks “Little Nikki Says” and “Yoyo.” As a songwriter, Ambers has contributed to releases for artists, including “Towers” from Little Mix’s 2013 album Salute, as well as “Baby Don’t Stop” by NCT U. She also achieved a U.K. Top 10 hit alongside DJ Fresh on “Make U Bounce,” a track she both co-wrote and featured on as Little Nikki. Ambers continued building her profile through collaborations across dance and electronic music, including “Right Before My Eyes” with DJ SKT, the 2019 house track “In My Arms” with Ferreck Dawn and Robosonic, and 2022’s “Higher,” which reunited her with DJ Fresh alongside producer and DJ Used. In addition to her songwriting work, Ambers has also toured as a performer with artists including Justin Bieber, Jaden Smith, Rita Ora, and Rizzle Kicks. Josh Gregg, A&R, Bucks, said, “We’re so excited to be working with Nikki. For publishers, it’s a dream to work with writers who can deliver at this level across such a range of styles. As a writer, vocalist and artist, her talent is undeniable.”
AEG PRESENTS EXPANDS INTO SOUTH KOREA, APPOINTS JONATHAN LEE TO LEAD SEOUL OFFICE: AEG Presents has appointed Jonathan Lee as Managing Director of its newly launched South Korea office, marking a key expansion step for the company in the K-pop touring market. Based in Seoul, Lee will lead the strategy and growth of AEG Presents Korea, overseeing the company’s expansion in one of the world’s most active live entertainment regions. He will report to Michael Harrison, Senior Vice President of Global Touring at AEG Presents. Lee has joined from WPP in Korea, where he most recently served as Business Development Director, focusing on strategic initiatives, partnerships, and mergers and acquisitions. He brings around 20 years of experience across entertainment and marketing, with a strong background in corporate strategy and international business development, including earlier roles at CJ ENM. He holds a degree in Management Science from the University of California, San Diego. “I’m honored to join AEG Presents at such an exciting time for both K-pop and the Korean live entertainment market,” said Lee. “Korea has become one of the most important music markets in the world, with its globally influential fan culture and artist ecosystem continuing to shape the future of live entertainment. I look forward to collaborating with the team to strengthen AEG Presents’ presence in Korea, build meaningful partnerships, and create long-term growth opportunities for both artists and fans.”
BELIEVE PARTNERS WITH GOOGLE: Believe has entered a new partnership with Google to bring the tech giant’s AI-powered music creation platform, Google Flow Music, to artists across Believe and TuneCore. Announced via a Google blog post from Seth Forsgren, Group Product Manager for Flow Music, the collaboration will give artists, producers, and songwriters access to the tool, previously known as ProducerAI, as a “creative collaborator” designed to support songwriting and production. According to Google, Flow Music can assist with everything from developing lyrics and experimenting with melodies or genres to designing new sounds and instruments, helping artists at any stage of the creative process, from early ideas to final refinements. The company also emphasized that it does not claim ownership of content generated through the platform. As part of the initiative, Believe and TuneCore will select a group of artist and producer “ambassadors” who will meet weekly with Google’s product team to provide feedback and help shape the future development of Flow Music. The platform is powered by Google’s Lyria 3 Pro music generation model, introduced earlier this year. For Believe, the partnership reflects its broader strategy around generative AI, positioning it as part of a dual approach to how emerging technologies can be integrated into the modern music creation and distribution ecosystem.
THE WAR AND TREATY SIGN WITH ATLANTIC OUTPOST: The War and Treaty have officially signed with Atlantic Outpost and are preparing to release their debut project with the label, The Story of Michael and Tanya, on June 19. The upcoming album features appearances from Whoopi Goldberg, Valerie June, and Wynonna, and arrives alongside the lead single “Don’t Say Goodbye,” set for release on May 7. According to the label, the album examines the balance between spiritual influences and worldly emotions, blending sacred musical traditions with more contemporary themes. The project also includes contributions from songwriter and producer Babyface, who co-wrote the song “You Can’t Hurt Me Anymore.” The husband-and-wife duo have built a powerful reputation in Americana and country music, earning Americana Music Honors & Awards wins for Duo/Group of the Year in both 2022 and 2023 after first taking home Emerging Artist of the Year in 2019. They were previously signed to Mercury Nashville under Universal Music Group Nashville before departing the label following the release of their 2025 album Plus One. In 2023, The War and Treaty achieved crossover success with “Hey Driver,” their collaboration with Zach Bryan, which reached No. 14 on the Billboard Hot 100. Their genre-spanning appeal also earned them Billboard’s Groundbreaker Award at the 2024 Country Power Players event, recognizing their ability to move seamlessly between platforms such as the CMA Awards, the Newport Jazz Festival, and MusiCares tributes honoring artists like Jon Bon Jovi. The duo is also set to headline a show at Ryman Auditorium on September 13, with tickets going on sale to the public on May 15 through AXS. The new country imprint is overseen by veteran Atlantic Records’ A&R executives Ian Cripps and Jeff Levin. The label’s roster also includes Johnny Blue Skies & the Dark Clouds, Stella Lefty, Sam Barber, and Cameron Whitcomb among its eclectic roster.
RESERVOIR ANNOUNCE PUBLISHING DEAL WITH ADAM KAPIT: Reservoir Media has entered into a new publishing agreement with Los Angeles-based songwriter and producer Adam Kapit, covering his future creative works. Kapit is a multi-Platinum songwriter and producer who has become a highly regarded collaborator within the international pop landscape, working across a wide range of genres and markets. Throughout his career, he has collaborated with artists including Bebe Rexha, Fergie, and Melissa Etheridge, among others, building a reputation for crafting commercially successful and globally resonant music. In addition to his work in Western pop, Kapit has established a strong presence in both K-pop and J-pop, contributing to releases by some of Asia’s most prominent artists and idol groups. His credits include tracks such as “Cherish (My Love)” by ILLIT, as well as “Rose,” “Burning Flower,” and “Bad Love” by HANA. He has also worked with acts including IVE, SHINee, Namie Amuro, FIFTY FIFTY, CHANMINA, Ash Island, f(x), Weeekly, and H1-KEY, among many others. Reservoir and Kapit already share an existing business relationship through the company’s joint venture with RYKA, the songwriting and development company operated by Kapit and his manager, Ryan Cassasa, which focuses on signing and developing emerging songwriting talent.
UNIFIED MUSIC GROUP EXPANDS INTO NEW ZEALAND WITH MATT HARVEY HIRE: UNIFIED Music Group has expanded into New Zealand with its first formal presence in the market through a new appointment and roster integration. The company has brought in Auckland-based music executive Matt Harvey as Sr. Artist Manager, folding his existing roster, which includes acts such as Shapeshifter, Daily J, Mim Jensen, Spell, and former Shihad frontman Jon Toogood, into the UNIFIED network. His day-to-day manager, Mandy Keighley, also joins the company as part of the transition. The move, announced on May 7, marks a significant step in UNIFIED’s trans-Tasman expansion strategy and reflects what the company describes as a long-term commitment to the New Zealand music industry. Jaddan Comerford, Founder & CEO, UNIFIED, said the expansion strengthens the company’s presence across the region and builds on its multi-service model spanning management, recorded music, publishing, live events, and merchandise. Harvey brings experience in the New Zealand and international music scenes, first gaining recognition as a founding member of drum and bass act Concord Dawn before spending a decade touring globally and later transitioning into artist management. The addition of his roster further connects established New Zealand artists to UNIFIED’s broader global infrastructure, which operates across Melbourne, Sydney, Los Angeles, and London, and includes artists such as Vance Joy, Ocean Alley, The Amity Affliction, Dan Sultan, and Teen Jesus and the Jean Teasers.
WARNER MUSIC GROUP CORP. REPORTS RESULTS FOR FISCAL SECOND QUARTER: Warner Music Group has reported strong financial results for the fiscal second quarter ended March 31, 2026, highlighting double-digit revenue growth and continued momentum across its Recorded Music and Music Publishing divisions. For the quarter, total revenue rose 17% year-over-year (12% in constant currency), driven by strong operating performance and continued expansion in streaming. The company noted that Recorded Music streaming growth accelerated due to per-subscriber minimum increases and ongoing market share gains. Net income climbed significantly to $181 million (USD), compared to $36 million in the prior year period. Operating income increased 57% to $264 million from $168 million, while Adjusted OIBDA rose 31% to $397 million (24% in constant currency), reflecting improved operational efficiency and delivery of cost-saving initiatives. Earnings per share increased to $0.35 from $0.07 a year earlier, while adjusted earnings per share rose to $0.44 from $0.32. Cash provided for operating activities also increased, reaching $126 million compared to $69 million in the same quarter last year. The company reiterated expectations for continued margin expansion, projecting performance at the high end of its 150–200 basis point full-year guidance range, supported by strong execution and cost discipline. During the quarter, Warner Music Group also announced a joint venture with Bain, through which it acquired $650 million in Recorded Music and Music Publishing catalogs, further expanding its global rights portfolio. Overall, the results reflect continued growth across Warner Music Group’s core businesses, driven by streaming performance, publishing strength, and strategic catalog investments.
LYRICFIND HIRES FORMER WARNER RECORDS EXEC ALEX BELLISSIMO AS VP OF MARKETING: LyricFind has appointed Alex Bellissimo as its new Vice President of Marketing. In her new position, Bellissimo will report directly to Founder and CEO Darryl Ballantyne and will be responsible for shaping and executing global marketing strategies across both the company’s core lyric licensing business and its creative product offerings. Based in Toronto, Bellissimo joins LyricFind after nearly 15 years with Warner Music Group, where she held a series of senior leadership roles spanning digital operations, commercial revenue, and partnership marketing. Most recently, as Senior Director of Partnership Marketing and Revenue at Warner Records, she led global release strategies and developed multi-platform partnerships across major streaming services, contributing to significant streaming growth for artists such as Dua Lipa, Zach Bryan, Linkin Park, Green Day, Red Hot Chili Peppers, Neil Young, Mac Miller, and Michael Bublé, among others. In her new role, Bellissimo will oversee all marketing efforts at LyricFind, from driving visibility for its core licensing solutions to expanding awareness of its creative tools, including Rotor Videos by LyricFind, a professional-grade video creation platform. She will also lead broader marketing initiatives across audience targeting, advertising creative, sponsorship development, copywriting, and performance analytics, collaborating closely with teams across the organization to strengthen the company’s global presence.
ANGRY MOB MUSIC AND AM2 SIGN MULTIPLE SONGWRITERS AND ARTISTS TO ADMIN AND SYNC DEALS: Angry Mob Music has announced a new Admin + Co-Publishing agreement with AIKO, while also expanding its sync roster through its creative division AM2, with the addition of Ava Della Pietra, Jordan Siegel, and Siv Jakobsen under sync-only deals. This newly introduced Admin+Co-Pub structure blends a traditional administration agreement with a co-publishing component, allowing Angry Mob to manage a writer’s existing catalog under admin terms while co-publishing future works stemming from collaborations facilitated by the company. AIKO has built an international profile following her appearance on the Czech Slovak version of SuperStar and a recent performance in Austin, TX. She has represented Czechia at Eurovision 2024, surpassed ten million Spotify streams, and became the first Czech artist featured in a Times Square ad, and the first Czech female artist included in Spotify’s Equal Campaign. She also earned placements in series such as Elite, Teen Mom, and Love Island and has collaborated with brands like Red Bull, H&M, L’Occitane, Dr. Martens, and MAC Cosmetics. Through AM2, Angry Mob is further strengthening its presence in sync by partnering with a group of creators. Siv Jakobsen has built a global following, accumulating over 50 million streams and touring internationally alongside José González, The Lumineers, and Gregory Alan Isakov, with sync placements spanning TV, film, and major ad campaigns. Ava Della Pietra has achieved nearly 40 million streams and earned over 40 international songwriting and film awards before turning 21, following an early start that included touring Les Misérables at just seven years old and later collaborating with producers across pop music. Meanwhile, Jordan Siegel brings a résumé across film, television, and gaming, with credits including Ant-Man and the Wasp, Shazam! Fury of the Gods, The LEGO Movie 2, The Twilight Zone, WandaVision, Marvel’s Spider-Man, and Halo Infinite. As a performer and arranger, his work has also been featured in series like The Simpsons, The Morning Show, Bob’s Burgers, and The Last of Us, while his orchestral contributions extend to projects with Hozier, Guster, Common, and Babyface.
PALADIN ARTISTS NAMES RICK LEVY CEO: Paladin Artists has named Rick Levy as its new Chief Executive Officer, strengthening the leadership of the Los Angeles and New York–based independent music and live entertainment agency. Levy brings extensive industry experience from his time as a founding partner and Chief Operating Officer at ICM Partners, where he also served as General Counsel and played a key role in the company’s 2012 management-led buyout. Following ICM’s later acquisition by Creative Artists Agency in 2022, he went on to lead the 2023 buyback of Primary Talent International and has also served as Interim CEO of Just For Laughs. The appointment comes alongside Paladin’s confirmation that it is in advanced talks to acquire Entourage Talent Associates, the New York boutique agency founded by Wayne Forte. Forte, also President of NITO, has served on Paladin’s board since its launch in 2021, with the proposed acquisition further formalizing a long-standing working relationship. Founded in 2021 by agents Andy Somers and Steve Martin, later joined by Bruce Solar, Paladin continues to expand its footprint in the independent agency space, building on Forte’s legacy representing artists including David Bowie, The Cure, The Clash, Tedeschi Trucks Band, Joe Satriani, and others.
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IN THE SPOTLIGHT: Mike Caren, Caroline Ellis, Terry McBride, Marc Johlen, Tom Poleman, Chris Knight, Pam Charbit, Mike Daly, Summer Marshall, Erol Yurdagul, Nora Mamdu, Vijay Nair, Karl Kongham, and Wale Davies. 
